ART WIKI
Scene in North Wales, Benjamin Barker, late 18th century-early 19th century
Benjamin BarkerRoyaume-Uni, 1776–1838

Scene in North Wales

late 18th century-early 19th century · Oil painting · 14.3 × 23.8 cm

Peut-on la contempler ?

Pas exposée actuellement

Où est « Scene in North Wales » aujourd’hui ? Collection: Victoria and Albert Museum, Londres. Pas exposée actuellement. Vérifié 25 septembre 2026.

Victoria and Albert Museum

Londres, Royaume-Uni

Elle appartient à la collection, mais n’est pas présentée en ce moment.

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Le musée
Sur la cartePage du musée

Notice

Numéro d’inventaire
E.83-1918

Ce qu’elle montre

Wales

Au catalogue

PeinturesHuilePeinture britanniqueBritish School

Sources

Autres œuvres : Benjamin Barker

Toutes les œuvres
Landscape with Farm Animals, Benjamin Barker, c. 1796–1838

Landscape with Farm Animals

c. 1796–1838 · Non exposée · Cleveland Museum of Art

Houses in a Landscape, Benjamin Barker, c. 1796–1838

Houses in a Landscape

c. 1796–1838 · Non exposée · Cleveland Museum of Art

View of Llandysilio Vale, near Llangollen, Benjamin Barker, late 18th century- early 19th century

View of Llandysilio Vale, near Llangollen

late 18th century- early 19th century · Non exposée · Victoria and Albert Museum

View of Snowdon from Capel Curig, Benjamin Barker, late 18th century- mid 19th century

View of Snowdon from Capel Curig

late 18th century- mid 19th century · Non exposée · Victoria and Albert Museum

Landscape with figures and cattle, Benjamin Barker, ca. 1800-38

Landscape with figures and cattle

ca. 1800-38 · Non exposée · Victoria and Albert Museum

Brecon Town and Bridge, Benjamin Barker, ca. 1800- 1838

Brecon Town and Bridge

ca. 1800- 1838 · Non exposée · Victoria and Albert Museum

Road leading to Pont Aberglaslyn: View looking into the Vale of Festiniog, North Wales, Benjamin Barker, 1804

Road leading to Pont Aberglaslyn: View looking into the Vale of Festiniog, North Wales

1804 · Non exposée · Victoria and Albert Museum

Landscape with village : stormy effect, Benjamin Barker, 1813

Landscape with village : stormy effect

1813 · Non exposée · Victoria and Albert Museum

Sous le même toit : Victoria and Albert Museum

Page du musée
Bird of Paradise, Hashimoto Chitaka, 2026

Hashimoto Chitaka

Bird of Paradise, 2026

Torsion 2, Taruma Shoko, 2025

Taruma Shoko

Torsion 2, 2025

Fu, Someya Satoshi, 2025

Someya Satoshi

Fu, 2025

Bow Before the Curtain Falls, 2024

Bow Before the Curtain Falls, 2024

Summer, 2024

Summer, 2024

Red Flow, Ishizuka Genta, 2024

Ishizuka Genta

Red Flow, 2024

3D replica of Michelangelo's Prisoner (4117-1854), Factum Arte, 2024

Factum Arte

3D replica of Michelangelo's Prisoner (4117-1854), 2024

Sculpture, ‘Co-Existence – the Man and the Monkey’, Zhao Lin, 2024

Zhao Lin

Sculpture, ‘Co-Existence – the Man and the Monkey’, 2024

Sur le même thème · Wales

Toutes les œuvres sur ce thème
Dic Jones, ex Bardic Chair-holder, farmer on school steps where Eisteddfod Englynion contest was held. _In the Night_: "No hymn of birds, no Tremor -- save the sounds of the sea's sad tenor, / The stars ascend in splendor / and the dark creeps round the door." Aberystwyth, Wales April 8, 1995., Allen Ginsberg, 1995

Allen Ginsberg

Dic Jones, ex Bardic Chair-holder, farmer on school steps where Eisteddfod Englynion contest was held. _In the Night_: "No hymn of birds, no Tremor -- save the sounds of the sea's sad tenor, / The stars ascend in splendor / and the dark creeps round the door." Aberystwyth, Wales April 8, 1995., 1995

Non exposée · National Gallery of Art

Poet Dafydd Rowlands above Laugharne Bay & Dylan Thomas' boat-house, we'd drive back from Aberystwyth Eisteddfod englynion competition, met Bardic Chair-holders Dic Jones, & we returned to Swansea Poetry festival where I'd stayed nearly a week, April 8, 1995, Allen Ginsberg, 1995

Allen Ginsberg

Poet Dafydd Rowlands above Laugharne Bay & Dylan Thomas' boat-house, we'd drive back from Aberystwyth Eisteddfod englynion competition, met Bardic Chair-holders Dic Jones, & we returned to Swansea Poetry festival where I'd stayed nearly a week, April 8, 1995, 1995

Non exposée · National Gallery of Art

Welsh Poet Dafydd Rowlands & myself above Laugharne Bay & Dylan Thomas' Boat-house, he'd driven us back from Aberystwyth Eisteddfod englynion competition where we'd met ex-Bardic Chair-holder former Dic Jones, thence we returned to Swansea Poetry Festival where I'd stayed six days, April 5, 1995., Allen Ginsberg, 1995

Allen Ginsberg

Welsh Poet Dafydd Rowlands & myself above Laugharne Bay & Dylan Thomas' Boat-house, he'd driven us back from Aberystwyth Eisteddfod englynion competition where we'd met ex-Bardic Chair-holder former Dic Jones, thence we returned to Swansea Poetry Festival where I'd stayed six days, April 5, 1995., 1995

Non exposée · National Gallery of Art

View on the River Wye, Looking towards Chepstow, John Martin, 1844

John Martin

View on the River Wye, Looking towards Chepstow, 1844

Non exposée · National Gallery of Art

Caerau, Wales, Robert Frank, 1953

Robert Frank

Caerau, Wales, 1953

Non exposée · National Gallery of Art

Ben James, Coal Miner, Robert Frank, 1953

Robert Frank

Ben James, Coal Miner, 1953

Non exposée · National Gallery of Art

Wales, Ben James, Robert Frank, 1953

Robert Frank

Wales, Ben James, 1953

Non exposée · National Gallery of Art

Wales, Ben James, Robert Frank, 1953

Robert Frank

Wales, Ben James, 1953

Non exposée · National Gallery of Art