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San Biagio, Venice, Frederick C. Nightingale, 1868
Frederick C. Nightingale

San Biagio, Venice

1868 · Watercolour · 24.1 × 41.9 cm

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Pas exposée actuellement

Où est « San Biagio, Venice » aujourd’hui ? Collection: Victoria and Albert Museum, Londres. Pas exposée actuellement. Vérifié 25 septembre 2026.

Victoria and Albert Museum

Londres, Royaume-Uni

Elle appartient à la collection, mais n’est pas présentée en ce moment.

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Notice

Numéro d’inventaire
2997-1876

Ce qu’elle montre

VeniceItalie

Au catalogue

Dessins et aquarellesAquarelleRéalismeImpressionnismeXIXe siècle

Sources

Aussi exposées : Victoria and Albert Museum

Page du musée
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Sculpture, ‘Co-Existence – the Man and the Monkey’, Zhao Lin, 2024

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Sur le même thème · Venice

Toutes les œuvres sur ce thème
Palazzo da Mula, Venice, Claude Monet, 1908

Claude Monet

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National Gallery of Art

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Rijksmuseum Amsterdam

Wise-eyed Alan Ansen, Polymath expatriate & eccentric, at San Sammuelle motorscaffe station, half-street from his apartment 3219 della Carrozza where Peter Orlovsky & I spent happy summer 1957- Ansen also hosted Wm. Burroughs & Gregory Corso. Harvard Classics summa cum laude 1942, Poet, critic, he was secretary & Prosodic Conscience to W.H. Auden during early 40’s _Age of Anxiety_, thereafter lifelong intimate of Auden & companion Chester Kallman-- as with William Burroughs whose _Naked Lunch_ & later ravings he helped type & edit in Tangier 1957 & 1961. A familiar at San Remo village bar & Kerouac's companions' revels in late 1940's, he's sketched as "Rollo Grab" in _On the Road_, "Ronald Swenson" in _Visons of Cody_ and _Book of Dreams_, "Austin Bromberg" in _The Subterraneans_ & Amadeus Baroque, _Doctor Sex_...., Allen Ginsberg, 1957, printed 1995

Allen Ginsberg

Wise-eyed Alan Ansen, Polymath expatriate & eccentric, at San Sammuelle motorscaffe station, half-street from his apartment 3219 della Carrozza where Peter Orlovsky & I spent happy summer 1957- Ansen also hosted Wm. Burroughs & Gregory Corso. Harvard Classics summa cum laude 1942, Poet, critic, he was secretary & Prosodic Conscience to W.H. Auden during early 40’s _Age of Anxiety_, thereafter lifelong intimate of Auden & companion Chester Kallman-- as with William Burroughs whose _Naked Lunch_ & later ravings he helped type & edit in Tangier 1957 & 1961. A familiar at San Remo village bar & Kerouac's companions' revels in late 1940's, he's sketched as "Rollo Grab" in _On the Road_, "Ronald Swenson" in _Visons of Cody_ and _Book of Dreams_, "Austin Bromberg" in _The Subterraneans_ & Amadeus Baroque, _Doctor Sex_...., 1957, printed 1995

Non exposée · National Gallery of Art

Venice: The Dogana and San Giorgio Maggiore, Joseph Mallord William Turner, 1834

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National Gallery of Art

The Dogana and Santa Maria della Salute, Venice, Joseph Mallord William Turner, 1843

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Non exposée · National Gallery of Art

Approach to Venice, Joseph Mallord William Turner, 1844

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Approach to Venice, 1844

National Gallery of Art

Venice, from the Porch of Madonna della Salute, Joseph Mallord William Turner, ca. 1835

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Venice, from the Porch of Madonna della Salute, ca. 1835

Metropolitan Museum of Art