ART WIKI
Piazza San Marco, Canaletto, late 1720s
Canaletto, portraitCanalettoItalie, 1697–1768

Piazza San Marco

late 1720s · Painting

Peut-on la voir ?

Oui, exposée actuellement

Où est « Piazza San Marco » aujourd’hui ? Metropolitan Museum of Art, Salle 644, New York. Oui, exposée actuellement. Vérifié 29 septembre 2026.

Metropolitan Museum of Art

New York, États-Unis

Salle644

Ouvert· jusqu’à 21:00

Présentée au public.

Vérifié
Dans cet état depuis
Source
Le musée
Sur la cartePage du musée

Notice

Numéro d’inventaire
1988.162

Ce qu’elle montre

TurmVilleVenice

Au catalogue

PeinturesHuilePeinture italiennePeinture vénitienneRococoXVIIIe siècle

Sources

Dans la vie de Canaletto

La vie entière

  1. 1716–1719 · Lieu de travail

    Venice

  2. 1719 · Lieu de travail

    Rome

  3. 1719–1720

    Rome: Pannini, van Wittel and the turn to the veduta

    In Rome Canal comes to know the work of the vedutista Giovanni Paolo Pannini and begins to paint views of Venice; his love of landscape painting grows stronger through contacts with the Dutch artists working in Rome, in particular Gaspar van Wittel. Soon he probably realises that the conventions of stage design stand in the way of his natural gift.

  4. 1720–1746 · Lieu de travail

    Venice

  5. until 1728

    The association with Joseph Smith begins

    Sometime before 1728 Canaletto begins his association with Joseph Smith, an English businessman and collector living in Venice, who is appointed British Consul there in 1744; Smith will become the artist's principal agent and patron.

  6. c. 1729 – 1735

    Smith as agent: a “market of taste” for the Venetian veduta

    Joseph Smith — a banker, art dealer and later British consul in Venice — creates a “market of taste” for the Venetian veduta among British aristocrats touring Italy and, as Canaletto's commercial agent from about 1729 to 1735, in effect controls the artist's work to the benefit of them both. Among the young painter's buyers is also the Prince of Liechtenstein.

Autres œuvres : Canaletto

Toutes les œuvres
A Lock, a Column, and a Church beside a Lagoon, Canaletto

A Lock, a Column, and a Church beside a Lagoon

Metropolitan Museum of Art

Arrival of the French Ambassador in Venice, Canaletto, 1720s

Arrival of the French Ambassador in Venice

1720s · Musée de l'Ermitage

The Grand Canal, Venice, Looking South toward the Rialto Bridge, Canaletto, 1730s

The Grand Canal, Venice, Looking South toward the Rialto Bridge

1730s · Metropolitan Museum of Art

Campo Santa Maria Zobenigo, Venice, Canaletto, 1730s

Campo Santa Maria Zobenigo, Venice

1730s · Metropolitan Museum of Art

The Grand Canal, Venice, Looking Southeast, with the Campo della Carità to the Right, Canaletto, 1730s

The Grand Canal, Venice, Looking Southeast, with the Campo della Carità to the Right

1730s · Metropolitan Museum of Art

Campo Sant'Angelo, Venice, Canaletto, 1730s

Campo Sant'Angelo, Venice

1730s · Metropolitan Museum of Art

The Grand Canal in Venice from Palazzo Flangini to Campo San Marcuola, Canaletto, about 1738

The Grand Canal in Venice from Palazzo Flangini to Campo San Marcuola

about 1738 · J. Paul Getty Museum

The Square of Saint Mark's, Venice, Canaletto, 1742/1744

The Square of Saint Mark's, Venice

1742/1744 · National Gallery of Art

Dans la même salle · Gallery 644, Metropolitan Museum of Art

Page du musée
Warwick Castle, Canaletto, 1748

Canaletto

Warwick Castle, 1748

Campo Santa Maria Zobenigo, Venice, Canaletto, 1730s

Canaletto

Campo Santa Maria Zobenigo, Venice, 1730s

The Grand Canal, Venice, Looking Southeast, with the Campo della Carità to the Right, Canaletto, 1730s

Canaletto

The Grand Canal, Venice, Looking Southeast, with the Campo della Carità to the Right, 1730s

The Grand Canal, Venice, Looking South toward the Rialto Bridge, Canaletto, 1730s

Canaletto

The Grand Canal, Venice, Looking South toward the Rialto Bridge, 1730s

Campo Sant'Angelo, Venice, Canaletto, 1730s

Canaletto

Campo Sant'Angelo, Venice, 1730s

A Lock, a Column, and a Church beside a Lagoon, Canaletto

Canaletto

A Lock, a Column, and a Church beside a Lagoon

Pirna: The Obertor from the South, Bernardo Bellotto, mid-1750s

Bernardo Bellotto

Pirna: The Obertor from the South, mid-1750s

The Villa Loredan, Paese, Francesco Guardi, early 1780s

Francesco Guardi

The Villa Loredan, Paese, early 1780s

Sur le même thème · Turm

Toutes les œuvres sur ce thème
Landscape with an Obelisk, Rembrandt van Rijn, c. 1650

Rembrandt van Rijn

Landscape with an Obelisk, c. 1650

Non exposée · National Gallery of Art

Landscape with Trees, Farm Buildings and a Tower, Rembrandt van Rijn, c. 1651

Rembrandt van Rijn

Landscape with Trees, Farm Buildings and a Tower, c. 1651

Non exposée · National Gallery of Art

Landscape with a Square Tower, Rembrandt van Rijn, 1650

Rembrandt van Rijn

Landscape with a Square Tower, 1650

Non exposée · National Gallery of Art

Landscape with Trees, Farm Buildings and a Tower, Rembrandt van Rijn, c. 1651

Rembrandt van Rijn

Landscape with Trees, Farm Buildings and a Tower, c. 1651

Non exposée · National Gallery of Art

[Landschaft mit einem viereckigen Turm; Landscape with a Square Tower; Paysage à la tour carrée], Rembrandt, 1650

Rembrandt van Rijn

[Landschaft mit einem viereckigen Turm; Landscape with a Square Tower; Paysage à la tour carrée], 1650

Musée Herzog Anton Ulrich

[Landschaft mit einem viereckigen Turm; Landscape with a Square Tower; Paysage à la tour carrée], Rembrandt, 1650

Rembrandt van Rijn

[Landschaft mit einem viereckigen Turm; Landscape with a Square Tower; Paysage à la tour carrée], 1650

Musée Herzog Anton Ulrich

Church Tower; A Sketch of a Fan [recto], Paul Gauguin, 1884-1888

Paul Gauguin

Church Tower; A Sketch of a Fan [recto], 1884-1888

Non exposée · National Gallery of Art

Die Steinigung des Heiligen Stephanus, Peter Paul Rubens, 1771–1792

Peter Paul Rubens

Die Steinigung des Heiligen Stephanus, 1771–1792

Musée Herzog Anton Ulrich