Samson and Delilah, Gerrit van Honthorst, c. 1616
Gerard van Honthorst, portraitGerard van HonthorstPays-Bas, 1592–1656

Samson and Delilah

c. 1616 · Painting

Peut-on la contempler ?

Oui, elle reçoit

Cleveland Museum of Art

Cleveland, États-Unis

Salle217 Italian Baroque

Présentée au public.

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Le musée

À propos du tableau

Samson et Dalila est un tableau du peintre néerlandais Gerrit van Honthorst, réalisé vers 1616 et conservé au Cleveland Museum of Art (Cleveland, États-Unis).

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Selon le musée

In retaliation for Samson’s single-handed decimation of their army, the Philistines bribed his lover Delilah to discover the source of his strength: his hair, uncut since birth. Samson’s hair was shorn as he lay sleeping in Delilah’s lap, draining his strength and allowing the Philistines to capture him. Honthorst intensified the inherent drama of the scene by limiting his depiction to just three closely packed figures, starkly illuminated by a single candle. The old woman’s silencing gesture involves the viewer in the action, making us complicit in Delilah’s deceit.

Cleveland Museum of Art

Notice

Numéro d’inventaire
1968.23

Au catalogue

Sources

Pendant ce temps, chez Gerard van Honthorst

La vie entière
  1. 1610–1615 · Lieu de travail

    Rome

  2. c. 1610 – 1620

    At the palace of Marquis Giustiniani in Rome

    In Rome Honthorst lodged at the palace of Marquis Vincenzo Giustiniani, where he painted “Christ Before the High Priest” (now in the National Gallery, London), and under Caravaggio's influence took up night scenes lit by a hidden artificial source. Italian documents of his day call him “Gherardo Fiammingo” or “Gherardo Hollandese”: the nickname “Gherardo delle Notti” came into use only in the 18th century.

  3. c. 1610 – 1620

    Commissions from Cardinal Scipione Borghese

    Cardinal Scipione Borghese became another important patron, securing him commissions at San Silvestro in Monte Compatri and Santa Maria della Vittoria in Rome. The artist also worked for Cosimo II de' Medici, Grand Duke of Tuscany.

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Dans la même salle · 217 Italian Baroque, Cleveland Museum of Art

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