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  1. Collection/
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  3. Rotary Demisphere (Precision Optics)
Rotary Demisphere (Precision Optics), Marcel Duchamp, Paris, 1925
Marcel Duchamp, portraitMarcel DuchampFrance, 1887–1968

Rotary Demisphere (Precision Optics)

Paris, 1925 · Sculpture

Peut-on la contempler ?

Elle ne reçoit pas en ce moment

Museum of Modern Art

New York, États-Unis

Elle appartient à la collection, mais n’est pas présentée en ce moment.

Vérifié
il y a 16 jours
Source
Le musée
Sur la cartePage du musée

Notice

Paris, 1925 · à 38 ans
18871968
Numéro d’inventaire
391.1970.a-c

Au catalogue

SculptureMétalModernismeXXe siècle

Sources

  • Museum of Modern Art
  • Image : Museum of Modern Art — © the artist or rights holder

Pendant ce temps, chez Marcel Duchamp

La vie entière
  1. 1923

    Back in Paris, and into chess

    Back in Paris in 1923 he was in essence no longer a practising artist: his main interest became chess, which he studied for the rest of his life to the exclusion of most other activities.

  2. 1924

    Appears in René Clair’s “Entr’acte”

    In René Clair’s short film Entr’acte he is seen briefly playing chess with Man Ray.

  3. 1925

    Becomes a chess master

    He designed the poster for the Third French Chess Championship and played in it himself, finishing at 50 per cent (3–3 with two draws) and earning the title of chess master.

  4. 1927

    Married: Lydie Sarazin-Levassor

  5. 1927–1928

    Divorce from Lydie Sarazin-Levassor

    The marriage of June 1927, rumoured to be one of convenience since the bride was the daughter of a wealthy automobile manufacturer, fell apart within six months: in early January 1928 Duchamp said he could no longer bear the responsibility and confinement of marriage. His wife, distressed by his fascination with chess, glued his pieces to the board.

Autres œuvres : Marcel Duchamp

Toutes les œuvres
In Advance of the Broken Arm, Marcel Duchamp, August 1964 (fourth version, after lost original of November 1915)

In Advance of the Broken Arm

August 1964 (fourth version, after lost original of November 1915) · Museum of Modern Art

Fresh Widow, Marcel Duchamp, original 1920, fabricated 1964

Fresh Widow

original 1920, fabricated 1964 · National Gallery of Art

Why Not Sneeze Rose Sélavy?, Marcel Duchamp, 1964 (replica of 1921 original)

Why Not Sneeze Rose Sélavy?

1964 (replica of 1921 original) · Museum of Modern Art

Pocket Chess Set, Marcel Duchamp, 1944

Pocket Chess Set

1944 · Art Institute of Chicago

Man Seated by a Window, Marcel Duchamp, 1907

Man Seated by a Window

1907 · Non exposée · Museum of Modern Art

Portrait of Yvonne Duchamp, Marcel Duchamp, 1907 or 1909

Portrait of Yvonne Duchamp

1907 or 1909 · Non exposée · Museum of Modern Art

Landscape, Marcel Duchamp, 1908

Landscape

1908 · Non exposée · Museum of Modern Art

Conversation, Marcel Duchamp, 1909

Conversation

1909 · Non exposée · Museum of Modern Art

Sous le même toit : Museum of Modern Art

Page du musée
Rock, Bakers Beach, San Francisco, California, Ansel Adams, c. 1931

Ansel Adams

Rock, Bakers Beach, San Francisco, California, c. 1931

The Olive Trees, Vincent van Gogh, Saint Rémy, June-July 1889

Vincent van Gogh

The Olive Trees, Saint Rémy, June-July 1889

The Starry Night, Vincent van Gogh, 1889

Vincent van Gogh

La Nuit étoilée, 1889

Goat Skull and Bottle, Pablo Picasso, Vallauris, 1951 (cast 1954)

Pablo Picasso

Goat Skull and Bottle, Vallauris, 1951 (cast 1954)

She-Goat, Pablo Picasso, Vallauris, 1950 (cast 1952)

Pablo Picasso

She-Goat, Vallauris, 1950 (cast 1952)

Face in Profile (plate, page 21) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

Face in Profile (plate, page 21) from Corps perdu, 1949, published 1950

Coupling (plate, page 17) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

Coupling (plate, page 17) from Corps perdu, 1949, published 1950

"Présence" (chapter title, page 13) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

"Présence" (chapter title, page 13) from Corps perdu, 1949, published 1950