Rímsky senátor, Jean-Léon Gérôme, 1844–1904
Jean-Léon Gérôme, portraitJean-Léon GérômeFrance, 1824–1904

Rímsky senátor

1844–1904 · Print

Peut-on la voir ?

Inconnu

Où est « Rímsky senátor » aujourd’hui ? Collection: Galerie nationale slovaque, Bratislava. Inconnu.

Galerie nationale slovaque

Bratislava, Slovaquie

Le propriétaire est connu ; on ignore si l’œuvre est exposée aujourd’hui.

Dans cet état depuis
Source
Le musée

Notice

Au catalogue

Sources

Dans la vie de Jean-Léon Gérôme

La vie entière
  1. 1843–1844

    A year in Italy with Delaroche

    In 1843 Delaroche took his pupil with him on a year-long trip to Italy — Rome, Florence, the Vatican, Pompeii. In Naples Gérôme was gripped by gladiators’ armour found at Pompeii, which, in his words, “opened an enormous horizon” for him; in his autobiography he later called that year one of the best of his life.

  2. 1847

    The 1847 Salon: “The Cockfight” and Gautier’s review

    Having finished his first large painting at the end of 1846, Gérôme confessed to Delaroche that it seemed to him “weak and flat”; his teacher advised sending it to the Salon all the same. The canvas was hung high up, yet critics noticed it, Théophile Gautier among them, and “The Cockfight” won a third-class medal: 1847 proved decisive for his career.

  3. 1855

    The 1855 fair: “The Age of Augustus” and “Recreation in a Russian Camp”

    Critics met the huge canvas “The Age of Augustus” (6.2 × 10.15 m) without enthusiasm: they were angered by the belittling of the Nativity and the exaltation of the emperor, and only Gautier left a wholly positive review. The most attention went to the modest “Recreation in a Russian Camp”, painted in a realist spirit; Gérôme was made a knight of the Legion of Honour.

  4. 1856

    Four months in Egypt with Bartholdi

    In 1856 Gérôme spent four months in Egypt with the playwright Augier, the sculptor Bartholdi and other artists; the party hired a boat with cabins. Bartholdi brought a camera and infected Gérôme with his enthusiasm for photography, and from then on Gérôme constantly used photographs as a source of detail for his canvases.

  5. 13 November 1863

    Professor at the École des Beaux-Arts

    An imperial decree of 13 November 1863 stripped the Academy of the right to run the École des Beaux-Arts: three new studios and three professorships were created, one of which went to Gérôme. Starting with sixteen students, he went on in 1864–1904 to give more than two thousand students at least part of their art education.

  6. 10 janvier 1904

    Died

Toutes les œuvres

De la collection : Galerie nationale slovaque

Page du musée