Ensor, JamesBelgique, 1860–1949Rathaus von Audenaerde
Peut-on la contempler ?
Inconnu
Kupferstich-Kabinett
Dresde, Allemagne
Le propriétaire est connu ; on ignore si l’œuvre est exposée aujourd’hui.
- Dans cet état depuis
- Source
- Le musée
Notice
Au catalogue
Sources
- Kupferstich-Kabinett
- Image : Kupferstich-Kabinett — In Copyright
Pendant ce temps, chez Ensor, James
La vie entière1860–1949 · Lieu de travail
Ostend
1880s
Brief trips to France and the Netherlands
Ensor travelled very little: in the 1880s, just three brief trips to France and two to the Netherlands.
1883–1893 · Adhésion
Les XX
1887
Death of his father
His father, James Frederic Ensor, died — a scion of a wealthy English family who never found his footing in Belgium, mocked by small-town Ostend as a drunkard and failure, yet always supportive of his son's passion for art. Left the only man in the family, James felt a special responsibility for his younger sister Mariette (Mitche).
1888–1892
Turning-point years: the Passion of Christ
Ensor turned to religious themes, most often the torments of Christ, expressing through them his disgust at the inhumanity of the world; an atheist, he identified with Christ as a victim of mockery. At the height of his creative powers, between 1886 and 1891, he made 86 of his 133 etchings.
