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2008 · Drawing

Peut-on la contempler ?

Elle ne reçoit pas en ce moment

Museum of Modern Art

New York, États-Unis

Elle appartient à la collection, mais n’est pas présentée en ce moment.

Vérifié: il y a 12 jours
Source: Les données de collection du musée lui-même

Sur la carte Page du musée

Notice

Numéro d’inventaire: 1861.2008

Sources

Museum of Modern Art: the museum's own open data · obtenue il y a 12 jours
Image : Museum of Modern Art — © the artist or rights holder

Toutes les œuvres

Mother, I Clean but it continues to be Dirty

2005 · Non exposée · Museum of Modern Art

Our faces still and transformed by the early morning church bells

2006 · Non exposée · Museum of Modern Art

What to do in order to stop all this waste of life

2006 · Non exposée · Museum of Modern Art

Sous le même toit : Museum of Modern Art

Page du musée

Ansel Adams

Rock, Bakers Beach, San Francisco, California, c. 1931

Vincent van Gogh

The Olive Trees, Saint Rémy, June-July 1889

Vincent van Gogh

La Nuit étoilée, Saint Rémy, June 1889

Pablo Picasso

Goat Skull and Bottle, Vallauris, 1951 (cast 1954)

Pablo Picasso

She-Goat, Vallauris, 1950 (cast 1952)

Pablo Picasso

Face in Profile (plate, page 21) from Corps perdu, 1949, published 1950

Pablo Picasso

Coupling (plate, page 17) from Corps perdu, 1949, published 1950

Pablo Picasso

Radio

Elle ne reçoit pas en ce moment

Notice

Sources

Mother, I Clean but it continues to be Dirty

Our faces still and transformed by the early morning church bells

What to do in order to stop all this waste of life

Sous le même toit : Museum of Modern Art

Rock, Bakers Beach, San Francisco, California, c. 1931

The Olive Trees, Saint Rémy, June-July 1889

La Nuit étoilée, Saint Rémy, June 1889

Goat Skull and Bottle, Vallauris, 1951 (cast 1954)

She-Goat, Vallauris, 1950 (cast 1952)

Face in Profile (plate, page 21) from Corps perdu, 1949, published 1950

Coupling (plate, page 17) from Corps perdu, 1949, published 1950

"Présence" (chapter title, page 13) from Corps perdu, 1949, published 1950

Radio

Elle ne reçoit pas en ce moment

Notice

Sources

Mother, I Clean but it continues to be Dirty

Our faces still and transformed by the early morning church bells

What to do in order to stop all this waste of life

Sous le même toit : Museum of Modern Art

Rock, Bakers Beach, San Francisco, California, c. 1931

The Olive Trees, Saint Rémy, June-July 1889

La Nuit étoilée, Saint Rémy, June 1889

Goat Skull and Bottle, Vallauris, 1951 (cast 1954)

She-Goat, Vallauris, 1950 (cast 1952)

Face in Profile (plate, page 21) from Corps perdu, 1949, published 1950

Coupling (plate, page 17) from Corps perdu, 1949, published 1950

"Présence" (chapter title, page 13) from Corps perdu, 1949, published 1950

Radio

Elle ne reçoit pas en ce moment

Notice

Sources

Autres œuvres : Diango Hernandez

Mother, I Clean but it continues to be Dirty

Our faces still and transformed by the early morning church bells

What to do in order to stop all this waste of life

Sous le même toit : Museum of Modern Art

Rock, Bakers Beach, San Francisco, California, c. 1931

The Olive Trees, Saint Rémy, June-July 1889

La Nuit étoilée, Saint Rémy, June 1889

Goat Skull and Bottle, Vallauris, 1951 (cast 1954)

She-Goat, Vallauris, 1950 (cast 1952)

Face in Profile (plate, page 21) from Corps perdu, 1949, published 1950

Coupling (plate, page 17) from Corps perdu, 1949, published 1950

"Présence" (chapter title, page 13) from Corps perdu, 1949, published 1950

Radio

Elle ne reçoit pas en ce moment

Notice

Sources

Autres œuvres : Diango Hernandez

Mother, I Clean but it continues to be Dirty

Our faces still and transformed by the early morning church bells

What to do in order to stop all this waste of life

Sous le même toit : Museum of Modern Art

Rock, Bakers Beach, San Francisco, California, c. 1931

The Olive Trees, Saint Rémy, June-July 1889

La Nuit étoilée, Saint Rémy, June 1889

Goat Skull and Bottle, Vallauris, 1951 (cast 1954)

She-Goat, Vallauris, 1950 (cast 1952)

Face in Profile (plate, page 21) from Corps perdu, 1949, published 1950

Coupling (plate, page 17) from Corps perdu, 1949, published 1950

"Présence" (chapter title, page 13) from Corps perdu, 1949, published 1950