ART WIKI
Minnesota Morning, Allan D'Arcangelo, 1978
Allan D'ArcangeloÉtats-Unis, 1930–1998

Minnesota Morning

1978 · Multiples, Assemblages · 49.21 × 83.19 cm

Peut-on la voir ?

Pas exposée actuellement

Où est « Minnesota Morning » aujourd’hui ? Collection: Minneapolis Institute of Art, Minneapolis. Pas exposée actuellement. Vérifié 29 septembre 2026.

Minneapolis Institute of Art

Minneapolis, États-Unis

Elle appartient à la collection, mais n’est pas présentée en ce moment.

Vérifié
Dans cet état depuis
Source
Le musée
Sur la cartePage du musée

À propos de l’œuvre

Noted for his Pop-inspired imagery of iconic American highways and road signs, Allan D'Arcangelo's witty three-dimensional representation is an imaginary visualization of the open road as seen from the driver's seat. This stretch of Minnesota highway landscape, devoid of construction zones, pedestrians, potholes, or opposing traffic, is a driver's dream, a hyperreality simulation featuring an actual windshield wiper. Minnesota Morning was printed and fabricated at the Vermillion Editions Limited workshop in Minneapolis.

Minneapolis Institute of Art

Notice

Numéro d’inventaire
P.83.59.19

Au catalogue

EstampesSérigraphieArt contemporainXXe siècleÉtats-Unis

Sources

  • Minneapolis Institute of Art
  • Image : Minneapolis Institute of Art — © Estate Allan D'Arcangelo / Licensed by VAGA at Artists Rights Society (ARS), NY

Autres œuvres : Allan D'Arcangelo

Toutes les œuvres
American Madonna (plate 2) from The International Anthology of Contemporary Engraving: The International Avant-Garde, Volume 5: America Discovered (Anthologia internazionale dell'incisione contemporanea: L'Avanguardia internazionale: Volume 5: Scoperta dell'America), Allan D'Arcangelo, 1962, published 1964

American Madonna (plate 2) from The International Anthology of Contemporary Engraving: The International Avant-Garde, Volume 5: America Discovered (Anthologia internazionale dell'incisione contemporanea: L'Avanguardia internazionale: Volume 5: Scoperta dell'America)

1962, published 1964 · Non exposée · Museum of Modern Art

U.S. Highway 1, Number 5, Allan D'Arcangelo, 1962

U.S. Highway 1, Number 5

1962 · Non exposée · Museum of Modern Art

Landscape I, Allan D'Arcangelo, 1965 (published 1966)

Landscape I

1965 (published 1966) · Non exposée · National Gallery of Art

Landscape I from 11 Pop Artists, Volume I, Allan D'Arcangelo, 1965, published 1966

Landscape I from 11 Pop Artists, Volume I

1965, published 1966 · Non exposée · Museum of Modern Art

Untitled, Allan D'Arcangelo, 1965

Untitled

1965 · Non exposée · Museum of Modern Art

Landscape III from 11 Pop Artists, Volume III, Allan D'Arcangelo, 1965, published 1966

Landscape III from 11 Pop Artists, Volume III

1965, published 1966 · Non exposée · Museum of Modern Art

Landscape II from 11 Pop Artists, Volume II, Allan D'Arcangelo, 1965, published 1966

Landscape II from 11 Pop Artists, Volume II

1965, published 1966 · Non exposée · Museum of Modern Art

Landscape, Allan D'Arcangelo, 1966

Landscape

1966 · Non exposée · Museum of Modern Art

Aussi exposées : Minneapolis Institute of Art

Page du musée
Olive Trees, Vincent van Gogh, 1889

Vincent van Gogh

Olive Trees, 1889

Grainstack, Sun in the Mist, Claude Monet, 1891

Claude Monet

Grainstack, Sun in the Mist, 1891

Lucretia, Rembrandt van Rijn, 1666

Rembrandt van Rijn

Lucretia, 1666

Self-Portrait with Dr. Arrieta, Francisco José de Goya y Lucientes, 1820

Francisco de Goya

Goya et son médecin, 1820

Study for Improvisation V, Vassily Kandinsky, 1910

Vasily Kandinsky

Study for Improvisation V, 1910

Tahitian Landscape, Paul Gauguin, 1891

Paul Gauguin

Tahitian Landscape, 1891

Chestnut Trees at Jas de Bouffan, Paul Cézanne, c. 1885–86

Paul Cézanne

Chestnut Trees at Jas de Bouffan, c. 1885–86

The Union of England and Scotland (Charles I as the Prince of Wales), Peter Paul Rubens, 1633–34

Peter Paul Rubens

The Union of England and Scotland (Charles I as the Prince of Wales), 1633–34