Madonna dell'Impannata, Raphael, 1513
Raphael, portraitRaphaelItalie, 1483–1520

Madonna dell'Impannata

1513 · Painting · 158 × 125 cm

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Où est « Madonna dell'Impannata » aujourd’hui ? Collection: Palais Pitti, Florence. On ignore si elle est exposée aujourd’hui.

Palais Pitti

Florence, Italie

Le propriétaire est connu ; on ignore si l’œuvre est exposée aujourd’hui.

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Numéro d’inventaire
94

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Sources

  • Wikidata
  • Image : Palais Pitti — Raphael · Public domain · Wikimedia Commons

Dans la vie de Raphael

La vie entière
  1. 1508–1520 · Lieu de travail

    Rome

  2. 1511

    Under the spell of Michelangelo's ceiling

    According to Vasari, Bramante let Raphael into the Sistine Chapel secretly, and while painting the Stanza he was clearly influenced by Michelangelo's ceiling, as in his portrait of Michelangelo himself as Heraclitus in “The School of Athens”. Michelangelo accused him of plagiarism and years later complained that “everything he knew about art he got from me”.

  3. 1513

    Leo X becomes pope

    The death of Julius II did not interrupt the work: his successor, the Medici Pope Leo X, became Raphael's last and even closer patron, and Raphael's friend Cardinal Bibbiena was a close friend and adviser of the new pope.

  4. 1514

    Chief architect of St Peter's

    After Bramante's death Raphael became chief architect of the new St Peter's and continued Bramante's construction of the Vatican Loggias, whose vaults his pupils painted.

  5. 1514

    Engaged to Maria Bibbiena

    Raphael became engaged to Cardinal Bibbiena's niece Maria, apparently talked into it by his friend the cardinal and without much enthusiasm: the marriage had still not taken place when she died in 1520. A permanent fixture in his Roman life was “La Fornarina”, Margherita Luti, a baker's daughter.

  6. 1515

    Prefect of the antiquities of Rome

    Raphael was given powers as Prefect over all antiquities unearthed in Rome or within a mile of it: finds had to be reported to him within three days, and inscriptions could not be destroyed without permission. He wrote to the pope proposing ways to halt the destruction of ancient monuments and a survey to record them all.

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