L'Étude. Grisaille., Chassériau, Théodore, 2e quart du XIXe siècle (1825 - 1850)
Théodore Chassériau, portraitThéodore ChassériauFrance, 1819–1856

L'Étude. Grisaille.

2e quart du XIXe siècle (1825 - 1850) · Peintures

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Où est « L'Étude. Grisaille. » aujourd’hui ? Collection: Musée du Louvre, Paris. Pas exposée actuellement. Vérifié 26 septembre 2026.

Musée du Louvre

Paris, France

Elle appartient à la collection, mais n’est pas présentée en ce moment.

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Numéro d’inventaire
INV 20015

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  • Musée du Louvre
  • Image : Musée du Louvre — © 2020 GrandPalaisRmn (musée du Louvre) / Adrien Didierjean

Dans la vie de Théodore Chassériau

La vie entière
  1. 1830

    Enters the studio of Ingres at eleven

    At the age of eleven he is accepted into the studio of Jean-Auguste-Dominique Ingres and becomes the favourite pupil of the great classicist, who regards him as his truest disciple. According to an account that may be apocryphal, Ingres declared that this child would be the “Napoleon of painting”.

  2. after 1834

    Ingres leaves for Rome; Chassériau is drawn to Delacroix

    When Ingres leaves Paris in 1834 to become director of the French Academy in Rome, Chassériau falls under the influence of Eugène Delacroix, whose painterly colorism was anathema to Ingres.

  3. 1836

    First Salon and a third-place medal

    He exhibits for the first time at the Paris Salon and is awarded a third-place medal in the category of history painting.

  4. 1840

    Trip to Italy and the break with Ingres

    In 1840 Chassériau travels to Rome and meets Ingres, whose bitterness at the direction his student’s work is taking leads to a decisive break. In Italy he makes landscape sketches, studies Renaissance frescoes and visits Pompeii.

  5. 1845

    Colossal portrait of Ali-Ben-Hamet at the Salon

    He exhibits at the Salon the colossal portrait “Ali-Ben-Hamet, Caliph of Constantine and Chief of the Haractas, Followed by his Escort”; critics’ reviews are equivocal.

  6. 1846

    First trip to Algeria

    He makes his first trip to Algeria; from the sketches made on this and subsequent trips he later paints his Orientalist subjects.

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