L'étang, Daubigny, Charles-François, 3e quart du XIXe siècle (1870)
Charles François Daubigny, portraitCharles François DaubignyFrance, 1817–1878

L'étang

3e quart du XIXe siècle (1870) · Peintures

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Pas exposée actuellement

Où est « L'étang » aujourd’hui ? Collection: Musée du Louvre, Paris. Pas exposée actuellement. Vérifié 26 septembre 2026.

Musée du Louvre

Paris, France

Elle appartient à la collection, mais n’est pas présentée en ce moment.

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Le musée

Notice

Numéro d’inventaire
RF 1372

Au catalogue

Sources

  • Musée du Louvre
  • Image : Musée du Louvre — © 2026 GrandPalaisRmn (musée du Louvre) / Stéphane Maréchalle

Dans la vie de Charles François Daubigny

La vie entière
  1. 1860s

    His technique influences the future Impressionists

    Daubigny's impasto in the lights, translucent glazes in the shadows and small separate strokes, which earned him both praise and harsh criticism, influenced the future Impressionists in the 1860s. Like them, he cared little for crisp contours and favoured a broad manner.

  2. 1864–1874

    A decade of his finest pictures: forests and lakes

    Daubigny's best-known paintings date from 1864 to 1874 and depict mostly forests and lakes. He was disappointed that the works he considered his finest were not understood by his contemporaries, yet by the end of his life he remained a sought-after and esteemed artist.

  3. 1868

    Helps Monet and Renoir into the Salon

    It was Daubigny who helped young artists, among them Claude Monet and Auguste Renoir, to show their work at the Salon of 1868: his own art had much in common with the younger generation.

  4. 1870

    Franco-Prussian War: back in England

    Because of the Franco-Prussian War, Daubigny went to England again in 1870, where he found his friend Julien de La Rochenoire.

  5. 1870

    Meets Claude Monet in London

    In London Daubigny met Claude Monet, and the two left together for the Netherlands. Back in Auvers-sur-Oise he met Paul Cézanne and other artists later associated with the Impressionists.

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