Charles Le BrunFrance, 1619–1690L'Âge de fer
Peut-on la contempler ?
Elle ne reçoit pas en ce moment
Musée du Louvre
Paris, France
Elle appartient à la collection, mais n’est pas présentée en ce moment.
- Vérifié
- Dans cet état depuis
- Source
- Le musée
Notice
- Numéro d’inventaire
- RF 2000 7
Au catalogue
Sources
- Musée du Louvre
- Image : Musée du Louvre — © 2023 GrandPalaisRmn (musée du Louvre) / Adrien Didierjean
Pendant ce temps, chez Charles Le Brun
La vie entière1660
The Gobelins Manufactory is founded
With Colbert he founds the Gobelins manufactory — at first a great school producing not only tapestries but every kind of furniture required for the royal palaces; Le Brun becomes its director and through it commands the industrial arts.
1660
Paintings for the king's triumphal entry into Paris
Le Brun's paintings for Louis XIV's triumphal entry into Paris fill the king with admiration; a year later, impressed also by his decorations at Vaux-le-Vicomte, he will commission a series on Alexander from him.
1661
A commission for a series on Alexander the Great
Louis XIV commissions from Le Brun a series of paintings from the history of Alexander the Great, meant to show the symbolic link between Alexander's deeds and the splendour of the Sun King; cartoons for the tapestry series “The History of Alexander the Great” (1664 — 1680s) are made from them, and the series is repeated eight times.
1661
He reorganises the Academy with Colbert
When Colbert takes control of the Academy, Le Brun helps him reorganise it so that its members work towards a theoretical foundation for a national French art.
