La Pietà, Tura, Cosmè, 3e quart du XVe siècle (1450 - 1475)
Cosmè Tura, portraitCosmè TuraItalie, 1430–1495

La Pietà

3e quart du XVe siècle (1450 - 1475) · Peintures

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Où est « La Pietà » aujourd’hui ? Musée du Louvre, Salle 710, Aile Denon, Niveau 1, Paris. Oui, exposée actuellement. Vérifié 26 septembre 2026.

Musée du Louvre

Paris, France

Salle710, Aile Denon, Niveau 1

Fermé· ouvre demain à 9:00

Présentée au public.

Vérifié
Dans cet état depuis
Source
Le musée

Notice

Numéro d’inventaire
MI 485

Au catalogue

Sources

  • Musée du Louvre
  • Image : Musée du Louvre — © 2023 GrandPalaisRmn (musée du Louvre) / Adrien Didierjean

Dans la vie de Cosmè Tura

La vie entière
  1. 1451–1452

    First records: decorating objects for the Este court

    Documents of 1451–1452 mention him for the first time: he decorates objects for the Este court, such as flags bearing the family's coats of arms for display at the Castle and a helmet to be awarded as a tournament prize. Such commissions were a staple of a workshop and a major source of income.

  2. mid-1452 – April 1456

    Years away from Ferrara: probably Padua

    From mid-1452 to April 1456 Tura's name does not appear in Ferrarese documents; scholars suggest he spent these years in Padua, in the workshop of Francesco Squarcione, which produced Andrea Mantegna, Carlo Crivelli and Michael Pacher, and perhaps also in Venice. Paduan influence can be seen in many of his works.

  3. 1456

    Return to Ferrara and the Este court

    Returns to Ferrara and appears on the court salary rolls with residence in the Castle — the post of court painter had fallen vacant with the death of Angelo di Pietro da Siena (Maccagnino) on August 5, 1456; other accounts give 1458 for his official appointment. He works for Borso and then for Ercole I d'Este: painting, designing sets for festivals and tournaments, court costumes and furnishings, and drawing tapestry cartoons.

  4. 1458–1459

    A possible meeting with Piero della Francesca

    Piero della Francesca may have met Tura in person in Ferrara in 1458–1459; from him Tura borrowed a sense of geometric spatial construction, a monumental spirit and a use of sharp, clear lighting, above all in his backgrounds.

  5. by 1460

    A court stipend; pupils del Cossa and Bianchi

    By 1460 the court gives Tura a stipend. His known pupils include Francesco del Cossa and Francesco Bianchi (Bianchi Ferrari).

  6. 1471

    Court portraitist under Ercole I

    With the rise to power of Ercole I d'Este he is appointed court portraitist, a role he keeps until 1486; according to documents he painted many portraits of members of the Este family, often to be sent to other rulers when marriage alliances were made, but almost all are lost. He also worked on the decoration of rooms, studies and the library of Giovanni Pico della Mirandola.

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