Medardo RossoItalie, 1859–1928Impression in an Omnibus
Peut-on la voir ?
Pas exposée actuellement
Où est « Impression in an Omnibus » aujourd’hui ? Collection: Minneapolis Institute of Art, Minneapolis. Pas exposée actuellement. Vérifié 12 octobre 2026.
Minneapolis, États-Unis
Elle appartient à la collection, mais n’est pas présentée en ce moment.
- Vérifié
- Dans cet état depuis
- Source
- Le musée
À propos de la sculpture
Like his counterparts who were changing the face of late 19th century painting through their experimentation with Impressionism, Medardo Rosso brought a new language to sculpture. His preference was always for soft forms, made out of material that seems perpetually on the verge of dissolution. His most innovative sculptures were made out of wax - reminiscent for Minnesotans of the famous butter sculptures at the State Fair.
In fact, Rosso's sculptures often have an unstable and faintly organic quality. Looking like ghostly apparitions in the process of decay, they have sometimes been referred to as memory sculptures. Illusive, fragile, and seemingly fleeting, their sense of vulnerability evokes a particularly morbid curiosity.
Minneapolis Institute of Art
Notice
- Numéro d’inventaire
- 70.16
Au catalogue
Sources
- Minneapolis Institute of Art
- Image : Minneapolis Institute of Art — public domain
Dans la vie de Medardo Rosso
La vie entière1884–1886 · Lieu de travail
Paris
1886–1889 · Lieu de travail
Milan
1887 · Lieu de travail
Venice
1888 · Lieu de travail
London
1889–1901 · Lieu de travail
Paris
