Het zieke kind, Gabriël Metsu, c. 1664 - c. 1666
Gabriël Metsu, portraitGabriël MetsuPays-Bas, 1629–1667

Het zieke kind

c. 1664 - c. 1666 · Painting

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Rijksmuseum Amsterdam

Amsterdam, Pays-Bas

Salle2.25 · Painting

Présentée au public.

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À propos du tableau

The Sick Child (Dutch: Het zieke kind) or The Sick Girl is an oil on canvas genre painting by the Dutch artist Gabriël Metsu, created c. 1660. It has been held by the Rijksmuseum, in Amsterdam, since it was bought in 1928, with assistance from the Vereniging Rembrandt at a sale of works from the collection of Oscar Huldschinsky in Berlin.

Metsu painted in a variety of styles and genres through his artistic career. He painted The Sick Child towards the end of his life, when his style resembled Pieter de Hooch or Johannes Vermeer, with bright light, weak shadows, and fresh even colours, but with thicker paint and coarser brushstrokes so a less refined style than Vermeer. The painting was probably made after an outbreak of the bubonic plague in Amsterdam from 1663 to 1666: this last epidemic in Amsterdam killed a tenth of the population.

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The painting measures 32.2 cm × 27.2 cm (12.7 in × 10.7 in). The composition resembles a Pietà: a mother is cradling her listless child, probably a girl, on her lap, recalling religious works depicting the Virgin Mary cradling the dead body of Jesus. The positions of the mother and the child create diagonals crossing near the mother's heart. The child gazes out vacantly past the viewer and into the distance, with her mother leaning over her attentively. The mother's bright red skirt and blue apron, and the child's yellow and white clothes, contrast with the otherwise muted tones of the room. A pot with a spoon lies unheeded on a table to the left, with the child too lethargic to eat. To the right, some clothes lie on a chair. Hanging on the wall is a map of Europe, which bears the artist's signature "G. Metsue", and a drawing of Christ on the cross, echoing the suffering in the room.

It is possible that Metsu's wife Isabella was the model for the mother in the painting: the woman wears the cap of a married woman and a wedding ring, and the earrings are seen in earlier portraits of Isabella (c.1658). The child may be theirs, although none is recorded, or possibly the child of Metsu's patron Jan Jacobszoon Hinlopen, whose family Metsu had painted in 1661 and 1663 (see Metsu's Portrait of the Family Hinlopen): Hinlopen's daughter Geertruit died of measles aged 19 months in August 1663.

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Selon le musée

In 1663, the plague ravaged Amsterdam, claiming one in ten lives. Around this time, Metsu painted this picture of a mother comforting her sick child. Their posture evokes a pieta: the Virgin Mary with the body of Jesus on her lap. The painting on the wall, depicting Christ on the cross, serves as a poignant reminder of that suffering.

Rijksmuseum Amsterdam

Notice

Numéro d’inventaire
SK-A-3059

Ce qu’elle montre

Au catalogue

Allées et venues

  1. Exposée · Room 2.25 · Painting

    Rijksmuseum Amsterdam · 29 sept. 2026 — aujourd’hui · Vérifié

  2. On ignore si elle était exposée

    Rijksmuseum Amsterdam · Non confirmé

Sources

Pendant ce temps, chez Gabriël Metsu

La vie entière
  1. 1657–1667 · Lieu de travail

    Amsterdam

  2. 1662

    Jan Vos’s poem on “Visit to the Nursery”

    Jan Vos published a poem about this painting, which belonged to Jan Hinlopen: the scene is set in an imaginary room of unrealistically large proportions, and hung in the reception room of Hinlopen’s house it alluded to his powerful role in local politics.

  3. 24 octobre 1667

    Died

Toutes les œuvres

Dans la même salle · Room 2.25 · Painting, Rijksmuseum Amsterdam

Page du musée

Sur le même thème · Mother and son(s) (family group)

Toutes les œuvres sur ce thème