Family Group, Henry Moore, 1948-49 (cast 1950)
Henry Moore, portraitHenry MooreAngleterre, 1898–1986

Family Group

1948-49 (cast 1950) · Sculpture

Peut-on la contempler ?

Elle ne reçoit pas en ce moment

Museum of Modern Art

New York, États-Unis

Elle appartient à la collection, mais n’est pas présentée en ce moment.

Vérifié
Source
Le musée

Notice

Numéro d’inventaire
146.1951

Au catalogue

Sources

Pendant ce temps, chez Henry Moore

La vie entière
  1. 1940–1986

    A bomb in Hampstead: the move to Hoglands

    In September 1940 bomb shrapnel hit the Moores’ Hampstead home and they left London for Hoglands, a farmhouse in the hamlet of Perry Green near Much Hadham in Hertfordshire. It remained Moore’s home and workshop for the rest of his life; though he grew wealthy he never felt the need to move to larger premises.

  2. March 1946

    The birth of his daughter Mary

    After several earlier miscarriages Irina gave birth to their only child, Mary, in March 1946, named after Moore’s mother. The loss of his mother and the arrival of the baby focused his mind on the family, which he expressed in many mother-and-child compositions.

  3. 1946–1947

    A retrospective at MoMA and his first trip to America

    In 1946 a retrospective of Moore’s work opened at the Museum of Modern Art in New York, and he made his first visit to America. The exhibition brought him fame as one of the finest masters of the twentieth century.

  4. 1948

    The Venice Biennale prize

    In 1948 Moore won the International Sculpture Prize at the Venice Biennale.

  5. 1951

    Turns down a knighthood

    In 1951 Moore declined a knighthood, feeling that it would make him seem an establishment figure and might cut him off from fellow artists with similar aims. He later accepted the Order of the Companions of Honour (1955) and the Order of Merit (1963).

  6. 1951

    “Reclining Figure: Festival” at the Festival of Britain

    At the 1951 Festival of Britain Moore exhibited Reclining Figure: Festival, a plaster typical of his later manner: an abstract female figure intercut with voids.

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