Evervess II 1, Joseph Beuys, 1968
Joseph Beuys, portraitJoseph BeuysAllemagne, 1921–1986

Evervess II 1

1968 · Multiple

Peut-on la contempler ?

Elle ne reçoit pas en ce moment

Museum of Modern Art

New York, États-Unis

Elle appartient à la collection, mais n’est pas présentée en ce moment.

Vérifié
Source
Le musée

Notice

Numéro d’inventaire
912.2005.a-c

Au catalogue

Sources

Pendant ce temps, chez Joseph Beuys

La vie entière
  1. 1960s

    Forms the idea of “social sculpture”

    Drawing on Novalis and Schiller and on Rudolf Steiner's ideas of social threefolding, Beuys developed the concept of social sculpture: society as a whole is one great work of art to which everyone can contribute creatively (“everyone is an artist”).

  2. 1967

    Founds a party made up of students

    In June 1967, during a student demonstration in West Berlin, a participant died after a clash with the police; in response Beuys created a political party made up solely of students, demanding student self-government and free admission to university for anyone who wished.

  3. 27 juin 1968 – 6 octobre 1968

    Exhibition: 4. documenta

  4. 1969

    Calls teaching his greatest work

    In a 1969 Artforum interview with Willoughby Sharp, Beuys added to his famous statement that teaching is his greatest work of art: the rest is merely waste product and demonstration.

  5. 1970

    In Scotland with Demarco: the idea of “7000 Oaks”

    Invited by Richard Demarco, Beuys came to Scotland; at Loch Awe and Rannoch Moor he first conceived the necessity of “7000 Oaks”.

  6. 1970

    The 1970 Edinburgh Festival: “Arena” and “The Pack”

    In August 1970, at the Edinburgh International Festival, Beuys, with Günther Uecker, Blinky Palermo, Robert Filliou and other Düsseldorf artists, showed the retrospective “Arena” and the installation “The Pack” and performed “Celtic Kinloch Rannoch”, using a blackboard for the first time; a year later he developed the action in Basel as “Celtic+”.

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