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  1. Collection/
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  3. Equivalent
Equivalent, Alfred Stieglitz, 1929
Alfred Stieglitz, portraitAlfred StieglitzÉtats-Unis, 1864–1946

Equivalent

1929 · Photograph · 11.91 × 9.21 cm

Peut-on la contempler ?

Elle ne reçoit pas en ce moment

Minneapolis Institute of Art

Minneapolis, États-Unis

Elle appartient à la collection, mais n’est pas présentée en ce moment.

Vérifié
il y a 3 jours
Dans cet état depuis
25 sept. 2026
Source
Le musée
Sur la cartePage du musée

Notice

1929 · à 65 ans
18641946
Numéro d’inventaire
83.152

Au catalogue

PhotographiesTirage gélatino-argentiqueModernismeXXe siècleÉtats-Unis

Sources

  • Minneapolis Institute of Art
  • Image : Minneapolis Institute of Art — © Minneapolis Institute of Art

Pendant ce temps, chez Alfred Stieglitz

La vie entière
  1. 1929

    O'Keeffe leaves for New Mexico

    In 1929 O'Keeffe moved to New Mexico, where she created her famous series of desert landscapes and gained recognition and financial security. When she returned to New York, Stieglitz's affair with his pupil Dorothy Norman was over, but they could not restore their former relationship.

  2. May 1929

    His gallery to be demolished: depression at Lake George

    In early 1929 Stieglitz was told that the building housing his gallery would be torn down. After a final show of Demuth's work in May he retreated to Lake George exhausted and depressed, and when the Strands raised nearly sixteen thousand dollars for a new gallery he reacted harshly, saying it was time for the “young ones” to do some of the work.

  3. 15 December 1929

    Opens An American Place

    On December 15, 1929, Stieglitz opened An American Place, the largest gallery he had ever managed, with the first darkroom of his own in the city. For sixteen years he showed his friends Marin, Demuth, Hartley, Dove and Strand there, and O'Keeffe received at least one major exhibition each year.

Autres œuvres : Alfred Stieglitz

Toutes les œuvres
The Hand of Man, Alfred Stieglitz, 1902

The Hand of Man

1902 · Museum of Modern Art

Snapshot—In the New York Central Yards, Alfred Stieglitz, 1903

Snapshot—In the New York Central Yards

1903 · Museum of Modern Art

The Steerage, Alfred Stieglitz, 1907

The Steerage

1907 · Museum of Modern Art

Old and New New York, Alfred Stieglitz, 1910

Old and New New York

1910 · Art Institute of Chicago

Washerwomen at Riva del Garda, Alfred Stieglitz, 1887, printed 1929/1934

Washerwomen at Riva del Garda

1887, printed 1929/1934 · Non exposée · National Gallery of Art

The Street Paver, Alfred Stieglitz, 1893, printed 1929/1934

The Street Paver

1893, printed 1929/1934 · Non exposée · National Gallery of Art

Weary, Alfred Stieglitz, 1890, printed 1929/1934

Weary

1890, printed 1929/1934 · Non exposée · National Gallery of Art

Stones of Venice, Chioggia, Alfred Stieglitz, 1887, printed 1929/1934

Stones of Venice, Chioggia

1887, printed 1929/1934 · Non exposée · National Gallery of Art

Sous le même toit : Minneapolis Institute of Art

Page du musée
Olive Trees, Vincent van Gogh, 1889

Vincent van Gogh

Olive Trees, 1889

Grainstack, Sun in the Mist, Claude Monet, 1891

Claude Monet

Grainstack, Sun in the Mist, 1891

Lucretia, Rembrandt van Rijn, 1666

Rembrandt van Rijn

Lucretia, 1666

Self-Portrait with Dr. Arrieta, Francisco José de Goya y Lucientes, 1820

Francisco de Goya

Goya et son médecin, 1820

Study for Improvisation V, Vassily Kandinsky, 1910

Vasily Kandinsky

Study for Improvisation V, 1910

Tahitian Landscape, Paul Gauguin, 1891

Paul Gauguin

Tahitian Landscape, 1891

Chestnut Trees at Jas de Bouffan, Paul Cézanne, c. 1885–86

Paul Cézanne

Chestnut Trees at Jas de Bouffan, c. 1885–86

The Union of England and Scotland (Charles I as the Prince of Wales), Peter Paul Rubens, 1633–34

Peter Paul Rubens

The Union of England and Scotland (Charles I as the Prince of Wales), 1633–34