Albrecht DürerAllemagne, 1471–1528Die Hexe - Witch Riding on a Goat
Peut-on la contempler ?
Elle ne reçoit pas en ce moment
Minneapolis Institute of Art
Minneapolis, États-Unis
Elle appartient à la collection, mais n’est pas présentée en ce moment.
- Vérifié
- Dans cet état depuis
- Source
- Le musée
À propos de l’œuvre
La Sorcière est une gravure sur cuivre au burin datée vers 1500, de l'artiste de la Renaissance allemande Albrecht Dürer (1471-1528).
Selon le musée
Albrecht Dürer eventually brought a scientific and mathematical mindset to his art, but early in his career, dark and mysterious forces often stoked his imagination. In this engraving, a witch rides backwards on a flying goat, while putti cavort below. One of these capricious baby angels struggles to retain control of the unstable sphere of fate, which can roll in unpredictable directions. Another precariously supports a potted topiary plant, perhaps a symbol of man’s attempts to tame nature. Dürer signed his monogram backwards, confirmation that witchcraft has pushed the world off-kilter.
Minneapolis Institute of Art
Notice
- Numéro d’inventaire
- 2014.117.2
Ce qu’elle montre
Au catalogue
Allées et venues
Non exposée en ce moment
Minneapolis Institute of Art · 29 sept. 2026 — aujourd’hui · Vérifié
Non exposée en ce moment
National Gallery of Art · 29 sept. 2026 — 29 sept. 2026 · Vérifié
Non exposée en ce moment
Minneapolis Institute of Art · 28 sept. 2026 — 29 sept. 2026 · Vérifié
Non exposée en ce moment
National Gallery of Art · 27 sept. 2026 — 28 sept. 2026 · Vérifié
Non exposée en ce moment
Rijksmuseum Amsterdam · 26 sept. 2026 — 27 sept. 2026 · Vérifié
Non exposée en ce moment
National Gallery of Art · 26 sept. 2026 — 26 sept. 2026 · Vérifié
Non exposée en ce moment
Rijksmuseum Amsterdam · 25 sept. 2026 — 26 sept. 2026 · Vérifié
Sources
- Minneapolis Institute of Art
- Image : Minneapolis Institute of Art — public domain
Pendant ce temps, chez Albrecht Dürer
La vie entière1500
Jacopo de' Barbari and the secret of proportion
The Venetian Jacopo de' Barbari, whom Dürer had met in Venice, came to Nuremberg, and Dürer said he learned much from him about perspective, anatomy and proportion. Feeling that de' Barbari would not explain everything he knew, Dürer began studies of his own that became a lifelong preoccupation.
1501–1502
In the circle of Nuremberg's humanists
Through his lifelong friend Willibald Pirckheimer, Dürer entered the circle of Nuremberg's humanists. He engraved illustrations for Conrad Celtis's editions of Hrotsvitha (1501) and of his Four Books of Love (1502), and decorated 14 books in Pirckheimer's library with drawings.
1502
Death of his father
Albrecht Dürer the Elder died, and his son took on the care of his mother and his two younger brothers, Endres and Hans.
![Madonna and Child [obverse], Albrecht Dürer, c. 1496/1499](https://api.nga.gov/iiif/878db7e6-10ae-4cae-ba5d-6d6f5c413ae8/full/!2400,2400/0/default.jpg)
![Lot and His Daughters [reverse], Albrecht Dürer, c. 1496/1499](https://api.nga.gov/iiif/7565a449-f82a-414b-9bda-c93f55a51b4d/full/!2400,2400/0/default.jpg)
