Edward SteichenÉtats-Unis, 1879–1973Dawn--Flowers
Peut-on la contempler ?
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Minneapolis Institute of Art
Minneapolis, États-Unis
Elle appartient à la collection, mais n’est pas présentée en ce moment.
- Vérifié
- avant-hier
- Dans cet état depuis
- 25 sept. 2026
- Source
- Les données de collection du musée lui-même
Notice
- Numéro d’inventaire
- 64.34.2.4
Au catalogue
Sources
- Minneapolis Institute of Art: the museum's own open data · obtenue il y a 6 jours
- Image : Minneapolis Institute of Art — © Minneapolis Institute of Art
Pendant ce temps, chez Edward Steichen
La vie entière1902
The Camera Work logo and the Photo-Secession
When Stieglitz is planning the magazine that becomes Camera Work, he asks Steichen to design its logo with a custom typeface; Steichen becomes the most frequently shown photographer in the journal. In the same year he is one of the founders of the Photo-Secession in New York.
1904
First experiments with colour photography
He begins experimenting with colour photography and becomes one of the earliest in the United States to use the Autochrome Lumière process.
1 juillet 1904
Daughter born: Mary Calderone
1905
The Little Galleries of the Photo-Secession
With Stieglitz he creates the Little Galleries of the Photo-Secession in what had been Steichen’s portrait studio; the gallery later becomes known as 291 after its address and presents some of the first American exhibitions of Rodin, Matisse, Cézanne, Picasso and Brâncuși. Constantly crossing between Europe and the US by steamship, he becomes, in the art historian William A. Ewing’s words, one of the earliest “jet setters,” bringing European art to America.
