Cypress, Pebble Beach, Edward Weston, 1932
Edward Weston, portraitEdward WestonÉtats-Unis, 1886–1958

Cypress, Pebble Beach

1932 · Photograph

Peut-on la contempler ?

Elle ne reçoit pas en ce moment

National Gallery of Art

Washington, États-Unis

Elle appartient à la collection, mais n’est pas présentée en ce moment.

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Numéro d’inventaire
2020.29.81

Ce qu’elle montre

Au catalogue

Sources

Pendant ce temps, chez Edward Weston

La vie entière
  1. 1930–1931

    A series of one-man exhibitions, 1930–1931

    The first is at Alma Reed’s Delphic Studio Gallery in New York, followed closely by the same show at the Denny Watrous Gallery in Carmel; both receive rave reviews, including a two-page article in the New York Times Magazine. Shows at the De Young Museum in San Francisco and the Galerie Jean Naert in Paris follow.

  2. 1932

    The first book on his work: “The Art of Edward Weston”

    The Art of Edward Weston, edited by Merle Armitage, is published, the first book devoted exclusively to Weston’s work; it is dedicated to Alice Rohrer, an admirer and patron whose $500 donation helped pay for its publication.

  3. 1932

    The Group f/64 exhibition at the De Young Museum

    A small group of like-minded photographers in the San Francisco area, led by Van Dyke and Ansel Adams, inspired by Weston’s show at the De Young Museum the previous year, approach the museum with the idea of a group exhibition; calling themselves Group f/64, they open a show of 80 of their prints there in November 1932, and it is a critical success.

  4. 1933

    Buys a 4 × 5 Graflex camera

    The new camera is much smaller and lighter than the large view camera he had used for many years; he begins taking close-up nudes of Noskowiak and other models — the smaller camera lets him interact more with them — and the nudes begin to resemble the contorted roots and vegetables he had photographed the year before.

  5. early 1934

    Meets Charis Wilson at a concert

    Meeting Charis Wilson at a concert, he is immediately captivated by her beauty and personality, even more than with his previous lovers; a new and important chapter opens in his life. He writes that a new and most beautiful love has come into his life, one that he believes will stand the test of time.

  6. 1934

    Stops writing his Daybooks

    Perhaps because of the intensity of his new relationship, he stops writing in his Daybooks, and six months later makes one final entry, looking back from 22 April: Charis, he writes, may be remembered as the great love of his life.

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