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  1. Collection/
  2. Victoria and Albert Museum/
  3. Cupids as Caryatids
Cupids as Caryatids, possibly John Michael Rysbrack, ca. 1730

Cupids as Caryatids

ca. 1730 · Relief

À propos de la sculpture

This terracotta relief together with its pendant (Mus.no. 7717-1863) were made as sketch models for a larger composition in marble; this may have been a doorway, a grand chimneypiece, or perhaps a monument. Part of the finished work is in the Museum's collection (A.4-1990).

Lire la suite

Rysbrack was born in Antwerp, and trained in the Netherlands, but spent his working life in Britain. He was one of the most important sculptors active in this country in the first half of the 18th century, and specialised in portrait busts and funerary monuments. Although he never visited Italy, many of his works are clearly indebted to classical archetypes. His terracotta models are particularly fine, and are often virtually finished pieces in their own right. Here it is interesting to note the slight changes which took place between the design of the terracotta relief and the final marble, especially in the areas of the moulding.

Victoria and Albert Museum

Notice

Numéro d’inventaire
7718-1863

Autres œuvres : possibly John Michael Rysbrack

Toutes les œuvres

Dans la même salle · Sculpture, Room 22, The Dorothy and Michael Hintze Galleries, Victoria and Albert Museum

Page du musée

Sur le même thème · Putti

Toutes les œuvres sur ce thème
Ppossibly John Michael Rysbrack

Peut-on la contempler ?

Oui, elle reçoit

Victoria and Albert Museum

Londres, Royaume-Uni

SalleSculpture, Room 22, The Dorothy and Michael Hintze Galleries

Présentée au public. Qui s’en porte garant est indiqué ci-dessous.

Vérifié
il y a 12 jours
Dans cet état depuis
25 sept. 2026
Source
Le musée
Sur la cartePage du musée

Ce qu’elle montre

Putti

Au catalogue

SculptureTerre cuite et céramiqueRococoXVIIIe siècleAngleterre

Sources

  • Victoria and Albert Museum
  • Image : Victoria and Albert Museum — © Victoria and Albert Museum, London
Cupids as Caryatids, possibly John Michael Rysbrack, ca. 1730

Cupids as Caryatids

ca. 1730 · Victoria and Albert Museum

Two Putti supporting and Architrave, possibly John Michael Rysbrack, ca. 1730

Two Putti supporting and Architrave

ca. 1730 · Victoria and Albert Museum

Model for Wellington Monument: Truth and Falsehood, Alfred George Stevens, 1867-8

Alfred Stevens

Model for Wellington Monument: Truth and Falsehood, 1867-8

Valour and Cowardice, Alfred George Stevens, 1866

Alfred Stevens

Valour and Cowardice, 1866

Pandora, John Gibson, 1856

John Gibson

Pandora, 1856

Eve listening to the voice, Edward Hodges Baily, 1842

Edward Hodges Baily

Eve listening to the voice, 1842

Maternal Affection, Edward Hodges Baily, 1837

Edward Hodges Baily

Maternal Affection, 1837

Catherine, Lady Stepney (d. 1845) as Cleopatra, Richard Cockle Lucas, ca. 1836

Richard Cockle Lucas

Catherine, Lady Stepney (d. 1845) as Cleopatra, ca. 1836

Nicolò Paganini, Henry Westmacott, 1832

Henry Westmacott

Nicolò Paganini, 1832

Cupid kindling the torch of Hymen, George Rennie, ca. 1831

George Rennie

Cupid kindling the torch of Hymen, ca. 1831

Bacchanal: A Faun Teased by Children, Gian Lorenzo Bernini, ca. 1616–17

Gian Lorenzo Bernini

Faune émoustillé par des Amours, ca. 1616–17

Metropolitan Museum of Art

Page from the Collection of Niccolò Gaddi (So-Called "Vasari Page"), Florentine 16th century, The "Chief Framer", Raffaellino del Garbo, and Sandro Botticelli, and Filippino Lippi, Sheets probably 1480-1504; mounting & framework c. 1575/1590

Sandro Botticelli

Page from the Collection of Niccolò Gaddi (So-Called "Vasari Page"), Sheets probably 1480-1504; mounting & framework c. 1575/1590

Non exposée · National Gallery of Art

The Temptation of the Idler (The Dream of the Doctor), Albrecht Dürer, c. 1498

Albrecht Dürer

The Temptation of the Idler (The Dream of the Doctor), c. 1498

Non exposée · Art Institute of Chicago

The Dream of the Doctor (Temptation of the Idler), Albrecht Dürer, 1498/1499

Albrecht Dürer

The Dream of the Doctor (Temptation of the Idler), 1498/1499

Non exposée · National Gallery of Art

Die Hexe - Witch Riding on a Goat, Albrecht Dürer, c. 1500

Albrecht Dürer

Die Hexe - Witch Riding on a Goat, c. 1500

Non exposée · Minneapolis Institute of Art

Putti Testing a Man's Perception of Depth, Sir Peter Paul Rubens, c. 1613

Peter Paul Rubens

Putti Testing a Man's Perception of Depth, c. 1613

Non exposée · National Gallery of Art

Hercules Fighting the Fury and the Discord, Christoffel Jegher after Sir Peter Paul Rubens, 1630

Peter Paul Rubens

Hercules Fighting the Fury and the Discord, 1630

Non exposée · National Gallery of Art

Elderly Man Watching Putti Dissect an Eye, Sir Peter Paul Rubens, c. 1613

Peter Paul Rubens

Elderly Man Watching Putti Dissect an Eye, c. 1613

Non exposée · National Gallery of Art