Félix Edouard VallottonFrance, 1865–1925A Trusting Man
Peut-on la contempler ?
Elle ne reçoit pas en ce moment
Minneapolis Institute of Art
Minneapolis, États-Unis
Elle appartient à la collection, mais n’est pas présentée en ce moment.
- Vérifié
- Dans cet état depuis
- Source
- Le musée
Notice
- Numéro d’inventaire
- P.13, 391
Au catalogue
Sources
- Minneapolis Institute of Art
- Image : Minneapolis Institute of Art — public domain
Pendant ce temps, chez Félix Edouard Vallotton
La vie entière1889–1903 · Adhésion
Les Nabis
1890–1897
Art critic for the Gazette de Lausanne
To earn a living Vallotton restored paintings for the dealer Henri Haro, and from 1890 he wrote for the Swiss Gazette de Lausanne — some thirty articles on the Paris art world up to 1897.
1893–1897
Woodcuts for La Revue Blanche; the Natansons' patronage
His woodcuts brought Vallotton clients and financial security: he illustrated leading French periodicals, including La Revue Blanche, and foreign ones such as The Chap-Book of Chicago, and cut covers for theatre programmes and book illustrations. Thadée Natanson, publisher of La Revue Blanche, and his wife Misia became his patrons and introduced him to the Paris avant-garde elite — Mallarmé, Proust, Satie and Debussy.
1896
His album “Studies of Women” is published
A Paris publisher issued Vallotton's album “Studies of Women”.
