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  1. Collection/
  2. Minneapolis Institute of Art/
  3. A Red Hussar Leaving Budapest
A Red Hussar Leaving Budapest, André Kertész, 1919
André Kertész, portraitAndré KertészÉtats-Unis, 1894–1985

A Red Hussar Leaving Budapest

1919 · Photograph · 17.15 × 24.77 cm

Peut-on la contempler ?

Elle ne reçoit pas en ce moment

Minneapolis Institute of Art

Minneapolis, États-Unis

Elle appartient à la collection, mais n’est pas présentée en ce moment.

Vérifié
il y a 3 jours
Dans cet état depuis
25 sept. 2026
Source
Le musée
Sur la cartePage du musée

Notice

1919 · à 25 ans
18941985
Numéro d’inventaire
2007.35.141

Au catalogue

PhotographiesTirage gélatino-argentiqueModernismeXXe siècleÉtats-Unis

Sources

  • Minneapolis Institute of Art
  • Image : Minneapolis Institute of Art — © Estate of André Kertész

Pendant ce temps, chez André Kertész

La vie entière
  1. 1917

    First publication in Érdekes Újság

    While he is serving in the Austro-Hungarian army, his photographs are first published, in the magazine Érdekes Újság.

  2. 1918

    Meets Erzsebet Salomon

    With peace in 1918 he returns to the stock exchange, where he meets his future wife Erzsebet Salomon (later Elizabeth Saly), who also works there, and begins to pursue her romantically; throughout his whole career he uses Elizabeth as a model for his photographs.

  3. early 1920s

    Tries farming and beekeeping

    He leaves the exchange to try agricultural work and beekeeping, but the venture is brief given the political turmoil that accompanies the revolution and the coming of communism. Back at the exchange he decides to emigrate to study at one of France’s photographic schools, but his mother dissuades him, and he does not leave for several years.

Autres œuvres : André Kertész

Toutes les œuvres
Promenade, André Kertész, 1962

Promenade

1962 · Museum of Modern Art

Riverbank, André Kertész, 1920s

Riverbank

1920s · Non exposée · National Gallery of Art

Street Scene, André Kertész, early 1920s

Street Scene

early 1920s · Non exposée · National Gallery of Art

Self-Portrait as Woman with Unknown Man and Women, André Kertész, early 1920s

Self-Portrait as Woman with Unknown Man and Women

early 1920s · Non exposée · National Gallery of Art

Self-Portrait as Woman, André Kertész, early 1920s

Self-Portrait as Woman

early 1920s · Non exposée · National Gallery of Art

City Park, André Kertész, early 1920s

City Park

early 1920s · Non exposée · National Gallery of Art

Sleeping Boy, André Kertész, 1912

Sleeping Boy

1912 · Non exposée · National Gallery of Art

Bocskay-tér, Budapest, André Kertész, 1914

Bocskay-tér, Budapest

1914 · Non exposée · Museum of Modern Art

Sous le même toit : Minneapolis Institute of Art

Page du musée
Olive Trees, Vincent van Gogh, 1889

Vincent van Gogh

Olive Trees, 1889

Grainstack, Sun in the Mist, Claude Monet, 1891

Claude Monet

Grainstack, Sun in the Mist, 1891

Lucretia, Rembrandt van Rijn, 1666

Rembrandt van Rijn

Lucretia, 1666

Self-Portrait with Dr. Arrieta, Francisco José de Goya y Lucientes, 1820

Francisco de Goya

Goya et son médecin, 1820

Study for Improvisation V, Vassily Kandinsky, 1910

Vasily Kandinsky

Study for Improvisation V, 1910

Tahitian Landscape, Paul Gauguin, 1891

Paul Gauguin

Tahitian Landscape, 1891

Chestnut Trees at Jas de Bouffan, Paul Cézanne, c. 1885–86

Paul Cézanne

Chestnut Trees at Jas de Bouffan, c. 1885–86

The Union of England and Scotland (Charles I as the Prince of Wales), Peter Paul Rubens, 1633–34

Peter Paul Rubens

The Union of England and Scotland (Charles I as the Prince of Wales), 1633–34