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A Bull, Giambologna, 1550-1620
Giambologna, portraitGiambolognaFlandre, 1529–1608

A Bull

1550-1620 · Statuette

Peut-on la contempler ?

Oui, elle reçoit

Victoria and Albert Museum

Londres, Royaume-Uni

SalleSculpture, Room 111, The Gilbert Bayes Gallery

Présentée au public.

Vérifié
Dans cet état depuis
Source
Le musée
Sur la cartePage du musée

À propos de la sculpture

Patination is the process of artificially colouring the surface of the metal or changing its appearance. True patina is created by chemical changes to the surface through long exposure to the elements. Artificial patina is created through the application of drying oils, resins, pigments or acids to protect the surface or to enhance or change the colour of the metal. Heat is sometimes used in this process. The surface can also be enriched by adding

gold (‘gilding’) or silver. Giambologna developed a number of organic lacquers, one of them with a distinctive deep red (oxblood) colour. This bull is an example of a popular type that was produced in great quantity by Giambologna’s followers.

Victoria and Albert Museum

Notice

Numéro d’inventaire
A.75-1949

Ce qu’elle montre

Bull

Au catalogue

SculptureBronzeFlorence

Sources

Autres œuvres : Giambologna

Toutes les œuvres
Triton, Giambologna, 1590s

Triton

1590s · Metropolitan Museum of Art

Groupe sculpté : l'Enlèvement de Déjanire, Bologne, Jean

Groupe sculpté : l'Enlèvement de Déjanire

Musée du Louvre

Mercure, Italie, 1574 - 1700

Mercure

1574 - 1700 · Musée du Louvre

Trotting horse, Giambologna, 18th–19th century?

Trotting horse

18th–19th century? · Metropolitan Museum of Art

Fortuna, Giambologna, 17th-18th Century (?)

Fortuna

17th-18th Century (?) · Metropolitan Museum of Art

Seated woman representing Astrology, Giambologna, mid-1570s

Seated woman representing Astrology

mid-1570s · Metropolitan Museum of Art

Abduction of a Sabine Woman, Giambologna, model ca. 1579; cast possibly late 16th century

Abduction of a Sabine Woman

model ca. 1579; cast possibly late 16th century · Metropolitan Museum of Art

Francesco I de' Medici, grand duke of Tuscany, Giambologna, modeled 1585–87, cast ca. 1611

Francesco I de' Medici, grand duke of Tuscany

modeled 1585–87, cast ca. 1611 · Metropolitan Museum of Art

Dans la même salle · Sculpture, Room 111, The Gilbert Bayes Gallery, Victoria and Albert Museum

Page du musée
Echoes of Amphora: Column Vessel I/20, Eleanor Lakelin, 2020

Eleanor Lakelin

Echoes of Amphora: Column Vessel I/20, 2020

Gladiators: Hector and Ajax (Combat), Leon Underwood, 1963

Leon Underwood

Gladiators: Hector and Ajax (Combat), 1963

Plaque, René Jules Lalique, 1937

René Lalique

Plaque, 1937

The Lure of the Pan Pipes, Gilbert Bayes, 1932

Gilbert Bayes

The Lure of the Pan Pipes, 1932

The Lure of the Pan Pipes, Gilbert Bayes, 1932

Gilbert Bayes

The Lure of the Pan Pipes, 1932

Emmeline Pankhurst, Arthur George Walker, ca. 1929

Arthur George Walker

Emmeline Pankhurst, ca. 1929

The Duchesse de Choiseul, Auguste Rodin, 1908

Auguste Rodin

The Duchesse de Choiseul, 1908

St Elizabeth, George James Frampton, 1902

George James Frampton

St Elizabeth, 1902

Sur le même thème · Bull

Toutes les œuvres sur ce thème
Bullfight in a Divided Ring, Goya, ca. 1810

Francisco de Goya

Bullfight in a Divided Ring, ca. 1810

Metropolitan Museum of Art

Mademoiselle V. . . in the Costume of an Espada, Edouard Manet, 1862

Édouard Manet

Mlle V. en costume d'espada, 1862

Metropolitan Museum of Art

Roundel with Netting Quail, Augustin Hirschvogel, 16th century

Augustin Hirschvogel

Roundel with Netting Quail, 16th century

Metropolitan Museum of Art

Dagger with Hilt in the Form of a Blue Bull (Nilgai), ca. 1640

Dagger with Hilt in the Form of a Blue Bull (Nilgai), ca. 1640

Metropolitan Museum of Art

Marble sarcophagus with the myth of Selene and Endymion, early 3rd century CE

Marble sarcophagus with the myth of Selene and Endymion, early 3rd century CE

Metropolitan Museum of Art

Young Bull, Albrecht Dürer, c. 1496, erroneously inscribed in another hand 1508

Albrecht Dürer

Young Bull, c. 1496, erroneously inscribed in another hand 1508

Non exposée · Art Institute of Chicago

Lion felling a bull, from a marble pediment, ca. 525–500 BCE

Lion felling a bull, from a marble pediment, ca. 525–500 BCE

Metropolitan Museum of Art

Wall painting from the west wall of Room L of the Villa of P. Fannius Synistor at Boscoreale, ca. 50–40 BCE

Wall painting from the west wall of Room L of the Villa of P. Fannius Synistor at Boscoreale, ca. 50–40 BCE

Metropolitan Museum of Art