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  1. Artistes/
  2. Sebastián Hidalgo
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Sebastián Hidalgo

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Track stretches for miles in each direction, creating a network of trains that frequently pass through The Village of Dolton. Common warning horns of freight trains echo throughout the southern suburb everyday, every hour, and during one of many community events of the year—Steppin at the Fountain. Where on a nearby hilltop of the Dolton Public Library, a young girl dances to the rhythm of her own imagination., Sebastián Hidalgo, 2018

Track stretches for miles in each direction, creating a network of trains that frequently pass through The Village of Dolton. Common warning horns of freight trains echo throughout the southern suburb everyday, every hour, and during one of many community events of the year—Steppin at the Fountain. Where on a nearby hilltop of the Dolton Public Library, a young girl dances to the rhythm of her own imagination.

2018 · Non exposée · Musées d'Art de Harvard

On Sibley Boulevard, Dolton’s main commercial strip, newsstands that once offered job and housing information sit empty, replaced with “For Rent” signs. Deindustrialization throughout the south suburbs decades ago eliminated thousands of private-sector jobs., Sebastián Hidalgo, 2018

On Sibley Boulevard, Dolton’s main commercial strip, newsstands that once offered job and housing information sit empty, replaced with “For Rent” signs. Deindustrialization throughout the south suburbs decades ago eliminated thousands of private-sector jobs.

2018 · Non exposée · Musées d'Art de Harvard

Kender Ricardez Tobon, 5, stamps a drawing he made at school on the walls of his home. He lives in a small apartment complex on the East Side of Salinas with his grandmother Eufemia "Jenni" Aguilar, Sebastián Hidalgo, 2019

Kender Ricardez Tobon, 5, stamps a drawing he made at school on the walls of his home. He lives in a small apartment complex on the East Side of Salinas with his grandmother Eufemia "Jenni" Aguilar

2019 · Non exposée · Musées d'Art de Harvard