États-Unis · 1906–1985
Norman Roland Eppink
- 105
- au catalogue
- 0
- exposées
- 1
- collection
- 1
- pays
Hand Colored Woodcut (Lost City), plate 2 from 101 Prints
1967 · Non exposée · Art Institute of Chicago
Serigraph, Resist Method (View from Above), plate 61 from 101 Prints
1967 · Non exposée · Art Institute of Chicago
Etching, Engraving, Acquaint, and Stencil Color on Plate (Two Figures), plate 40 from 101 Prints
1967 · Non exposée · Art Institute of Chicago
Etching, Engraving, and Soft Ground (City Complex), plate 42 from 101 Prints
1967 · Non exposée · Art Institute of Chicago
Screen Print (Industrial), plate 95 from 101 Prints
1967 · Non exposée · Art Institute of Chicago
Bas-relief Print (Variety in Unity), plate 73 from 101 Prints
1967 · Non exposée · Art Institute of Chicago
Flock Print (Figure Composition), plate 15 from 101 Prints
1967 · Non exposée · Art Institute of Chicago
Drypoint (French Street), plate 22 from 101 Prints
1967 · Non exposée · Art Institute of Chicago
Lift Ground (Lovers), plate 33 from 101 Prints
1967 · Non exposée · Art Institute of Chicago
Hand Colored Aquatint (Quartet), plate 29 from 101 Prints
1967 · Non exposée · Art Institute of Chicago
Four-color Lithograph (Elliptical), plate 51 from 101 Prints
1967 · Non exposée · Art Institute of Chicago
Hand Print (Personal Data), plate 86 from 101 Prints
1967 · Non exposée · Art Institute of Chicago
Potato Print (Bugs), plate 87 from 101 Prints
1967 · Non exposée · Art Institute of Chicago
Hand Colored Etching (Decay), plate 25 from 101 Prints
1967 · Non exposée · Art Institute of Chicago
Etching (Krieman’s Fish Heads), plate 23 from 101 Prints
1967 · Non exposée · Art Institute of Chicago
Three-level Intaglio (Shore Partners), plate 47 from 101 Prints
1967 · Non exposée · Art Institute of Chicago
Paper Print (Umbrellas), plate 91 from 101 Prints
1967 · Non exposée · Art Institute of Chicago
Serigraph, Film, and Photographic Stencil (Carnival), plate 62 from 101 Prints
1967 · Non exposée · Art Institute of Chicago
Lumiprint (Graffito), plate 65 from 101 Prints
1967 · Non exposée · Art Institute of Chicago
Glue Print (Still Waiting), plate 99 from 101 Prints
1967 · Non exposée · Art Institute of Chicago
Colored Aquatint (Plant Forms), plate 28 from 101 Prints
1967 · Non exposée · Art Institute of Chicago
Etching, Engraving, and Stencil Color on Paper (Two Figures), plate 38 from 101 Prints
1967 · Non exposée · Art Institute of Chicago
Paste Print, plate printed relief (Man of the Cloth), plate 14b from 101 Prints
1967 · Non exposée · Art Institute of Chicago
Photomontage, Type 1 (Green Bay), plate 70 from 101 Prints
1967 · Non exposée · Art Institute of Chicago
Collage Aquatint (Nude), plate 31 from 101 Prints
1967 · Non exposée · Art Institute of Chicago
Etching, Engraving, Soft Ground, Aquatint, and Embossing (City Complex), plate 44 from 101 Prints
1967 · Non exposée · Art Institute of Chicago
Paste Print, plate printed intaglio (Man of the Cloth), plate 14a from 101 Prints
1967 · Non exposée · Art Institute of Chicago
Hand Colored Engraving (Pagans), plate 20 from 101 Prints
1967 · Non exposée · Art Institute of Chicago
Crayon Lithograph (Roman Cats), plate 48 from 101 Prints
1967 · Non exposée · Art Institute of Chicago
Coast Line (Woodcut), plate 1 from 101 Prints
1967 · Non exposée · Art Institute of Chicago
Stencil, Colored Inks (Waupaca), plate 59 from 101 Prints
1967 · Non exposée · Art Institute of Chicago
Solarized Print (Barbed Wire), plate 72 from 101 Prints
1967 · Non exposée · Art Institute of Chicago
Cellocut (Directions), plate 82 from 101 Prints
1967 · Non exposée · Art Institute of Chicago
Chiaroscuro Cut (Seated Figure), plate 3 from 101 Prints
1967 · Non exposée · Art Institute of Chicago
Three-color Stipple Engraving (Venetian Theme), plate 36 from 101 Prints
1967 · Non exposée · Art Institute of Chicago
Eleven-color Lithograph (Puppet Cupboard), plate 52 from 101 Prints
1967 · Non exposée · Art Institute of Chicago
Foil Print (Twigs and Pebbles), plate 98 from 101 Prints
1967 · Non exposée · Art Institute of Chicago
Clay Print, Modeled (Phantom Shapes), plate 90 from 101 Prints
1967 · Non exposée · Art Institute of Chicago
Casein Cut (Fragment), plate 9 from 101 Prints
1967 · Non exposée · Art Institute of Chicago
Paraffin Print (Chatter), plate 101 from 101 Prints
1967 · Non exposée · Art Institute of Chicago
Floatagraph (Dancers), plate 97 from 101 Prints
1967 · Non exposée · Art Institute of Chicago
Stipple Engraving (Milkweed Pods), plate 35 from 101 Prints
1967 · Non exposée · Art Institute of Chicago
Rubbing (Griswold), plate 93 from 101 Prints
1967 · Non exposée · Art Institute of Chicago
Three-Color Linoleum Cut (Doors), plate 13 from 101 Prints
1967 · Non exposée · Art Institute of Chicago
Two-color Wood Engraving (Pickle Pickers), plate 10 from 101 Prints
1967 · Non exposée · Art Institute of Chicago
Colored Etching (Dock), plate 24 from 101 Prints
1967 · Non exposée · Art Institute of Chicago
Stone Rubbing (Surfer), plate 75 from 101 Prints
1967 · Non exposée · Art Institute of Chicago
Color Woodcut (Textures), plate 6 from 101 Prints
1967 · Non exposée · Art Institute of Chicago
Blake Technique (Madrigal), plate 17 from 101 Prints
1967 · Non exposée · Art Institute of Chicago
Stencil, Water Color (Opposition), plate 58 from 101 Prints
1967 · Non exposée · Art Institute of Chicago
Soft Ground Aquatint (The Remains), plate 32 from 101 Prints
1967 · Non exposée · Art Institute of Chicago
Hand Colored Lithograph (Landscape), plate 53 from 101 Prints
1967 · Non exposée · Art Institute of Chicago
Plaster Relief Print (Nets), plate 100 from 101 Prints
1967 · Non exposée · Art Institute of Chicago
Embossed Print (Erosion), plate 84 from 101 Prints
1967 · Non exposée · Art Institute of Chicago
Linoleum Cut (Aquatium), plate 12 from 101 Prints
1967 · Non exposée · Art Institute of Chicago
Three-color Etching (Skeletal), plate 26 from 101 Prints
1967 · Non exposée · Art Institute of Chicago
Lithograph, Tusche Method (8 A.M.), plate 54 from 101 Prints
1967 · Non exposée · Art Institute of Chicago
Paste Print (Man of the Cloth), plate 14 from 101 Prints
1967 · Non exposée · Art Institute of Chicago
Cliché-verre, Color Method (Figurative), plate 66 from 101 Prints
1967 · Non exposée · Art Institute of Chicago
Lithographic Engraving (Weeds), plate 57 from 101 Prints
1967 · Non exposée · Art Institute of Chicago
Etching, Engraving, and Acquaint (Two Figures), plate 39 from 101 Prints
1967 · Non exposée · Art Institute of Chicago
Lithograph on Tint (Lakeside), plate 50 from 101 Prints
1967 · Non exposée · Art Institute of Chicago
Texture Print (Split Pea), plate 92 from 101 Prints
1967 · Non exposée · Art Institute of Chicago
Four-color Wood Engraving (Waiting), plate 11 from 101 Prints
1967 · Non exposée · Art Institute of Chicago
Two-color Woodcut (Branches), plate 4 from 101 Prints
1967 · Non exposée · Art Institute of Chicago
Two-color Engraving (Grasses), plate 21 from 101 Prints
1967 · Non exposée · Art Institute of Chicago
Flock Print (Figure Composition), plate 15 from 101 Prints
1967 · Non exposée · Art Institute of Chicago
Three-color Aquatint (Park), plate 30 from 101 Prints
1967 · Non exposée · Art Institute of Chicago
Photomontage, Type 2 (What’s Your Number?), plate 71 from 101 Prints
1967 · Non exposée · Art Institute of Chicago
Photograph Used for Solarization (Barbed Wire), plate 72a from 101 Prints
1967 · Non exposée · Art Institute of Chicago
Serigraph, Block-Out Method (Patches), plate 60 from 101 Prints
1967 · Non exposée · Art Institute of Chicago
Photogram (Taken From an Onion), plate 67 from 101 Prints
1967 · Non exposée · Art Institute of Chicago
Etching, Engraving, and Color Aquatint (Two Figures), plate 41 from 101 Prints
1967 · Non exposée · Art Institute of Chicago
Pen and Ink Lithograph (Woods), plate 55 from 101 Prints
1967 · Non exposée · Art Institute of Chicago
Monotype, Metal Base (Black Abstraction), plate 78 from 101 Prints
1967 · Non exposée · Art Institute of Chicago
Transfer Monotype (Tools and Machines), plate 96 from 101 Prints
1967 · Non exposée · Art Institute of Chicago
Cliché-verre, Type 1 (Erratic Wasp), plate 63 from 101 Prints
1967 · Non exposée · Art Institute of Chicago
Japanese Color Technique (Fisherman 1), plate 7 from 101 Prints
1967 · Non exposée · Art Institute of Chicago
Etching, Engraving, and Color Offset from Linoleum (Webs), plate 46 from 101 Prints
1967 · Non exposée · Art Institute of Chicago
Lithotint (Whitefish Bay), plate 49 from 101 Prints
1967 · Non exposée · Art Institute of Chicago
Stamped Print (Spring Downtown), plate 88 from 101 Prints
1967 · Non exposée · Art Institute of Chicago
Four-Color Woodcut (Pool and Rocks), plate 5 from 101 Prints
1967 · Non exposée · Art Institute of Chicago
Etching, Engraving, Soft Ground, and Aquatint (City Complex), plate 43 from 101 Prints
1967 · Non exposée · Art Institute of Chicago
Clay Print (Garden), plate 89 from 101 Prints
1967 · Non exposée · Art Institute of Chicago
Line Engraving (Fish Count), plate 19 from 101 Prints
1967 · Non exposée · Art Institute of Chicago
Color Photograph (Lichen), plate 74 from 101 Prints
1967 · Non exposée · Art Institute of Chicago
Metal Graphic (Time Dissected), plate 83 from 101 Prints
1967 · Non exposée · Art Institute of Chicago
Combined Process (The Square), plate 85 from 101 Prints
1967 · Non exposée · Art Institute of Chicago
Japanese Color Technique, color variant (Fisherman 2), plate 7a from 101 Prints
1967 · Non exposée · Art Institute of Chicago
Color Monotype, Glass Base (Red, Black, and Gray), plate 77 from 101 Prints
1967 · Non exposée · Art Institute of Chicago
Collagraph (Façade), plate 81 from 101 Prints
1967 · Non exposée · Art Institute of Chicago
Acquaint (Growth), plate 27 from 101 Prints
1967 · Non exposée · Art Institute of Chicago
Mezzotint (Artichoke and Pepper), plate 34 from 101 Prints
1967 · Non exposée · Art Institute of Chicago
Transfer Lithograph (Miscellany), plate 56 from 101 Prints
1967 · Non exposée · Art Institute of Chicago
Monotype, Glass Base (Pears in a Basket), plate 76 from 101 Prints
1967 · Non exposée · Art Institute of Chicago
Stencil Print (Rotten Stump), plate 94 from 101 Prints
1967 · Non exposée · Art Institute of Chicago