ART WIKI 32 713 en salle

Carte Collection Artistes Musées Expositions Journal

ART WIKI

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Collections : Art Institute of Chicago, Cleveland Museum of Art, Galerie Tretiakov, Metropolitan Museum of Art, Minneapolis Institute of Art, Musée de l'Ermitage, Musée des Beaux-Arts Pouchkine, Musée du Louvre, Musée russe, Musées d'Art de Harvard, Museum of Modern Art, National Gallery of Art, Rijksmuseum Amsterdam, Smithsonian American Art Museum, Statens Museum for Kunst, Victoria and Albert Museum, Whitney Museum of American Art, Catalogue d’État du fonds muséal de Russie (274 musées), Europeana (19 musées) et Wikidata (6 musées). Les images appartiennent à leurs ayants droit.

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Accueil Carte Catalogue

Artistes
Kikugawa Eizan

Japon · 1787–1867

Kikugawa Eizan

121au catalogue
0exposées
7collections
4pays

Œuvres Vie Carte

Toutes Exposées En collection Incertaines

Zug der Prinzessin, Kikukawa Eizan

Zug der Prinzessin

Albertina

Dame mit zwei kleinen Mädchen, Kikukawa Eizan

Dame mit zwei kleinen Mädchen

Albertina

Flussübergang, Kikukawa Eizan

Flussübergang

Albertina

Lesendes Mädchen, Kikukawa Eizan

Lesendes Mädchen

Albertina

Spielende Kinder und Ochsenreiter am Strand, Kikukawa Eizan

Spielende Kinder und Ochsenreiter am Strand

Albertina

Courtisane en kamuro, Kikugawa Eizan, after 1800 - in or before 1867

Courtisane en kamuro

after 1800 - in or before 1867 · Rijksmuseum Amsterdam

Courtisanes kijkend naar bonsai boom, Kikugawa Eizan, in or after c. 1800 - in or before 1842

Courtisanes kijkend naar bonsai boom

in or after c. 1800 - in or before 1842 · Rijksmuseum Amsterdam

Vrouw met shamisen, Kikugawa Eizan, 1808-05

Vrouw met shamisen

1808-05 · Rijksmuseum Amsterdam

Vrijend paar, Kikugawa Eizan, c. 1810

Vrijend paar

c. 1810 · Rijksmuseum Amsterdam

Courisane en blauwe winde, Kikugawa Eizan, c. 1810

Courisane en blauwe winde

c. 1810 · Rijksmuseum Amsterdam

Yugao, Kikugawa Eizan, c. 1810 - c. 1830

Yugao

c. 1810 - c. 1830 · Rijksmuseum Amsterdam

Courtisane met pijp, Kikugawa Eizan, in or after 1811 - in or before 1814

Courtisane met pijp

in or after 1811 - in or before 1814 · Rijksmuseum Amsterdam

Courtisane uit het Ebiya huis, Kikugawa Eizan, in or after 1811 - in or before 1814

Courtisane uit het Ebiya huis

in or after 1811 - in or before 1814 · Rijksmuseum Amsterdam

De Hagi Tama rivier, Kikugawa Eizan, 1811 - 1814

De Hagi Tama rivier

1811 - 1814 · Rijksmuseum Amsterdam

Courtisane Oi uit het Ebiya huis, Kikugawa Eizan, 1811 - 1814

Courtisane Oi uit het Ebiya huis

1811 - 1814 · Rijksmuseum Amsterdam

Courtisane Hanamurasaki uit het Tamaya huis, Kikugawa Eizan, c. 1812

Courtisane Hanamurasaki uit het Tamaya huis

c. 1812 · Rijksmuseum Amsterdam

De Chofu Tama rivier in de provincie Musashi, Kikugawa Eizan, 1812 - 1814

De Chofu Tama rivier in de provincie Musashi

1812 - 1814 · Rijksmuseum Amsterdam

Avondgloed te Ryogoku, Kikugawa Eizan, 1813 - 1817

Avondgloed te Ryogoku

1813 - 1817 · Rijksmuseum Amsterdam

Courtisane Shinohara uit het Tsuruya huis en de Koya rivier, Kikugawa Eizan, c. 1815

Courtisane Shinohara uit het Tsuruya huis en de Koya rivier

c. 1815 · Rijksmuseum Amsterdam

De Ide Tama rivier in de provincie Yamashiro, Kikugawa Eizan, c. 1816

De Ide Tama rivier in de provincie Yamashiro

c. 1816 · Rijksmuseum Amsterdam

Courtesan with Sake Cup and Scroll, Kikukawa Eizan, 1787–1867

Courtesan with Sake Cup and Scroll

1787–1867 · Non exposée · Cleveland Museum of Art

Young Women with Musical Instruments, Kikukawa Eizan, 1787–1867

Young Women with Musical Instruments

1787–1867 · Non exposée · Cleveland Museum of Art

Mount Haruna in Kozuke Province, Kikukawa Eizan, c. 1830s

Mount Haruna in Kozuke Province

c. 1830s · Non exposée · Cleveland Museum of Art

A Picture of the Viewing in the Pleasure Quarters, Kikukawa Eizan, 1810s

A Picture of the Viewing in the Pleasure Quarters

1810s · Non exposée · Cleveland Museum of Art

Haze on a Clear Day at Stone Bridge (From the series Eight Elegant Views of Chanted Accompanimnets for Kabuki Plays), Kikukawa Eizan, early 1810s

Haze on a Clear Day at Stone Bridge (From the series Eight Elegant Views of Chanted Accompanimnets for Kabuki Plays)

early 1810s · Non exposée · Cleveland Museum of Art

Enjoying the Evening Cool at Ryogoku Bridge (Ryogokubashi noryo), from the series "Fashionable Eight Views of Edo (Furyu Edo hakkei)", Kikukawa Eizan, early 19th century

Enjoying the Evening Cool at Ryogoku Bridge (Ryogokubashi noryo), from the series "Fashionable Eight Views of Edo (Furyu Edo hakkei)"

early 19th century · Non exposée · Art Institute of Chicago

The Courtesan Aizome of the Ebiya (From the series Eight Views of the Tale of Genji), Kikukawa Eizan, c. late 1800s

The Courtesan Aizome of the Ebiya (From the series Eight Views of the Tale of Genji)

c. late 1800s · Non exposée · Cleveland Museum of Art

The Courtesan Meizan of the Chojiya on a Balcony Overlooking the Sumida River, Kikukawa Eizan, ca. early or mid 1820s

The Courtesan Meizan of the Chojiya on a Balcony Overlooking the Sumida River

ca. early or mid 1820s · Non exposée · Cleveland Museum of Art

The brine maidens, Kikukawa Eizan, c. 1820s

The brine maidens

c. 1820s · Non exposée · Art Institute of Chicago

Two Courtesans on a Balcony (From the series Five Colors of Ink), Kikukawa Eizan, c. early 1810s

Two Courtesans on a Balcony (From the series Five Colors of Ink)

c. early 1810s · Non exposée · Cleveland Museum of Art

A Picture of the Viewing in the Pleasure Quarters, Kikukawa Eizan, 1810s

A Picture of the Viewing in the Pleasure Quarters

1810s · Non exposée · Cleveland Museum of Art

Enoshima in Sagami Province (Soshu Enoshima), fron the series "Elegant Famous Places in the Various Provinces (Furyu shokoku meisho)", Kikukawa Eizan, early 19th century

Enoshima in Sagami Province (Soshu Enoshima), fron the series "Elegant Famous Places in the Various Provinces (Furyu shokoku meisho)"

early 19th century · Non exposée · Art Institute of Chicago

A Picture of the Viewing in the Pleasure Quarters, Kikukawa Eizan, 1810s

A Picture of the Viewing in the Pleasure Quarters

1810s · Non exposée · Cleveland Museum of Art

No Title, Kikukawa Eizan, 1787–1869

No Title

1787–1869 · Non exposée · Cleveland Museum of Art

Komachi Washes the Book (from the series Seven Elegant Episodes from the Life of the Poetess Ono no Komachi), Kikukawa Eizan, early 1810s

Komachi Washes the Book (from the series Seven Elegant Episodes from the Life of the Poetess Ono no Komachi)

early 1810s · Non exposée · Cleveland Museum of Art

Descending Geese at Katata (From the series Elegant Women and the Eight Views of Lake Biwa), Kikukawa Eizan, 1810s

Descending Geese at Katata (From the series Elegant Women and the Eight Views of Lake Biwa)

1810s · Non exposée · Cleveland Museum of Art

A Picture of the Viewing in the Pleasure Quarters, Kikukawa Eizan, 1810s

A Picture of the Viewing in the Pleasure Quarters

1810s · Non exposée · Cleveland Museum of Art

Kan'eiji Temple on Toeizan, from the series "Fashionable Eight Views of Edo (Furyu Edo hakkei)", Kikukawa Eizan, early 19th century

Kan'eiji Temple on Toeizan, from the series "Fashionable Eight Views of Edo (Furyu Edo hakkei)"

early 19th century · Non exposée · Art Institute of Chicago

Courtesan Beside Kimono Rack, Kikukawa Eizan, 1787–1867

Courtesan Beside Kimono Rack

1787–1867 · Non exposée · Cleveland Museum of Art

The Courtesans Tsukioka and Hinagoto of the Hyōgoya House, Kikukawa Eizan, 1810s

The Courtesans Tsukioka and Hinagoto of the Hyōgoya House

1810s · Non exposée · Minneapolis Institute of Art

Oshichi and Kichisaburō from a Kabuki Play, Kikukawa Eizan, 1810s

Oshichi and Kichisaburō from a Kabuki Play

1810s · Non exposée · Minneapolis Institute of Art

(Women’s daimyo procession crossing the river on ferry boats), Kikukawa Eizan, 1800s

(Women’s daimyo procession crossing the river on ferry boats)

1800s · Non exposée · Minneapolis Institute of Art

Woman Holding a Roll of Paper, Kikukawa Eizan, 1810s

Woman Holding a Roll of Paper

1810s · Non exposée · Minneapolis Institute of Art

(Tiger Emerging from Bamboo), Kikukawa Eizan, early 19th century

(Tiger Emerging from Bamboo)

early 19th century · Non exposée · Minneapolis Institute of Art

Two Standing Women Reading Letter, Kikugawa Eizan 菊川英山

Two Standing Women Reading Letter

Non exposée · Musées d'Art de Harvard

Fashionable Weaving Mill (Fūryū shokuden zu), Kikugawa Eizan 菊川英山, Late Edo period, circa early to mid 19th century

Fashionable Weaving Mill (Fūryū shokuden zu)

Late Edo period, circa early to mid 19th century · Non exposée · Musées d'Art de Harvard

Two Standing Ladies with a Plant, Kikugawa Eizan 菊川英山, Late Edo period, circa early to mid 19th century

Two Standing Ladies with a Plant

Late Edo period, circa early to mid 19th century · Non exposée · Musées d'Art de Harvard

Koshikibu no Naishi, from the series Fashionable Female Six Poetic Immortals (Fūryū onna rokkasen), Kikugawa Eizan 菊川英山

Koshikibu no Naishi, from the series Fashionable Female Six Poetic Immortals (Fūryū onna rokkasen)

Non exposée · Musées d'Art de Harvard

Beauty Reading, from the series Fūryū hokku Gosekku, Kikugawa Eizan 菊川英山, early to mid 19th century

Beauty Reading, from the series Fūryū hokku Gosekku

early to mid 19th century · Non exposée · Musées d'Art de Harvard

Matsukaze and Kihan, from the series Eight Portraits of Elegant Women, Kikugawa Eizan 菊川英山, Late Edo period,

Matsukaze and Kihan, from the series Eight Portraits of Elegant Women

Late Edo period, · Non exposée · Musées d'Art de Harvard

Courtesans Matsushima of the Matsubaya and Yashio of the Ogiya, Kikugawa Eizan 菊川英山, early to mid 19th century

Courtesans Matsushima of the Matsubaya and Yashio of the Ogiya

early to mid 19th century · Non exposée · Musées d'Art de Harvard

Comparing Modern Women (Tōsei bijin awase), Kikugawa Eizan 菊川英山, Late Edo period, circa early to mid 19th century

Comparing Modern Women (Tōsei bijin awase)

Late Edo period, circa early to mid 19th century · Non exposée · Musées d'Art de Harvard

Woman with Two Attendants, Kikugawa Eizan 菊川英山, Late Edo period, circa 19th century

Woman with Two Attendants

Late Edo period, circa 19th century · Non exposée · Musées d'Art de Harvard

Shiratama of the Tamaya, from the series Pines of the Pleasure Quarters (Seirō matsu no uchi), Kikugawa Eizan 菊川英山, circa 19th century

Shiratama of the Tamaya, from the series Pines of the Pleasure Quarters (Seirō matsu no uchi)

circa 19th century · Non exposée · Musées d'Art de Harvard

Seventh Month, from the series Annual Events of the Twelve Months (Fūryū nenjū gyōji), Kikugawa Eizan 菊川英山, Late Edo period, circa early to mid 19th century

Seventh Month, from the series Annual Events of the Twelve Months (Fūryū nenjū gyōji)

Late Edo period, circa early to mid 19th century · Non exposée · Musées d'Art de Harvard

Women Gathering Shells at the Beach, Kikugawa Eizan 菊川英山

Women Gathering Shells at the Beach

Non exposée · Musées d'Art de Harvard

Tamagawa River in Hagi (Hagi no Tamagawa), from the series Six Tama Rivers (Roku Tamagawa no uchi), Kikugawa Eizan 菊川英山, Late Edo period, circa early to mid 19th century

Tamagawa River in Hagi (Hagi no Tamagawa), from the series Six Tama Rivers (Roku Tamagawa no uchi)

Late Edo period, circa early to mid 19th century · Non exposée · Musées d'Art de Harvard

Sekidera Komachi, from the series Fashionable Beauties as the Seven Komachi (Fūryū bijin nana Komachi), Kikugawa Eizan 菊川英山, Late Edo period, circa early to mid 19th century

Sekidera Komachi, from the series Fashionable Beauties as the Seven Komachi (Fūryū bijin nana Komachi)

Late Edo period, circa early to mid 19th century · Non exposée · Musées d'Art de Harvard

Old Man Conversing with Two Sparrows: Tongue-Cut Sparrow (Shita-kiri suzume), from the series Folktales of Wisdom, Benevolence and Courage (Mukashi banashi chijinyū), Kikugawa Eizan 菊川英山, Edo period, mid 19th century

Old Man Conversing with Two Sparrows: Tongue-Cut Sparrow (Shita-kiri suzume), from the series Folktales of Wisdom, Benevolence and Courage (Mukashi banashi chijinyū)

Edo period, mid 19th century · Non exposée · Musées d'Art de Harvard

Three Ladies, Kikugawa Eizan 菊川英山, Late Edo period, circa early to mid 19th century

Three Ladies

Late Edo period, circa early to mid 19th century · Non exposée · Musées d'Art de Harvard

Fashionable Figures of Beauties of Summer (Natsu fūryū bijin sugata), Kikugawa Eizan 菊川英山, 19th century

Fashionable Figures of Beauties of Summer (Natsu fūryū bijin sugata)

19th century · Non exposée · Musées d'Art de Harvard

Woman Seated in Front of a Sliding Door, Kikugawa Eizan 菊川英山, Late Edo period, circa early to mid 19th century

Woman Seated in Front of a Sliding Door

Late Edo period, circa early to mid 19th century · Non exposée · Musées d'Art de Harvard

Bag and Hammer, Kikugawa Eizan 菊川英山, Late Edo period, circa early to mid 19th century

Bag and Hammer

Late Edo period, circa early to mid 19th century · Non exposée · Musées d'Art de Harvard

Standing Woman with Wrapped Box, Kikugawa Eizan 菊川英山

Standing Woman with Wrapped Box

Non exposée · Musées d'Art de Harvard

Women's Fans of the Modern Style (Imayō onna ōgi), Kikugawa Eizan 菊川英山, circa early to mid 19th century

Women's Fans of the Modern Style (Imayō onna ōgi)

circa early to mid 19th century · Non exposée · Musées d'Art de Harvard

Courtesans Matsushima of the Matsubaya and Yashio of the Ogiya, Kikugawa Eizan 菊川英山, early to mid 19th century

Courtesans Matsushima of the Matsubaya and Yashio of the Ogiya

early to mid 19th century · Non exposée · Musées d'Art de Harvard

Falling Flowers (Hanachirusato), from the series Fashionable Comparisons of Genji Fans (Fūryū Genji ogi awase), Kikugawa Eizan 菊川英山, early to mid 19th century

Falling Flowers (Hanachirusato), from the series Fashionable Comparisons of Genji Fans (Fūryū Genji ogi awase)

early to mid 19th century · Non exposée · Musées d'Art de Harvard

Two Women and a Girl, Kikukawa Eizan, 1800–1829

Two Women and a Girl

1800–1829 · Non exposée · Cleveland Museum of Art

The Jewel River of Plovers (Chidori Tamagawa), from the series "Fashionable Six Jewel Rivers (Furyu Mu Tamagawa)", Kikukawa Eizan, c. 1804/18

The Jewel River of Plovers (Chidori Tamagawa), from the series "Fashionable Six Jewel Rivers (Furyu Mu Tamagawa)"

c. 1804/18 · Non exposée · Art Institute of Chicago

Washing the Manuscript, from the series Refined Beauties as the Seven Komachi (Fūryū bijin nana Komachi: Soshi arai Komachi), Kikugawa Eizan 菊川英山, circa 1804

Washing the Manuscript, from the series Refined Beauties as the Seven Komachi (Fūryū bijin nana Komachi: Soshi arai Komachi)

circa 1804 · Non exposée · Musées d'Art de Harvard

Sukeroku with Two Courtesans and a Vendor of White Sake, Kikugawa Eizan 菊川英山, Late Edo period, dated 1805

Sukeroku with Two Courtesans and a Vendor of White Sake

Late Edo period, dated 1805 · Non exposée · Musées d'Art de Harvard

A Lady-in-Waiting with Waist as Slender as a Willow from the series Flowers and Modern Beauties, Kikukawa Eizan, 1807

A Lady-in-Waiting with Waist as Slender as a Willow from the series Flowers and Modern Beauties

1807 · Non exposée · Cleveland Museum of Art

Famous Trees in the Eastern Capital: The Cherry Tree at Naruko (Toto meiboku Naruko no sakura), Kikukawa Eizan, c. 1807

Famous Trees in the Eastern Capital: The Cherry Tree at Naruko (Toto meiboku Naruko no sakura)

c. 1807 · Non exposée · Art Institute of Chicago

Two girls under an umbrella, from the series "Contemporary Flowers of the Southeast (Tosei Tatsumi no hana)", Kikukawa Eizan, 1807

Two girls under an umbrella, from the series "Contemporary Flowers of the Southeast (Tosei Tatsumi no hana)"

1807 · Non exposée · Art Institute of Chicago

Monk Kisen, Kikukawa Eizan, c. 1807

Monk Kisen

c. 1807 · Non exposée · Minneapolis Institute of Art

Tanabata, from the series Fashionable Children of the Five Festivals (Fūryū kodomo gosekku), Kikukawa Eizan, c. 1809–29

Tanabata, from the series Fashionable Children of the Five Festivals (Fūryū kodomo gosekku)

c. 1809–29 · Non exposée · Cleveland Museum of Art

(Bride and Groom), Kikukawa Eizan, c. 1809–1813

(Bride and Groom)

c. 1809–1813 · Non exposée · Minneapolis Institute of Art

(Reclining couple reading a love letter), Kikukawa Eizan, c. 1809–1813

(Reclining couple reading a love letter)

c. 1809–1813 · Non exposée · Minneapolis Institute of Art

(Courtesan and a Man Kissing), Kikukawa Eizan, c. 1809–1813

(Courtesan and a Man Kissing)

c. 1809–1813 · Non exposée · Minneapolis Institute of Art

Eyes for Looking at a Courtesan, Kikukawa Eizan, c. 1810

Eyes for Looking at a Courtesan

c. 1810 · Non exposée · Cleveland Museum of Art

Fashionable Beauties in a Chrysanthemum Garden (Furyu bijin kikubatake), Kikukawa Eizan, c. 1810

Fashionable Beauties in a Chrysanthemum Garden (Furyu bijin kikubatake)

c. 1810 · Non exposée · Art Institute of Chicago

Manner, Kikukawa Eizan, c. 1810–1829

Manner

c. 1810–1829 · Non exposée · Minneapolis Institute of Art

Tamatsushima, from the series "Three Fashionable Young Women (Furyu waka no sannin)", Kikukawa Eizan, c. 1811/13

Tamatsushima, from the series "Three Fashionable Young Women (Furyu waka no sannin)"

c. 1811/13 · Non exposée · Art Institute of Chicago

Fashionable Beauty in Midsummer, Kikukawa Eizan, 1811–14

Fashionable Beauty in Midsummer

1811–14 · Non exposée · Minneapolis Institute of Art

Jewel River of Ide, Kikukawa Eizan, 1811–13

Jewel River of Ide

1811–13 · Non exposée · Minneapolis Institute of Art

Sugatano of Sugata Ebisuya in the Morning, Hour of the Rabbit, from the series The Twelve Hours in the Pleasure Quarters, Kikukawa Eizan, 1812

Sugatano of Sugata Ebisuya in the Morning, Hour of the Rabbit, from the series The Twelve Hours in the Pleasure Quarters

1812 · Non exposée · Cleveland Museum of Art

Hour of the Snake (10 am), Kikukawa Eizan, 1812

Hour of the Snake (10 am)

1812 · Non exposée · Minneapolis Institute of Art

Courtesan looking into a mirror, juxtaposed to a peacock and cherry blossoms, Kikukawa Eizan, c. 1812

Courtesan looking into a mirror, juxtaposed to a peacock and cherry blossoms

c. 1812 · Non exposée · Minneapolis Institute of Art

Autumn Moon at the Temple Ishiyamadera from the series Fashionable Eight Views, Kikukawa Eizan, c. 1814–17

Autumn Moon at the Temple Ishiyamadera from the series Fashionable Eight Views

c. 1814–17 · Non exposée · Cleveland Museum of Art

Bunya no Yasuhide, from the series "Fashionable Children as the Six Immortal Poets (Furyu kodakara rokkasen)", Kikukawa Eizan, c. 1814/17

Bunya no Yasuhide, from the series "Fashionable Children as the Six Immortal Poets (Furyu kodakara rokkasen)"

c. 1814/17 · Non exposée · Art Institute of Chicago

Ariwara no Narihira, from the series "Fashionable Children as the Six Immortal Poets (Furyu kodakara rokkasen)", Kikukawa Eizan, c. 1814/17

Ariwara no Narihira, from the series "Fashionable Children as the Six Immortal Poets (Furyu kodakara rokkasen)"

c. 1814/17 · Non exposée · Art Institute of Chicago

Beauty standing beside morning glories, Kikukawa Eizan, c. 1814/17

Beauty standing beside morning glories

c. 1814/17 · Non exposée · Art Institute of Chicago

Evening Glow at Seta (Seta sekisho), from the series "Fashionable Eight Views of Omi (Furyu Omi hakkei)", Kikukawa Eizan, c. 1814/17

Evening Glow at Seta (Seta sekisho), from the series "Fashionable Eight Views of Omi (Furyu Omi hakkei)"

c. 1814/17 · Non exposée · Art Institute of Chicago

Courtesan of the Chikiriya in Furuichi, Ise Province, from the series "Comparison of Proverbs and Customs (Tatoegusa fuzoku awase)", Kikukawa Eizan, c. 1814

Courtesan of the Chikiriya in Furuichi, Ise Province, from the series "Comparison of Proverbs and Customs (Tatoegusa fuzoku awase)"

c. 1814 · Non exposée · Art Institute of Chicago

Otomo no Kuronushi, from the series "Fashionable Children as the Six Immortal Poets (Furyu kodakara rokkasen)", Kikukawa Eizan, c. 1814/17

Otomo no Kuronushi, from the series "Fashionable Children as the Six Immortal Poets (Furyu kodakara rokkasen)"

c. 1814/17 · Non exposée · Art Institute of Chicago

Descending Geese at Katada (Katada rakugan), from the series "Fashionable Eight Views of Omi (Furyu Omi hakkei)", Kikukawa Eizan, c. 1814/17

Descending Geese at Katada (Katada rakugan), from the series "Fashionable Eight Views of Omi (Furyu Omi hakkei)"

c. 1814/17 · Non exposée · Art Institute of Chicago

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