ART WIKI 32 963 en salle

Carte Collection Artistes Musées Expositions Journal

ART WIKI

Où est accroché le chef-d’œuvre, et quand on vous laisse entrer.

Collections : Art Institute of Chicago, Cleveland Museum of Art, Galerie Tretiakov, Hirshhorn Museum and Sculpture Garden, J. Paul Getty Museum, Metropolitan Museum of Art, Minneapolis Institute of Art, Musée de l'Ermitage, Musée des Beaux-Arts Pouchkine, Musée du Louvre, musée national d'art asiatique, Musée russe, Musées d'Art de Harvard, Museum of Modern Art, National Gallery of Art, National Portrait Gallery, Rijksmuseum Amsterdam, Smithsonian American Art Museum, Statens Museum for Kunst, Victoria and Albert Museum, Villa Getty, Whitney Museum of American Art, Catalogue d’État du fonds muséal de Russie (274 musées), Europeana (19 musées), Wikidata (6 musées), Paris Musées (12 musées) et Joconde, la base des musées du ministère de la Culture (495 musées). Les images appartiennent à leurs ayants droit.

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Accueil Carte Catalogue

Artistes
Hosoda Eishi

Japon · 1756–1829

Hosoda Eishi

197au catalogue
0exposées
6collections
2pays

Œuvres Vie Carte

Toutes Exposées En collection Incertaines

River View in Snow, Hosoda Eishi, late 18th–early 19th century

River View in Snow

late 18th–early 19th century · Non exposée · Minneapolis Institute of Art

Courtesan at a Parade, Hosoda Eishi, early 19th century

Courtesan at a Parade

early 19th century · Non exposée · Minneapolis Institute of Art

A Courtesan and her attendants under a cherry tree, Hosoda Eishi, 1790s

A Courtesan and her attendants under a cherry tree

1790s · Non exposée · Minneapolis Institute of Art

Theehuis aan de Shinagawa baai, Hosoda Eishi, c. 1785 - c. 1790

Theehuis aan de Shinagawa baai

c. 1785 - c. 1790 · Rijksmuseum Amsterdam

Het bezoek, Hosoda Eishi, 1788 - 1792

Het bezoek

1788 - 1792 · Rijksmuseum Amsterdam

Het bezoek, Hosoda Eishi, 1788 - 1792

Het bezoek

1788 - 1792 · Rijksmuseum Amsterdam

Het bezoek, Hosoda Eishi, 1788 - 1792

Het bezoek

1788 - 1792 · Rijksmuseum Amsterdam

Het bezoek, Hosoda Eishi, 1788 - 1792

Het bezoek

1788 - 1792 · Rijksmuseum Amsterdam

Het bezoek, Hosoda Eishi, 1788 - 1792

Het bezoek

1788 - 1792 · Rijksmuseum Amsterdam

Courtisane Seyama uit het Matsubaya huis, Hosoda Eishi, 1790 - 1795

Courtisane Seyama uit het Matsubaya huis

1790 - 1795 · Rijksmuseum Amsterdam

Avondregen en wind in de pijnbomen., Hosoda Eishi, 1793 - 1797

Avondregen en wind in de pijnbomen.

1793 - 1797 · Rijksmuseum Amsterdam

Vrouwen in een openlucht kamer, Hosoda Eishi, 1793 - 1797

Vrouwen in een openlucht kamer

1793 - 1797 · Rijksmuseum Amsterdam

Drie vrouwen wandelend bij meer, Hosoda Eishi, 1793 - 1797

Drie vrouwen wandelend bij meer

1793 - 1797 · Rijksmuseum Amsterdam

Vrouwen in een openlucht kamer, Hosoda Eishi, 1793 - 1797

Vrouwen in een openlucht kamer

1793 - 1797 · Rijksmuseum Amsterdam

Dichteres Ono no Komachi, Hosoda Eishi, 1793 - 1797

Dichteres Ono no Komachi

1793 - 1797 · Rijksmuseum Amsterdam

Vrouwen in een openlucht kamer, Hosoda Eishi, 1793 - 1797

Vrouwen in een openlucht kamer

1793 - 1797 · Rijksmuseum Amsterdam

Courtisane Morokoshi uit het Echizenya huis, Hosoda Eishi, 1793 - 1797

Courtisane Morokoshi uit het Echizenya huis

1793 - 1797 · Rijksmuseum Amsterdam

Courtesan Standing Beneath a Cherry Tree, Hosoda Eishi, c. 1796

Courtesan Standing Beneath a Cherry Tree

c. 1796 · Non exposée · Minneapolis Institute of Art

Moonlight [left of the pair Beauties in Spring], Hosoda Eishi, c. 1798

Moonlight [left of the pair Beauties in Spring]

c. 1798 · Non exposée · Minneapolis Institute of Art

Rain [right of the pair Beauties in Spring], Hosoda Eishi, c. 1798

Rain [right of the pair Beauties in Spring]

c. 1798 · Non exposée · Minneapolis Institute of Art

Women in a Pleasure Boat on the Sumida River, Chōbunsai Eishi, early 1790s

Women in a Pleasure Boat on the Sumida River

early 1790s · Non exposée · Cleveland Museum of Art

Women in a Pleasure Boat on the Sumida River, Chōbunsai Eishi, early 1790s

Women in a Pleasure Boat on the Sumida River

early 1790s · Non exposée · Cleveland Museum of Art

In a Pleasure House in Shinagawa (Shinagawa no rojo), Chôbunsai Eishi, n.d.

In a Pleasure House in Shinagawa (Shinagawa no rojo)

n.d. · Non exposée · Art Institute of Chicago

The Courtesan Shizuka of the Shizutamaya, Chôbunsai Eishi, 1790s

The Courtesan Shizuka of the Shizutamaya

1790s · Non exposée · Art Institute of Chicago

Women in a Pleasure Boat on the Sumida River, Chōbunsai Eishi, early 1790s

Women in a Pleasure Boat on the Sumida River

early 1790s · Non exposée · Cleveland Museum of Art

Three Women Strolling in the Countryside, Chōbunsai Eishi, mid 1780s

Three Women Strolling in the Countryside

mid 1780s · Non exposée · Cleveland Museum of Art

Ono no Komachi Washing the Copybook, from the series The Fashionable Seven Komachi (Furyu nana Komachi), Chôbunsai Eishi, Edo period (1615–1868), about 1788

Ono no Komachi Washing the Copybook, from the series The Fashionable Seven Komachi (Furyu nana Komachi)

Edo period (1615–1868), about 1788 · Non exposée · Art Institute of Chicago

Women Viewing Scroll Paintings of the Gods of Good Fortune, Chôbunsai Eishi, late 18th–early 19th century

Women Viewing Scroll Paintings of the Gods of Good Fortune

late 18th–early 19th century · Non exposée · Art Institute of Chicago

Ukiyo Genji hakkei : Suzumushi no bansho, Chôbunsai Eishi, n.d.

Ukiyo Genji hakkei : Suzumushi no bansho

n.d. · Non exposée · Art Institute of Chicago

Parrot Komachi, from the series The Fashionable Seven Komachi (Furyu nana Komachi), Chôbunsai Eishi, Edo period (1615–1868), about 1788

Parrot Komachi, from the series The Fashionable Seven Komachi (Furyu nana Komachi)

Edo period (1615–1868), about 1788 · Non exposée · Art Institute of Chicago

Young Woman Kneeling by a Stand with a Ceremonial Cap (from the series The Six Immortal Poets in Elegant Modern Dress), Chōbunsai Eishi, mid 1790s

Young Woman Kneeling by a Stand with a Ceremonial Cap (from the series The Six Immortal Poets in Elegant Modern Dress)

mid 1790s · Non exposée · Cleveland Museum of Art

Takashima, from the series "A Collection of Flower-like Faces of Beauties (Bijin kagan shu)", Chôbunsai Eishi, late 18th/early 19th century

Takashima, from the series "A Collection of Flower-like Faces of Beauties (Bijin kagan shu)"

late 18th/early 19th century · Non exposée · Art Institute of Chicago

A Parody of Yuranosuke in the Pleasure Quarters (Mitate Yuranosuke yukyo), Chôbunsai Eishi, n.d.

A Parody of Yuranosuke in the Pleasure Quarters (Mitate Yuranosuke yukyo)

n.d. · Non exposée · Art Institute of Chicago

Strolling near Mihashi in Ueno, Chôbunsai Eishi, late 18th–early 19th century

Strolling near Mihashi in Ueno

late 18th–early 19th century · Non exposée · Art Institute of Chicago

Portrait of a Courtesan Holding a Pipe (from the series The Six Immortal Poets in Modern Dress), Chōbunsai Eishi, mid 1790s

Portrait of a Courtesan Holding a Pipe (from the series The Six Immortal Poets in Modern Dress)

mid 1790s · Non exposée · Cleveland Museum of Art

The Poetess Gishumon-in no Tango, from the series The Thirty-six Immortal Women Poets (Nishikizuri onna sanjurokkasen), Chôbunsai Eishi, Edo period (1615–1868), 1801

The Poetess Gishumon-in no Tango, from the series The Thirty-six Immortal Women Poets (Nishikizuri onna sanjurokkasen)

Edo period (1615–1868), 1801 · Non exposée · Art Institute of Chicago

The Poetess Shunzei no Musume, from the series The Thirty-six Immortal Women Poets (Nishikizuri onna sanjurokkasen), Chôbunsai Eishi, Edo period (1615–1868), 1801

The Poetess Shunzei no Musume, from the series The Thirty-six Immortal Women Poets (Nishikizuri onna sanjurokkasen)

Edo period (1615–1868), 1801 · Non exposée · Art Institute of Chicago

Ono no Komachi at Seki Temple, from the series The Fashionable Seven Komachi (Furyu nana Komachi), Chôbunsai Eishi, Edo period (1615–1868), about 1788

Ono no Komachi at Seki Temple, from the series The Fashionable Seven Komachi (Furyu nana Komachi)

Edo period (1615–1868), about 1788 · Non exposée · Art Institute of Chicago

Women in a Pleasure Boat on the Sumida River, Chōbunsai Eishi, early 1790s

Women in a Pleasure Boat on the Sumida River

early 1790s · Non exposée · Cleveland Museum of Art

Print from Women Resting in the Votive Picture Hall at Asakusa, Chōbunsai Eishi, early 1790s

Print from Women Resting in the Votive Picture Hall at Asakusa

early 1790s · Non exposée · Cleveland Museum of Art

New Clothes for the Festival of New Herbs (Wakana no hatsuisho): Tamagiku of the Kadotamaya with Attendants Kikuno and Kikuji, Chôbunsai Eishi, n.d.

New Clothes for the Festival of New Herbs (Wakana no hatsuisho): Tamagiku of the Kadotamaya with Attendants Kikuno and Kikuji

n.d. · Non exposée · Art Institute of Chicago

Women Chasing Crickets on an Autumn Moor, Chōbunsai Eishi, early 1790s

Women Chasing Crickets on an Autumn Moor

early 1790s · Non exposée · Cleveland Museum of Art

The Courtesan Ariwara of the Tsuruya Seated by a Smoking Chest (From the series A Collection of Modern Beauties), Chōbunsai Eishi, mid 1790s

The Courtesan Ariwara of the Tsuruya Seated by a Smoking Chest (From the series A Collection of Modern Beauties)

mid 1790s · Non exposée · Cleveland Museum of Art

The Poetess Gishumon-in no Tango, from the series The Thirty-six Immortal Women Poets (Nishikizuri onna sanjurokkasen), Chôbunsai Eishi, Edo period (1615–1868), 1801

The Poetess Gishumon-in no Tango, from the series The Thirty-six Immortal Women Poets (Nishikizuri onna sanjurokkasen)

Edo period (1615–1868), 1801 · Non exposée · Art Institute of Chicago

The Poetess Ukon, from the series The Thirty-six Immortal Women Poets (Nishikizuri onna sanjurokkasen), Chôbunsai Eishi, Edo period (1615–1868), 1801

The Poetess Ukon, from the series The Thirty-six Immortal Women Poets (Nishikizuri onna sanjurokkasen)

Edo period (1615–1868), 1801 · Non exposée · Art Institute of Chicago

Woman Holding a Wooden Cup Stand Decorated with Chrysanthemums (from the series Elegant Pictures of the Five Seasonal Festivals), Chōbunsai Eishi, mid 1790s

Woman Holding a Wooden Cup Stand Decorated with Chrysanthemums (from the series Elegant Pictures of the Five Seasonal Festivals)

mid 1790s · Non exposée · Cleveland Museum of Art

Ono no Komachi Visiting Kiyomizu Temple, from the series The Fashionable Seven Komachi (Furyu nana Komachi), Chôbunsai Eishi, Edo period (1615–1868), about 1788

Ono no Komachi Visiting Kiyomizu Temple, from the series The Fashionable Seven Komachi (Furyu nana Komachi)

Edo period (1615–1868), about 1788 · Non exposée · Art Institute of Chicago

Watching the Shellfish Gathering during Low Tide at Shinagawa (Shinagawa shiohigari kenbutsu), Chôbunsai Eishi, n.d.

Watching the Shellfish Gathering during Low Tide at Shinagawa (Shinagawa shiohigari kenbutsu)

n.d. · Non exposée · Art Institute of Chicago

Print from Women Resting in the Votive Picture Hall at Asakusa, Chōbunsai Eishi, early 1790s

Print from Women Resting in the Votive Picture Hall at Asakusa

early 1790s · Non exposée · Cleveland Museum of Art

The Poetess Michitsuna no Haha, from the series "The Thirty-six Immortal Women Poets (Nishikizuri onna sanjurokkasen)", Chôbunsai Eishi, Edo period (1615–1868), 1801

The Poetess Michitsuna no Haha, from the series "The Thirty-six Immortal Women Poets (Nishikizuri onna sanjurokkasen)"

Edo period (1615–1868), 1801 · Non exposée · Art Institute of Chicago

Beauties by Veranda, Hosoda Eishi, 1790s

Beauties by Veranda

1790s · Non exposée · Minneapolis Institute of Art

(Courtesan and Wooden Doll), Hosoda Eishi, 18th-19th century

(Courtesan and Wooden Doll)

18th-19th century · Non exposée · Minneapolis Institute of Art

A Dragon and Tiger Made of Pipes and Tobacco Pouches (Ryūko tabako-ire saiku), center sheet of an incomplete triptych, Chōbunsai Eishi 鳥文斎栄之, 18th century

A Dragon and Tiger Made of Pipes and Tobacco Pouches (Ryūko tabako-ire saiku), center sheet of an incomplete triptych

18th century · Non exposée · Musées d'Art de Harvard

Hanaōgiya of the Ōgiya, with kamuro Yoshino and Tatsuta (Ōgiya uchi Hanaōgi, Yoshino, Tatsuta), Chōbunsai Eishi 鳥文斎栄之, Late Edo period, late 18th century-early 19th century

Hanaōgiya of the Ōgiya, with kamuro Yoshino and Tatsuta (Ōgiya uchi Hanaōgi, Yoshino, Tatsuta)

Late Edo period, late 18th century-early 19th century · Non exposée · Musées d'Art de Harvard

"SCENE IN A COURTESAN'S ROOM", Chōbunsai Eishi 鳥文斎栄之

"SCENE IN A COURTESAN'S ROOM"

Non exposée · Musées d'Art de Harvard

Poetess Koshikibu, Chōbunsai Eishi 鳥文斎栄之, Late Edo period, late 18th century-early 19th century

Poetess Koshikibu

Late Edo period, late 18th century-early 19th century · Non exposée · Musées d'Art de Harvard

Courtesans and Kamuro in New Year's Attire, Chōbunsai Eishi 鳥文斎栄之

Courtesans and Kamuro in New Year's Attire

Non exposée · Musées d'Art de Harvard

"HANAOGI, KAMUROS AND MAID", Chōbunsai Eishi 鳥文斎栄之

"HANAOGI, KAMUROS AND MAID"

Non exposée · Musées d'Art de Harvard

Someyama, kamuro Hanano and Momiji, from the series Opening of the New Quarters of the Matsubaya (Matsubaya shintaku mise-biraki), Chōbunsai Eishi 鳥文斎栄之, 20th century

Someyama, kamuro Hanano and Momiji, from the series Opening of the New Quarters of the Matsubaya (Matsubaya shintaku mise-biraki)

20th century · Non exposée · Musées d'Art de Harvard

Courtesans on New Year's Day, Chōbunsai Eishi 鳥文斎栄之

Courtesans on New Year's Day

Non exposée · Musées d'Art de Harvard

THE SIX POETS, "SOJO HENJO", Chōbunsai Eishi 鳥文斎栄之

THE SIX POETS, "SOJO HENJO"

Non exposée · Musées d'Art de Harvard

THE SIX POETS,"NARIHIRA ASON", Chōbunsai Eishi 鳥文斎栄之

THE SIX POETS,"NARIHIRA ASON"

Non exposée · Musées d'Art de Harvard

Hanaōgi of the Ōgiya with kamuro Yoshino and Tatsuta, from the series Contest of Designs in the Pleasure Quarters (Seirō moyō awase), Chōbunsai Eishi 鳥文斎栄之, Late Edo period, late 18th century-early 19th century

Hanaōgi of the Ōgiya with kamuro Yoshino and Tatsuta, from the series Contest of Designs in the Pleasure Quarters (Seirō moyō awase)

Late Edo period, late 18th century-early 19th century · Non exposée · Musées d'Art de Harvard

PATTERNS OF THE GREEN HOUSES,"HANAZUMA OF HYOGOYA UCHI", Chōbunsai Eishi 鳥文斎栄之

PATTERNS OF THE GREEN HOUSES,"HANAZUMA OF HYOGOYA UCHI"

Non exposée · Musées d'Art de Harvard

THE SIX POETS,"ONO NO KOMACHI", Chōbunsai Eishi 鳥文斎栄之

THE SIX POETS,"ONO NO KOMACHI"

Non exposée · Musées d'Art de Harvard

Women Viewing Cherry Blossoms at Kinryūzan Temple in Asakusa, left sheet of an incomplete triptych, Chōbunsai Eishi 鳥文斎栄之

Women Viewing Cherry Blossoms at Kinryūzan Temple in Asakusa, left sheet of an incomplete triptych

Non exposée · Musées d'Art de Harvard

The Courtesan Shinohara of the Tsuruya, from the series New Year Fashions as Fresh as Young Leaves (Wakana hatsu ishō), Chōbunsai Eishi 鳥文斎栄之, 18th century

The Courtesan Shinohara of the Tsuruya, from the series New Year Fashions as Fresh as Young Leaves (Wakana hatsu ishō)

18th century · Non exposée · Musées d'Art de Harvard

BUNYA NO YASUHIDE, ONE OF THE SIX IMMORTAL POETS, Chōbunsai Eishi 鳥文斎栄之

BUNYA NO YASUHIDE, ONE OF THE SIX IMMORTAL POETS

Non exposée · Musées d'Art de Harvard

FOUR LADIES AT SHORE, Chōbunsai Eishi 鳥文斎栄之, 19th century

FOUR LADIES AT SHORE

19th century · Non exposée · Musées d'Art de Harvard

COURTESAN WAKOKU AS OTOMONO KURONOSHI AND COURTESAN KASUAGANO AS ARIWARA NO NARIHIRA, FROM A SERIES REPRESENTING THE SIX IMMORTAL POETS, Chōbunsai Eishi 鳥文斎栄之

COURTESAN WAKOKU AS OTOMONO KURONOSHI AND COURTESAN KASUAGANO AS ARIWARA NO NARIHIRA, FROM A SERIES REPRESENTING THE SIX IMMORTAL POETS

Non exposée · Musées d'Art de Harvard

Flower Wrestling in March (Seirō Manzai Niwaka), Chōbunsai Eishi 鳥文斎栄之

Flower Wrestling in March (Seirō Manzai Niwaka)

Non exposée · Musées d'Art de Harvard

PASSING VIEW OF THE 12 MONTHS THE END OF SPRING., Chōbunsai Eishi 鳥文斎栄之

PASSING VIEW OF THE 12 MONTHS THE END OF SPRING.

Non exposée · Musées d'Art de Harvard

Courtesan Kisegawa of the Matsubaya, kamuro Takeno and Sasano, Chōbunsai Eishi 鳥文斎栄之, 18th century

Courtesan Kisegawa of the Matsubaya, kamuro Takeno and Sasano

18th century · Non exposée · Musées d'Art de Harvard

Hinazuru of the Chōjiya and Attendants, from the series Edo Purple in the Pleasure Quarters (Seirō Edo Murasaki), Chōbunsai Eishi 鳥文斎栄之, 18th century

Hinazuru of the Chōjiya and Attendants, from the series Edo Purple in the Pleasure Quarters (Seirō Edo Murasaki)

18th century · Non exposée · Musées d'Art de Harvard

The Leaning Plum at Ueno Park, Chōbunsai Eishi 鳥文斎栄之

The Leaning Plum at Ueno Park

Non exposée · Musées d'Art de Harvard

Tanabata, from the series Fashionable Five Festivals (Fūryū gosekku), Chōbunsai Eishi 鳥文斎栄之, late 18th to early 19th century

Tanabata, from the series Fashionable Five Festivals (Fūryū gosekku)

late 18th to early 19th century · Non exposée · Musées d'Art de Harvard

"USHIWAKA & HINAZURU", Chōbunsai Eishi 鳥文斎栄之

"USHIWAKA & HINAZURU"

Non exposée · Musées d'Art de Harvard

Ladies Imitating a Courtly Insect Hunt, center sheet of a triptych, Chōbunsai Eishi 鳥文斎栄之, 20th century

Ladies Imitating a Courtly Insect Hunt, center sheet of a triptych

20th century · Non exposée · Musées d'Art de Harvard

OTOMO KURONOSHI, ONE OF THE SIX IMMORTAL POETS, Chōbunsai Eishi 鳥文斎栄之

OTOMO KURONOSHI, ONE OF THE SIX IMMORTAL POETS

Non exposée · Musées d'Art de Harvard

THE SIX POETS,"KISEN HOSHI", Chōbunsai Eishi 鳥文斎栄之

THE SIX POETS,"KISEN HOSHI"

Non exposée · Musées d'Art de Harvard

Courtesan and Kamuro Through a Round Window, Chōbunsai Eishi 鳥文斎栄之

Courtesan and Kamuro Through a Round Window

Non exposée · Musées d'Art de Harvard

Yang Kuei-fei, Chobunsai Eishi 鳥文斎栄之, late 18th-19th century

Yang Kuei-fei

late 18th-19th century · musée national d'art asiatique

A geisha about to adjust a tortoise-shell hairpin, Chobunsai Eishi 鳥文斎栄之, late 18th century

A geisha about to adjust a tortoise-shell hairpin

late 18th century · musée national d'art asiatique

Sugawara of the Tsuruya with Attendants Mumeno and Takeno, Chôbunsai Eishi, c. 1787

Sugawara of the Tsuruya with Attendants Mumeno and Takeno

c. 1787 · Non exposée · Art Institute of Chicago

Viewing Cherry Blossoms at Goten Hill, Chôbunsai Eishi, c. 1787

Viewing Cherry Blossoms at Goten Hill

c. 1787 · Non exposée · Art Institute of Chicago

Nanamachi of the Yotsumeya with Attendants Sumano and Akashi, Chôbunsai Eishi, c. 1787

Nanamachi of the Yotsumeya with Attendants Sumano and Akashi

c. 1787 · Non exposée · Art Institute of Chicago

Viewing Cherry Blossoms at Goten Hill, Chôbunsai Eishi, c. 1787

Viewing Cherry Blossoms at Goten Hill

c. 1787 · Non exposée · Art Institute of Chicago

Viewing Cherry Blossoms at Goten Hill, Chôbunsai Eishi, c. 1787

Viewing Cherry Blossoms at Goten Hill

c. 1787 · Non exposée · Art Institute of Chicago

Keyblock impression for Five Beauties, Hosoda Eishi, 1787–96

Keyblock impression for Five Beauties

1787–96 · Non exposée · Minneapolis Institute of Art

Three Courtesans of the Tsuataya House, Hosoda Eishi, 1787–98

Three Courtesans of the Tsuataya House

1787–98 · Non exposée · Minneapolis Institute of Art

Gathering at a Teahouse on the Bank of the Sumida River, Chôbunsai Eishi, c. 1788/90

Gathering at a Teahouse on the Bank of the Sumida River

c. 1788/90 · Non exposée · Art Institute of Chicago

Two Girls under an Umbrella, Chôbunsai Eishi, c. 1788/89

Two Girls under an Umbrella

c. 1788/89 · Non exposée · Art Institute of Chicago

The Eighth Month (Nanryo), from the series a Calendar of Elegance (Furyu junikagetsu), Chôbunsai Eishi, c. 1788

The Eighth Month (Nanryo), from the series a Calendar of Elegance (Furyu junikagetsu)

c. 1788 · Non exposée · Art Institute of Chicago

View of the Sumida River from the Temporary Quarters of the Ōgiya in Nakasu, Chōbunsai Eishi 鳥文斎栄之, c. 1788 (Tenmei 8)

View of the Sumida River from the Temporary Quarters of the Ōgiya in Nakasu

c. 1788 (Tenmei 8) · Non exposée · Musées d'Art de Harvard

Narihira, from the series "Six Immortal Poets (Rokkasen)", Chôbunsai Eishi, c. 1789/90

Narihira, from the series "Six Immortal Poets (Rokkasen)"

c. 1789/90 · Non exposée · Art Institute of Chicago

Viewing Cherry Blossoms from a Teahouse on Asuka Hill, Chôbunsai Eishi, c. 1789/90

Viewing Cherry Blossoms from a Teahouse on Asuka Hill

c. 1789/90 · Non exposée · Art Institute of Chicago

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