ART WIKI
Grace Hartigan — portrait

États-Unis · 1922–2008

Grace Hartigan

Grace Hartigan est une artiste peintre américaine souvent décrite comme une expressionniste abstraite de seconde génération, sans pour autant que son œuvre rompe complètement avec la tradition figurative.

Où voir Grace Hartigan

ToutesExposées · 2En collectionIncertaines
Essex and Hester (Red), Grace Hartigan, 1958

Essex and Hester (Red)

1958 · National Gallery of Art

The Vendor #3, Grace Hartigan, 1956

The Vendor #3

1956 · Art Institute of Chicago

The Persian Jacket, Grace Hartigan, 1952

The Persian Jacket

1952 · Non exposée · Museum of Modern Art

Untitled from Folder (vol. 1, no. 1), Grace Hartigan, 1953

Untitled from Folder (vol. 1, no. 1)

1953 · Non exposée · National Gallery of Art

Untitled from Folder (vol. 1, no. 1), Grace Hartigan, 1953

Untitled from Folder (vol. 1, no. 1)

1953 · Non exposée · National Gallery of Art

Untitled from Folder (vol. 1, no. 1), Grace Hartigan, 1953

Untitled from Folder (vol. 1, no. 1)

1953 · Non exposée · National Gallery of Art

River Bathers, Grace Hartigan, 1953

River Bathers

1953 · Non exposée · Museum of Modern Art

Untitled from Folder, Vol. I, No. I, Grace Hartigan, 1953

Untitled from Folder, Vol. I, No. I

1953 · Non exposée · Museum of Modern Art

Untitled from Folder, Vol. I, No. I, Grace Hartigan, 1953

Untitled from Folder, Vol. I, No. I

1953 · Non exposée · Museum of Modern Art

Untitled from Folder, Vol. I, No. I, Grace Hartigan, 1953

Untitled from Folder, Vol. I, No. I

1953 · Non exposée · Museum of Modern Art

Proof for Untitled from Folder, Vol. I, No. I, Grace Hartigan, 1953

Proof for Untitled from Folder, Vol. I, No. I

1953 · Non exposée · Museum of Modern Art

Summer Street, Grace Hartigan, 1956

Summer Street

1956 · Non exposée · National Gallery of Art

Shinnecock Canal, Grace Hartigan, 1957

Shinnecock Canal

1957 · Non exposée · Museum of Modern Art

Billboard, Grace Hartigan, 1957

Billboard

1957 · Non exposée · Minneapolis Institute of Art

Untitled from The Hero Leaves His Ship, Grace Hartigan, 1960

Untitled from The Hero Leaves His Ship

1960 · Non exposée · Museum of Modern Art

Title page from Salute, Grace Hartigan, 1960

Title page from Salute

1960 · Non exposée · Museum of Modern Art

Untitled from The Hero Leaves His Ship, Grace Hartigan, 1960

Untitled from The Hero Leaves His Ship

1960 · Non exposée · Museum of Modern Art

Cover from Salute, Grace Hartigan, 1960

Cover from Salute

1960 · Non exposée · Museum of Modern Art

Plate (folio 12) from Salute, Grace Hartigan, 1960

Plate (folio 12) from Salute

1960 · Non exposée · Museum of Modern Art

Salute, Grace Hartigan, 1960

Salute

1960 · Non exposée · Museum of Modern Art

Untitled from The Hero Leaves His Ship, Grace Hartigan, 1960

Untitled from The Hero Leaves His Ship

1960 · Non exposée · Museum of Modern Art

Plate (folio 15) from Salute, Grace Hartigan, 1960

Plate (folio 15) from Salute

1960 · Non exposée · Museum of Modern Art

Plate (folio 8) from Salute, Grace Hartigan, 1960

Plate (folio 8) from Salute

1960 · Non exposée · Museum of Modern Art

Untitled from The Hero Leaves His Ship, Grace Hartigan, 1960

Untitled from The Hero Leaves His Ship

1960 · Non exposée · Museum of Modern Art

Untitled, Grace Hartigan, 1961

Untitled

1961 · Non exposée · National Gallery of Art

Canal to the Sky, Grace Hartigan, 1961

Canal to the Sky

1961 · Non exposée · National Gallery of Art

Pallas Athene, Grace Hartigan, 1961

Pallas Athene

1961 · Non exposée · National Gallery of Art

On a Tar Roof, Grace Hartigan, 1961

On a Tar Roof

1961 · Non exposée · National Gallery of Art

The So Called Angel, Grace Hartigan, 1961

The So Called Angel

1961 · Non exposée · National Gallery of Art

Pallas Athene, Grace Hartigan, 1961

Pallas Athene

1961 · Non exposée · Museum of Modern Art

Green Awnings, Grace Hartigan, 1962–66

Green Awnings

1962–66 · Non exposée · Museum of Modern Art

Atlanta in Arcadia from The Archaics, Grace Hartigan, 1962–66

Atlanta in Arcadia from The Archaics

1962–66 · Non exposée · Museum of Modern Art

Who Will Accept Our Offering at the End of Autumn?, Who Will Accept Our Offering at the End of Autumn? from the series The Archaics, Grace Hartigan, 1962–66

Who Will Accept Our Offering at the End of Autumn?, Who Will Accept Our Offering at the End of Autumn? from the series The Archaics

1962–66 · Non exposée · Museum of Modern Art

Dido to Aeneas from The Archaics, Grace Hartigan, 1962–66

Dido to Aeneas from The Archaics

1962–66 · Non exposée · Museum of Modern Art

In the Campagna from The Archaics, Grace Hartigan, 1962–66

In the Campagna from The Archaics

1962–66 · Non exposée · Museum of Modern Art

Who Will Accept Our Offering at This End of Autumn? from The Archaics, Grace Hartigan, 1962–66

Who Will Accept Our Offering at This End of Autumn? from The Archaics

1962–66 · Non exposée · Museum of Modern Art

Green Awnings from The Archaics, Grace Hartigan, 1962–66

Green Awnings from The Archaics

1962–66 · Non exposée · Museum of Modern Art

Atlanta in Arcadia from The Archaics, Grace Hartigan, 1962–66

Atlanta in Arcadia from The Archaics

1962–66 · Non exposée · Museum of Modern Art

Palm Trees, Palm Trees from the series The Archaics, Grace Hartigan, 1962–66

Palm Trees, Palm Trees from the series The Archaics

1962–66 · Non exposée · Museum of Modern Art

Palm Trees from The Archaics, Grace Hartigan, 1962–66

Palm Trees from The Archaics

1962–66 · Non exposée · Museum of Modern Art

The Archaics, Grace Hartigan, 1962–66

The Archaics

1962–66 · Non exposée · Museum of Modern Art

From Eyes Blue and Cold, From Eyes Blue and Cold from the series The Archaics, Grace Hartigan, 1962–66

From Eyes Blue and Cold, From Eyes Blue and Cold from the series The Archaics

1962–66 · Non exposée · Museum of Modern Art

Inside - Outside, Grace Hartigan, 1962

Inside - Outside

1962 · Non exposée · Museum of Modern Art

From Eyes Blue and Cold from The Archaics, Grace Hartigan, 1962–66

From Eyes Blue and Cold from The Archaics

1962–66 · Non exposée · Museum of Modern Art

Dido to Aeneas, Dido to Aeneas from the series The Archaics, Grace Hartigan, 1962–66

Dido to Aeneas, Dido to Aeneas from the series The Archaics

1962–66 · Non exposée · Museum of Modern Art

In the Campagna from The Archaics, Grace Hartigan, 1962–66

In the Campagna from The Archaics

1962–66 · Non exposée · Museum of Modern Art

Easter Still Life, Grace Hartigan, 1965

Easter Still Life

1965 · Non exposée · Minneapolis Institute of Art

Preparatory drawing for In Memory of My Feelings, Grace Hartigan, 1967

Preparatory drawing for In Memory of My Feelings

1967 · Non exposée · Museum of Modern Art

In-text plate (folios 79 verso and 80 recto) from In Memory of My Feelings, Grace Hartigan, 1967

In-text plate (folios 79 verso and 80 recto) from In Memory of My Feelings

1967 · Non exposée · Museum of Modern Art

Preparatory drawing for In Memory of My Feelings, Grace Hartigan, 1967

Preparatory drawing for In Memory of My Feelings

1967 · Non exposée · Museum of Modern Art

Marie Antoinette and Cleopatra, Grace Hartigan, 2004

Marie Antoinette and Cleopatra

2004 · Non exposée · National Gallery of Art

Grand Street Brides, Grace Hartigan, 1954

Grand Street Brides

1954 · Non exposée · Whitney Museum of American Art

Masquerade, Grace Hartigan, 1954

Masquerade

1954 · Non exposée · Art Institute of Chicago

Sweden, Grace Hartigan, 1959

Sweden

1959 · Non exposée · Whitney Museum of American Art

The Hero Leaves His Ship III (Ship), Grace Hartigan, 1960

The Hero Leaves His Ship III (Ship)

1960 · Non exposée · Art Institute of Chicago

The Hero Leaves His Ship II (Ship), Grace Hartigan, 1960

The Hero Leaves His Ship II (Ship)

1960 · Non exposée · Art Institute of Chicago

The Hero Leaves His Ship IV (Ship), Grace Hartigan, 1960

The Hero Leaves His Ship IV (Ship)

1960 · Non exposée · Art Institute of Chicago

The Hero Leaves His Ship I (Hero), Grace Hartigan, 1960

The Hero Leaves His Ship I (Hero)

1960 · Non exposée · Art Institute of Chicago

The Hero Leaves His Ship II (Hero), Grace Hartigan, 1960

The Hero Leaves His Ship II (Hero)

1960 · Non exposée · Minneapolis Institute of Art

Pallas Athene, Grace Hartigan, 1961

Pallas Athene

1961 · Non exposée · Art Institute of Chicago

In the Campagna, from The Archaics, Grace Hartigan, 1962–66

In the Campagna, from The Archaics

1962–66 · Non exposée · Art Institute of Chicago

Palm Trees, Grace Hartigan, 1962–1966

Palm Trees

1962–1966 · Non exposée · Whitney Museum of American Art

Atalanta in Arcadia, Grace Hartigan, 1962–1966

Atalanta in Arcadia

1962–1966 · Non exposée · Whitney Museum of American Art

Who Will Accept Our Offering at this End of Autumn?, from The Archaics, Grace Hartigan, 1962–66

Who Will Accept Our Offering at this End of Autumn?, from The Archaics

1962–66 · Non exposée · Art Institute of Chicago

The Archaics: Green Awnings, Grace Hartigan, 1962–1966

The Archaics: Green Awnings

1962–1966 · Non exposée · Whitney Museum of American Art

Palm Trees, from The Archaics, Grace Hartigan, 1962–66

Palm Trees, from The Archaics

1962–66 · Non exposée · Art Institute of Chicago

Dido to Aeneas, from The Archaics, Grace Hartigan, 1962–66

Dido to Aeneas, from The Archaics

1962–66 · Non exposée · Art Institute of Chicago

From Eyes Blue and Cold, from The Archaics, Grace Hartigan, 1962–66

From Eyes Blue and Cold, from The Archaics

1962–66 · Non exposée · Art Institute of Chicago

Atalanta in Arcadia, from The Archaics, Grace Hartigan, 1962–66

Atalanta in Arcadia, from The Archaics

1962–66 · Non exposée · Art Institute of Chicago

In The Campagna, Grace Hartigan, 1962–1966

In The Campagna

1962–1966 · Non exposée · Whitney Museum of American Art

Green Awnings, from The Archaics, Grace Hartigan, 1962–66

Green Awnings, from The Archaics

1962–66 · Non exposée · Art Institute of Chicago

Inside Outside, Grace Hartigan, 1962

Inside Outside

1962 · Non exposée · Art Institute of Chicago