ART WIKI 32 979 en salle

Carte Collection Artistes Musées Expositions Journal

ART WIKI

Où est accroché le chef-d’œuvre, et quand on vous laisse entrer.

Collections : Art Institute of Chicago, Cleveland Museum of Art, Galerie Tretiakov, Hirshhorn Museum and Sculpture Garden, J. Paul Getty Museum, Metropolitan Museum of Art, Minneapolis Institute of Art, Musée de l'Ermitage, Musée des Beaux-Arts Pouchkine, Musée du Louvre, musée national d'art asiatique, Musée russe, Musées d'Art de Harvard, Museum of Modern Art, National Gallery of Art, National Portrait Gallery, Rijksmuseum Amsterdam, Smithsonian American Art Museum, Statens Museum for Kunst, Victoria and Albert Museum, Villa Getty, Whitney Museum of American Art, Catalogue d’État du fonds muséal de Russie (274 musées), Europeana (19 musées), Wikidata (6 musées), Paris Musées (12 musées) et Joconde, la base des musées du ministère de la Culture (495 musées). Les images appartiennent à leurs ayants droit.

Rubriques

Carte
Recherche
Collection
Chefs-d’œuvre
Exposées en ce moment
Artistes

Et aussi

Musées et galeries
Expositions
Journal
D’où viennent les données
Confidentialité et cookies

Accueil Carte Catalogue

Artistes
George N. Barnard

États-Unis · 1819–1902

George N. Barnard

George N. Barnard, né le 23 décembre 1819 et mort le 4 février 1902, est un photographe américain, connu pour ses photographies de la guerre de Sécession.

403au catalogue
1exposées
11collections
2pays

Où voir George N. Barnard

New York · 1 en salle

Œuvres Vie Carte

Toutes Exposées · 1 En collection Incertaines

1

Pagesur 5

Savannah, Georgia, No. 2, George N. Barnard, 1866

Savannah, Georgia, No. 2

1866 · Metropolitan Museum of Art

Untitled, George N. Barnard, 1846-53

Untitled

1846-53 · Non exposée · Museum of Modern Art

Orchard Knob from Mission Ridge, George N. Barnard, 1864-1866

Orchard Knob from Mission Ridge

1864-1866 · Non exposée · National Gallery of Art

Trestle Bridge at Whiteside, George N. Barnard, 1864

Trestle Bridge at Whiteside

1864 · Non exposée · National Gallery of Art

Battleground of Resaca, Georgia, No 3, George N. Barnard, 1864

Battleground of Resaca, Georgia, No 3

1864 · Non exposée · National Gallery of Art

City of Atlanta, Georgia, No. 1, George N. Barnard, 1864

City of Atlanta, Georgia, No. 1

1864 · Non exposée · National Gallery of Art

Pass in the Raccoon Range, Whiteside No. 1, George N. Barnard, 1864

Pass in the Raccoon Range, Whiteside No. 1

1864 · Non exposée · National Gallery of Art

Rebel Works in Front of Atlanta, GA, No. 4, George N. Barnard, 1864

Rebel Works in Front of Atlanta, GA, No. 4

1864 · Non exposée · National Gallery of Art

Battlefield in Atlanta, George N. Barnard, 1864

Battlefield in Atlanta

1864 · Non exposée · National Gallery of Art

The Allatoona Pass, looking North from the album Photographic Views of Sherman's Campaign, George N. Barnard, 1864-65

The Allatoona Pass, looking North from the album Photographic Views of Sherman's Campaign

1864-65 · Non exposée · Museum of Modern Art

View of Atlanta, Georgia, No. 1 from the album Photographic Views of Sherman's Campaign, George N. Barnard, 1864-65

View of Atlanta, Georgia, No. 1 from the album Photographic Views of Sherman's Campaign

1864-65 · Non exposée · Museum of Modern Art

The Battle Ground of Resaca, No. 3 from the album Photographic Views of Sherman's Campaign, George N. Barnard, 1864-65

The Battle Ground of Resaca, No. 3 from the album Photographic Views of Sherman's Campaign

1864-65 · Non exposée · Museum of Modern Art

Buzzard Roost from the album Photographic Views of Sherman's Campaign, George N. Barnard, 1864-65

Buzzard Roost from the album Photographic Views of Sherman's Campaign

1864-65 · Non exposée · Museum of Modern Art

Rebel Works in front of Atlanta, Georgia, No. 1 from the album Photographic Views of Sherman's Campaign, George N. Barnard, 1864-65

Rebel Works in front of Atlanta, Georgia, No. 1 from the album Photographic Views of Sherman's Campaign

1864-65 · Non exposée · Museum of Modern Art

Ruins in Columbia, South Carolina from the album Photographic Views of Sherman's Campaign, George N. Barnard, 1864-65

Ruins in Columbia, South Carolina from the album Photographic Views of Sherman's Campaign

1864-65 · Non exposée · Museum of Modern Art

Savannah, Looking down the River from the album Photographic Views of Sherman's Campaign, George N. Barnard, 1864-65

Savannah, Looking down the River from the album Photographic Views of Sherman's Campaign

1864-65 · Non exposée · Museum of Modern Art

The Battlefield of Peach Tree Creek from the album Photographic Views of Sherman's Campaign, George N. Barnard, 1864-65

The Battlefield of Peach Tree Creek from the album Photographic Views of Sherman's Campaign

1864-65 · Non exposée · Museum of Modern Art

The Crest of Mission Ridge from the album Photographic Views of Sherman's Campaign, George N. Barnard, 1864-65

The Crest of Mission Ridge from the album Photographic Views of Sherman's Campaign

1864-65 · Non exposée · Museum of Modern Art

Chattanooga, from the North from the album Photographic Views of Sherman's Campaign, George N. Barnard, 1864-65

Chattanooga, from the North from the album Photographic Views of Sherman's Campaign

1864-65 · Non exposée · Museum of Modern Art

The Potter House, Atlanta from the album Photographic Views of Sherman's Campaign, George N. Barnard, 1864-65

The Potter House, Atlanta from the album Photographic Views of Sherman's Campaign

1864-65 · Non exposée · Museum of Modern Art

Sherman and his Generals from the album Photographic Views of Sherman's Campaign, George N. Barnard, 1864-65

Sherman and his Generals from the album Photographic Views of Sherman's Campaign

1864-65 · Non exposée · Museum of Modern Art

Battlefield of the New Hope Church, Georgia, No. 2 from the album Photographic Views of Sherman's Campaign, George N. Barnard, 1864-65

Battlefield of the New Hope Church, Georgia, No. 2 from the album Photographic Views of Sherman's Campaign

1864-65 · Non exposée · Museum of Modern Art

View from Kenesaw Mountain from the album Photographic Views of Sherman's Campaign, George N. Barnard, 1864-65

View from Kenesaw Mountain from the album Photographic Views of Sherman's Campaign

1864-65 · Non exposée · Museum of Modern Art

Orchard Knob, from Mission Ridge from the album Photographic Views of Sherman's Campaign, George N. Barnard, 1864-65

Orchard Knob, from Mission Ridge from the album Photographic Views of Sherman's Campaign

1864-65 · Non exposée · Museum of Modern Art

Pine Mountain from the album Photographic Views of Sherman's Campaign, George N. Barnard, 1864-65

Pine Mountain from the album Photographic Views of Sherman's Campaign

1864-65 · Non exposée · Museum of Modern Art

Battlefield of Atlanta, 22nd July, 1864, No. 1 from the album Photographic Views of Sherman's Campaign, George N. Barnard, 1864

Battlefield of Atlanta, 22nd July, 1864, No. 1 from the album Photographic Views of Sherman's Campaign

1864 · Non exposée · Museum of Modern Art

The John Ross House from the album Photographic Views of Sherman's Campaign, George N. Barnard, 1864-65

The John Ross House from the album Photographic Views of Sherman's Campaign

1864-65 · Non exposée · Museum of Modern Art

Trestle Bridge, at Whiteside from the album Photographic Views of Sherman's Campaign, George N. Barnard, 1864-65

Trestle Bridge, at Whiteside from the album Photographic Views of Sherman's Campaign

1864-65 · Non exposée · Museum of Modern Art

Mission Ridge, from Orchard Knob from the album Photographic Views of Sherman's Campaign, George N. Barnard, 1864-65

Mission Ridge, from Orchard Knob from the album Photographic Views of Sherman's Campaign

1864-65 · Non exposée · Museum of Modern Art

Our Line in front of Kenesaw Mountain from the album Photographic Views of Sherman's Campaign, George N. Barnard, 1864-65

Our Line in front of Kenesaw Mountain from the album Photographic Views of Sherman's Campaign

1864-65 · Non exposée · Museum of Modern Art

Sherman's Hair-Pins, George N. Barnard, 1864

Sherman's Hair-Pins

1864 · Non exposée · Museum of Modern Art

Battlefield of New Hope Church, Georgia, No. 1 from the album Photographic Views of Sherman's Campaign, George N. Barnard, 1864-65

Battlefield of New Hope Church, Georgia, No. 1 from the album Photographic Views of Sherman's Campaign

1864-65 · Non exposée · Museum of Modern Art

The Allatoona Pass from the album Photographic Views of Sherman's Campaign, George N. Barnard, 1864-65

The Allatoona Pass from the album Photographic Views of Sherman's Campaign

1864-65 · Non exposée · Museum of Modern Art

Exterior View of Fort Sumter from the album Photographic Views of Sherman's Campaign, George N. Barnard, 1864-65

Exterior View of Fort Sumter from the album Photographic Views of Sherman's Campaign

1864-65 · Non exposée · Museum of Modern Art

Ruins of the R.R. Depot, Charleston, South Carolina from the album Photographic Views of Sherman's Campaign(1866), George N. Barnard, 1864-65

Ruins of the R.R. Depot, Charleston, South Carolina from the album Photographic Views of Sherman's Campaign(1866)

1864-65 · Non exposée · Museum of Modern Art

Pass in the Raccoon Range, No. 2 from the album Photographic Views of Sherman's Campaign, George N. Barnard, 1864-65

Pass in the Raccoon Range, No. 2 from the album Photographic Views of Sherman's Campaign

1864-65 · Non exposée · Museum of Modern Art

Whiteside Valley, below the Bridge from the album Photographic Views of Sherman's Campaign, George N. Barnard, 1864-65

Whiteside Valley, below the Bridge from the album Photographic Views of Sherman's Campaign

1864-65 · Non exposée · Museum of Modern Art

Pass in the Racoon Range, No. 1 from the album Photographic Views of Sherman's Campaign, George N. Barnard, 1864-65

Pass in the Racoon Range, No. 1 from the album Photographic Views of Sherman's Campaign

1864-65 · Non exposée · Museum of Modern Art

Mission Ridge, Scene of Sherman's Attack from the album Photographic Views of Sherman's Campaign, George N. Barnard, 1864-65

Mission Ridge, Scene of Sherman's Attack from the album Photographic Views of Sherman's Campaign

1864-65 · Non exposée · Museum of Modern Art

The New Capitol, Columbia, South Carolina from the album Photographic Views of Sherman's Campaign, George N. Barnard, 1864-65

The New Capitol, Columbia, South Carolina from the album Photographic Views of Sherman's Campaign

1864-65 · Non exposée · Museum of Modern Art

South Bank of the Chattahoochie from the album Photographic Views of Sherman's Campaign, George N. Barnard, 1864-65

South Bank of the Chattahoochie from the album Photographic Views of Sherman's Campaign

1864-65 · Non exposée · Museum of Modern Art

Atlanta, from the Works, No. 3 from the album Photographic Views of Sherman's Campaign, George N. Barnard, 1864-65

Atlanta, from the Works, No. 3 from the album Photographic Views of Sherman's Campaign

1864-65 · Non exposée · Museum of Modern Art

Rebel Works in front of Atlanta, No. 5 from the album Photographic Views of Sherman's Campaign, George N. Barnard, 1864-65

Rebel Works in front of Atlanta, No. 5 from the album Photographic Views of Sherman's Campaign

1864-65 · Non exposée · Museum of Modern Art

Ruins in Charleston, South Carolina from the album Photographic Views of Sherman's Campaign(1866), George N. Barnard, 1864-65

Ruins in Charleston, South Carolina from the album Photographic Views of Sherman's Campaign(1866)

1864-65 · Non exposée · Museum of Modern Art

The Battle Ground of Resaca, No.2 from the album Photographic Views of Sherman's Campaign, George N. Barnard, 1864-65

The Battle Ground of Resaca, No.2 from the album Photographic Views of Sherman's Campaign

1864-65 · Non exposée · Museum of Modern Art

Chattanooga Valley from Lookout Mountain, George N. Barnard, 1864 - 1866

Chattanooga Valley from Lookout Mountain

1864 - 1866 · Rijksmuseum Amsterdam

Chattanooga Valley, from Lookout Mountain from the album Photographic Views of Sherman's Campaign, George N. Barnard, 1864-65

Chattanooga Valley, from Lookout Mountain from the album Photographic Views of Sherman's Campaign

1864-65 · Non exposée · Museum of Modern Art

Savannah River, near the City from the album Photographic Views of Sherman's Campaign, George N. Barnard, 1864-65

Savannah River, near the City from the album Photographic Views of Sherman's Campaign

1864-65 · Non exposée · Museum of Modern Art

Scene of General McPherson's Death from the album Photographic Views of Sherman's Campaign, George N. Barnard, 1864-65

Scene of General McPherson's Death from the album Photographic Views of Sherman's Campaign

1864-65 · Non exposée · Museum of Modern Art

Battlefield of Atlanta, 22nd July, 1864, No. 2 from the album Photographic Views of Sherman's Campaign, George N. Barnard, 1864

Battlefield of Atlanta, 22nd July, 1864, No. 2 from the album Photographic Views of Sherman's Campaign

1864 · Non exposée · Museum of Modern Art

Chattanooga Valley, from Lookout Mountain from the album Photographic Views of Sherman's Campaign, George N. Barnard, 1864-65

Chattanooga Valley, from Lookout Mountain from the album Photographic Views of Sherman's Campaign

1864-65 · Non exposée · Museum of Modern Art

Destruction of Hood's Ordnance Train from the album Photographic Views of Sherman's Campaign(1866), George N. Barnard, 1864-65

Destruction of Hood's Ordnance Train from the album Photographic Views of Sherman's Campaign(1866)

1864-65 · Non exposée · Museum of Modern Art

Fountain and Park, Savannah from the album Photographic Views of Sherman's Campaign, George N. Barnard, 1864-65

Fountain and Park, Savannah from the album Photographic Views of Sherman's Campaign

1864-65 · Non exposée · Museum of Modern Art

Nashville, from the Capitol from the album Photographic Views of Sherman's Campaign, George N. Barnard, 1864-65

Nashville, from the Capitol from the album Photographic Views of Sherman's Campaign

1864-65 · Non exposée · Museum of Modern Art

Ruins of the Pinckney Mansion, Charleston from the album Photographic Views of Sherman's Campaign, George N. Barnard, 1864-65

Ruins of the Pinckney Mansion, Charleston from the album Photographic Views of Sherman's Campaign

1864-65 · Non exposée · Museum of Modern Art

Rebel Works in front of Atlanta, No. 4 from the album Photographic Views of Sherman's Campaign, George N. Barnard, 1864-65

Rebel Works in front of Atlanta, No. 4 from the album Photographic Views of Sherman's Campaign

1864-65 · Non exposée · Museum of Modern Art

The "Capitol," Nashville, Tennessee from the album Photographic Views of Sherman's Campaign, George N. Barnard, 1864-65

The "Capitol," Nashville, Tennessee from the album Photographic Views of Sherman's Campaign

1864-65 · Non exposée · Museum of Modern Art

Ringold, Georgia from the album Photographic Views of Sherman's Campaign, George N. Barnard, 1864-65

Ringold, Georgia from the album Photographic Views of Sherman's Campaign

1864-65 · Non exposée · Museum of Modern Art

Columbia, from the Captiol from the album Photographic Views of Sherman's Campaign, George N. Barnard, 1864-65

Columbia, from the Captiol from the album Photographic Views of Sherman's Campaign

1864-65 · Non exposée · Museum of Modern Art

Allatoona Pass, from the Etawah from the album Photographic Views of Sherman's Campaign, George N. Barnard, 1864-65

Allatoona Pass, from the Etawah from the album Photographic Views of Sherman's Campaign

1864-65 · Non exposée · Museum of Modern Art

Ruins in Columbia, South Carolina from the album Photographic Views of Sherman's Campaign, George N. Barnard, 1864-65

Ruins in Columbia, South Carolina from the album Photographic Views of Sherman's Campaign

1864-65 · Non exposée · Museum of Modern Art

Fort Sumter from the album Photographic Views of Sherman's Campaign, George N. Barnard, 1864-65

Fort Sumter from the album Photographic Views of Sherman's Campaign

1864-65 · Non exposée · Museum of Modern Art

Resaca, from the Rebel Works from the album Photographic Views of Sherman's Campaign, George N. Barnard, 1864-65

Resaca, from the Rebel Works from the album Photographic Views of Sherman's Campaign

1864-65 · Non exposée · Museum of Modern Art

The Battle Ground of Resaca, No. 1 from the album Photographic Views of Sherman's Campaign, George N. Barnard, 1864-65

The Battle Ground of Resaca, No. 1 from the album Photographic Views of Sherman's Campaign

1864-65 · Non exposée · Museum of Modern Art

The "Hell Hole," New Hope Church, Georiga from the album Photographic Views of Sherman's Campaign, George N. Barnard, 1864-65

The "Hell Hole," New Hope Church, Georiga from the album Photographic Views of Sherman's Campaign

1864-65 · Non exposée · Museum of Modern Art

Rebel Works in front of Atlanta, No. 2 from the album Photographic Views of Sherman's Campaign, George N. Barnard, 1864-65

Rebel Works in front of Atlanta, No. 2 from the album Photographic Views of Sherman's Campaign

1864-65 · Non exposée · Museum of Modern Art

Defences of the Etawah Bridge from the album Photographic Views of Sherman's Campaign, George N. Barnard, 1864-65

Defences of the Etawah Bridge from the album Photographic Views of Sherman's Campaign

1864-65 · Non exposée · Museum of Modern Art

Lu-La-Lake, Lookout Mountain from the album Photographic Views of Sherman's Campaign, George N. Barnard, 1864-65

Lu-La-Lake, Lookout Mountain from the album Photographic Views of Sherman's Campaign

1864-65 · Non exposée · Museum of Modern Art

Interior View of Fort Sumter from the album Photographic Views of Sherman's Campaign, George N. Barnard, 1864-65

Interior View of Fort Sumter from the album Photographic Views of Sherman's Campaign

1864-65 · Non exposée · Museum of Modern Art

City of Atlanta, Georgia, No. 2 from the album Photographic Views of Sherman's Campaign, George N. Barnard, 1864-65

City of Atlanta, Georgia, No. 2 from the album Photographic Views of Sherman's Campaign

1864-65 · Non exposée · Museum of Modern Art

Buen Ventura, Savannah from the album Photographic Views of Sherman's Campaign, George N. Barnard, 1864-65

Buen Ventura, Savannah from the album Photographic Views of Sherman's Campaign

1864-65 · Non exposée · Museum of Modern Art

The Allatoona Pass, Looking North, Georgia, George N. Barnard, 1865

The Allatoona Pass, Looking North, Georgia

1865 · Non exposée · National Gallery of Art

The New Capitol, Columbia, South Carolina, George N. Barnard, 1865

The New Capitol, Columbia, South Carolina

1865 · Non exposée · National Gallery of Art

Rebel Works in front of Atlanta, Georgia (No. 3), George N. Barnard, 1865

Rebel Works in front of Atlanta, Georgia (No. 3)

1865 · Non exposée · National Gallery of Art

Columbia from the Capitol, George N. Barnard, 1865-1866

Columbia from the Capitol

1865-1866 · Non exposée · National Gallery of Art

Whiteside Valley Below the Bridge, George N. Barnard, 1865

Whiteside Valley Below the Bridge

1865 · Non exposée · National Gallery of Art

Gezicht op de verwoestingen in de Amerikaanse stad Columbia, George N. Barnard, 1865

Gezicht op de verwoestingen in de Amerikaanse stad Columbia

1865 · Rijksmuseum Amsterdam

Lookout Mountain, Georgia, George N. Barnard, 1866

Lookout Mountain, Georgia

1866 · Non exposée · National Gallery of Art

From Lookout Mountain, George N. Barnard, 1866

From Lookout Mountain

1866 · Non exposée · Museum of Modern Art

"Old South Carolina Plantation", George N. Barnard, c. 1869

"Old South Carolina Plantation"

c. 1869 · Non exposée · National Gallery of Art

"Digging Sweet Potatoes in South Carolina", George N. Barnard, c. 1869

"Digging Sweet Potatoes in South Carolina"

c. 1869 · Non exposée · National Gallery of Art

Among the Ruins in Chicago. Post Office, Interior view, North end., George N. Barnard, October 9, 1871

Among the Ruins in Chicago. Post Office, Interior view, North end.

October 9, 1871 · Non exposée · J. Paul Getty Museum

Woodsawyers' Nooning, George N. Barnard, negative October 1853; print late1853

Woodsawyers' Nooning

negative October 1853; print late1853 · Non exposée · J. Paul Getty Museum

Woodsawyers' Nooning, George N. Barnard, negative October 1853; print late 1853

Woodsawyers' Nooning

negative October 1853; print late 1853 · Non exposée · J. Paul Getty Museum

[Portrait of a young woman with brooch], George N. Barnard, about 1855

[Portrait of a young woman with brooch]

about 1855 · Non exposée · J. Paul Getty Museum

Instantaneous View. The Harbor of Havana, with Fountain of Neptune in the foreground., George N. Barnard, about 1859–1860

Instantaneous View. The Harbor of Havana, with Fountain of Neptune in the foreground.

about 1859–1860 · Non exposée · J. Paul Getty Museum

Instantaneous View, from the Calle de Obispo looking towards the Plaza., George N. Barnard, about 1859–1861

Instantaneous View, from the Calle de Obispo looking towards the Plaza.

about 1859–1861 · Non exposée · J. Paul Getty Museum

Plantation View. Unloading Cane. A fine group of cattle. [Cuba], George N. Barnard, about 1859

Plantation View. Unloading Cane. A fine group of cattle. [Cuba]

about 1859 · Non exposée · J. Paul Getty Museum

The Grecian Chapel built on the spot where Columbus first said Mass. [Cuba], George N. Barnard, about 1859–1861

The Grecian Chapel built on the spot where Columbus first said Mass. [Cuba]

about 1859–1861 · Non exposée · J. Paul Getty Museum

U.S.M. Bridge, Chattanooga, George N. Barnard, ca. 1860-1865

U.S.M. Bridge, Chattanooga

ca. 1860-1865 · Smithsonian American Art Museum

Untitled (Slave Quarters), George Norman Barnard, c. 1860

Untitled (Slave Quarters)

c. 1860 · Non exposée · Musées d'Art de Harvard

An Instantaneous View. The Harbor of Havana, with an English Yacht running out past the Moro [sic] Castle., George N. Barnard, 1860

An Instantaneous View. The Harbor of Havana, with an English Yacht running out past the Moro [sic] Castle.

1860 · Non exposée · J. Paul Getty Museum

Palace of the Conde de Santovenia., George N. Barnard, about 1860–1862

Palace of the Conde de Santovenia.

about 1860–1862 · Non exposée · J. Paul Getty Museum

The Grecian Chapel built on the spot where Columbus first said Mass., George N. Barnard, about 1860–1862

The Grecian Chapel built on the spot where Columbus first said Mass.

about 1860–1862 · Non exposée · J. Paul Getty Museum

The Fish Market at Havana from the Calle de Tacon, with the Cathedral of Columbus in the distance, George N. Barnard, about 1860–1862

The Fish Market at Havana from the Calle de Tacon, with the Cathedral of Columbus in the distance

about 1860–1862 · Non exposée · J. Paul Getty Museum

Interior View. Palace of the Conde de Santovenia. The Drawing Room., George N. Barnard, about 1860–1862

Interior View. Palace of the Conde de Santovenia. The Drawing Room.

about 1860–1862 · Non exposée · J. Paul Getty Museum