États-Unis, Suisse · 1899–1972
Fritz Glarner
- 310
- au catalogue
- 0
- exposées
- 6
- collections
- 1
- pays
Untitled
1942 · Non exposée · Museum of Modern Art
Tondo
1954 · Non exposée · Museum of Modern Art
Relational Painting, Tondo 37
1955 · Non exposée · Museum of Modern Art
Relational Painting, Number 85
1957 · Non exposée · Museum of Modern Art
Drawing for Relations Painting
1958 · Non exposée · National Gallery of Art
Drawing for a Tondo
1958 · Non exposée · Museum of Modern Art
Drawing for Tondo (Stone 4)
1959 · Non exposée · National Gallery of Art
Tondo
1959 · Non exposée · National Gallery of Art
Drawing for Tondo No. 5
1959 · Non exposée · Museum of Modern Art
Drawing for Tondo in Three Variations
1959 · Non exposée · Museum of Modern Art
Drawing for Tondo No. 2
1959 · Non exposée · Museum of Modern Art
Drawing for Tondo
1959 · Non exposée · Museum of Modern Art
Drawing for Tondo in Two Variations
1959 · Non exposée · Museum of Modern Art
Drawing for Tondo No. 3
1959 · Non exposée · Museum of Modern Art
Tondo
c. 1960 · Non exposée · Museum of Modern Art
Colored Drawing
1963 · Non exposée · National Gallery of Art
Color Drawing for Relational Painting
1963 · Non exposée · Museum of Modern Art
Colored Drawing
1963 · Non exposée · Museum of Modern Art
Color Drawing for a Tondo
1964 · Non exposée · Museum of Modern Art
Relational Painting
1949–1951 · Non exposée · Whitney Museum of American Art
Relational Painting Tondo No. 12
1949 · Non exposée · Cleveland Museum of Art
Relational Painting, No. 82
1957 · Non exposée · Art Institute of Chicago
Drawing for Tondo 1958
1958 · Non exposée · Art Institute of Chicago
Drawing for Relational Painting 1958
1958 · Non exposée · Art Institute of Chicago
Study for the Time and Life Building Mural, N.Y.
1958–59 · Non exposée · Art Institute of Chicago
Drawing for Relational Painting 1958
1958 · Non exposée · Art Institute of Chicago
Drawing for Relational Painting 1958
1958 · Non exposée · Art Institute of Chicago
Drawing for Tondo
1958 · Non exposée · Musées d'Art de Harvard
Untitled
1959 · Non exposée · Whitney Museum of American Art
Drawing for Tondo No. 1
1959 · Non exposée · Art Institute of Chicago
Drawing for Tondo No. 5
1959 · Non exposée · Art Institute of Chicago
Drawing for Tondo No. 4
1959 · Non exposée · Art Institute of Chicago
Drawing for Tondo No. 3
1959 · Non exposée · Art Institute of Chicago
Drawing for Tondo No. 6
1959 · Non exposée · Art Institute of Chicago
Drawing for Tondo No. 2
1959 · Non exposée · Art Institute of Chicago
Drawing for Tondo No. 3
1959 · Non exposée · Musées d'Art de Harvard
Drawing for Tondo No. 4
1959 · Non exposée · Musées d'Art de Harvard
Tondo No. 54
1960 · Non exposée · Whitney Museum of American Art
Study for Tondo
1962 · Non exposée · Whitney Museum of American Art
Color Drawing for Relational Painting
1963 · Non exposée · Art Institute of Chicago
Color Drawing for Relational Painting
1963 · Non exposée · Art Institute of Chicago
Colored Drawing
1963 · Non exposée · Art Institute of Chicago
Colored Drawing
1963 · Non exposée · Art Institute of Chicago
Color Drawing for Relational Painting
1963 · Non exposée · Art Institute of Chicago
Color Drawing for Relational Painting
1963 · Non exposée · Art Institute of Chicago
Colored Drawing
1963 · Non exposée · Art Institute of Chicago
Color Drawing for Relational Painting
1963 · Non exposée · Art Institute of Chicago
Color Drawing for Relational Painting
1963 · Non exposée · Art Institute of Chicago
Color Drawing for Relational Painting
1963 · Non exposée · Art Institute of Chicago
Color Drawing for Relational Painting
1963 · Non exposée · Art Institute of Chicago
Colored Drawing
1963 · Non exposée · Art Institute of Chicago
Colored Drawing
1963 · Non exposée · Art Institute of Chicago
Colored Drawing
1963 · Non exposée · Art Institute of Chicago
Color Drawing For Relational Painting
1963 · Non exposée · Art Institute of Chicago
Colored Drawing
1963 · Non exposée · Art Institute of Chicago
Recollection
1964–1968 · Non exposée · Whitney Museum of American Art
Recollection
1964–1968 · Non exposée · Whitney Museum of American Art
Recollection
1964–1968 · Non exposée · Whitney Museum of American Art
Recollection
1964–1968 · Non exposée · Whitney Museum of American Art
Recollection
1964–1968 · Non exposée · Whitney Museum of American Art
The Slant or Obilque Created, page three from Recollection
1964–68 · Non exposée · Art Institute of Chicago
Page Seven, from Recollection
1964–68 · Non exposée · Art Institute of Chicago
A Re-Forming Unity, page eight from Recollection
1964–68 · Non exposée · Art Institute of Chicago
Les Points Centreaux 1941-44, page nine from Recollection
1964–68 · Non exposée · Art Institute of Chicago
New York, New York 1945-49, page eleven from Recollection
1964–68 · Non exposée · Art Institute of Chicago
New York, New York 1945-49, page eleven from Recollection
1964–68 · Non exposée · Art Institute of Chicago
New York, New York 1945-49, page eleven from Recollection
1964–68 · Non exposée · Art Institute of Chicago
New York, New York 1945-49, page eleven from Recollection
1964–68 · Non exposée · Art Institute of Chicago
Time-Life Mural, page thirteen from Recollection
1964–68 · Non exposée · Art Institute of Chicago
From Uccello On, page ten from Recollection
1964–68 · Non exposée · Art Institute of Chicago
Page Twelve, from Recollection
1964–68 · Non exposée · Art Institute of Chicago
For Dag Hammarskjold, page fourteen from Recollection
1964–68 · Non exposée · Art Institute of Chicago
From Uccello On, page ten from Recollection
1964–68 · Non exposée · Art Institute of Chicago
New York, New York 1945-49, page eleven from Recollection
1964–68 · Non exposée · Art Institute of Chicago
Preface page, from Recollection
1964–68 · Non exposée · Art Institute of Chicago
The Slant or Obilque Created, page three from Recollection
1964–68 · Non exposée · Art Institute of Chicago
The Slant or Obilque Created, page three from Recollection
1964–68 · Non exposée · Art Institute of Chicago
Page Seven, from Recollection
1964–68 · Non exposée · Art Institute of Chicago
Les Points Centreaux 1941-44, page nine from Recollection
1964–68 · Non exposée · Art Institute of Chicago
Time-Life Mural, page thirteen from Recollection
1964–68 · Non exposée · Art Institute of Chicago
The Slant or Obilque Created, page three from Recollection
1964–68 · Non exposée · Art Institute of Chicago
New York, New York 1945-49, page eleven from Recollection
1964–68 · Non exposée · Art Institute of Chicago
Time-Life Mural, page thirteen from Recollection
1964–68 · Non exposée · Art Institute of Chicago
The Slant or Obilque Created, page three from Recollection
1964–68 · Non exposée · Art Institute of Chicago
Color Drawing for Tondo
1964 · Non exposée · Art Institute of Chicago
Recollection
1964–1968 · Non exposée · Whitney Museum of American Art
Page Five, from Recollection
1964–68 · Non exposée · Art Institute of Chicago
Time-Life Mural, page thirteen from Recollection
1964–68 · Non exposée · Art Institute of Chicago
For Dag Hammarskjold, page fourteen from Recollection
1964–68 · Non exposée · Art Institute of Chicago
New York, New York 1945-49, page eleven from Recollection
1964–68 · Non exposée · Art Institute of Chicago
Time-Life Mural, page thirteen from Recollection
1964–68 · Non exposée · Art Institute of Chicago
Page Five, from Recollection
1964–68 · Non exposée · Art Institute of Chicago
Page Seven, from Recollection
1964–68 · Non exposée · Art Institute of Chicago
From Uccello On, page ten from Recollection
1964–68 · Non exposée · Art Institute of Chicago
New York, New York 1945-49, page eleven from Recollection
1964–68 · Non exposée · Art Institute of Chicago
Page Twelve, from Recollection
1964–68 · Non exposée · Art Institute of Chicago