Japon · 1725–1795
Eishosai Choki
- 26
- au catalogue
- 0
- exposées
- 4
- collections
- 2
- pays
Asahina no Saburo in gevecht met Soga no Goro
in or after 1791 - in or before c. 1810 · Rijksmuseum Amsterdam
Courtisane met rookgerei
c. 1795 · Rijksmuseum Amsterdam
Catching Fireflies
c.1790s · Non exposée · Art Institute of Chicago
Binzasara, A Dance with Clappers (From the series Entertainments at the Height of the Niwaka Festival in the Pleasure Quarters)
early 1790s · Non exposée · Cleveland Museum of Art
The Courtesan Hinazuru of the Chojiya and Her Attendants
early 1790s · Non exposée · Art Institute of Chicago
Tōjin, from the series Amusements of the Niwaka Festival in the Yoshiwara (Seirō Niwaka zensei asobi)
18th and 19th centuries · Non exposée · Musées d'Art de Harvard
Sheet Four from Enjoying Cool Air on a Pleasure Boat, a Pentaptych (Suzumibune gomai tsuzuki, yon)
Non exposée · Musées d'Art de Harvard
Rival Beauties at a Cockfight
Late Edo period, late 18th to early 19th century · Non exposée · Musées d'Art de Harvard
Kintarō Umpiring a Fight Between a Rooster and a Tengu
Non exposée · Musées d'Art de Harvard
Courtesan Somenosuke of the Matsubaya (Matsubaya uchi Somenosuke), from the series "Beauties of the Yoshiwara" (Seirō bijin awase)
Mid to Late Edo period, circa 1780-1805 · Non exposée · Musées d'Art de Harvard
Parody of Act Seven from the series Treasury of Loyal Retainers (Chūshingura: Shichi danme)
Edo period, circa 1780-1805 · Non exposée · Musées d'Art de Harvard
The Cock Fight - Ohisa of the Takashimaya and Okita of the Naniwaya
c. 1791 · Non exposée · Art Institute of Chicago
The Entertainer Tamino and the Serving Girl Nui of the Sumiyoshiya
c. 1792 · Non exposée · Art Institute of Chicago
Hanaogi of the Ogiya, from the series "Beauties of the Pleasure Quarters (Seiro bijin awase)"
c. 1793/97 · Non exposée · Art Institute of Chicago
Ebisu and Daikokuten tasting Sake
c. 1794–5 · Non exposée · Art Institute of Chicago
Kan, a waitress of the Izutsuya, and the geisha Fuseya of the Ogiya
c. 1794 · Non exposée · Art Institute of Chicago
Sakurahime and Kiyoharu (Sakurahime Kiyoharu)
c. 1794–5 · Non exposée · Art Institute of Chicago
Kan, a waitress of the Izutsuya, and the geisha Fuseya of the Ogiya
c. 1794 · Non exposée · Art Institute of Chicago
Moto, a Waitress of the Yoshidaya, and the Geisha Mizue
c. 1794 · Non exposée · Art Institute of Chicago
Moon viewing
c. 1794 · Non exposée · Art Institute of Chicago
Good and Evil Influences (Zendama akudama)
c. 1795 · Non exposée · Art Institute of Chicago
Good and Evil Influences (Zendama akudama)
c. 1795 · Non exposée · Art Institute of Chicago
Rain the Morning After in the Pleasure Quarter (Seiro kinuginu no ame)
c. 1795 · Non exposée · Art Institute of Chicago
Osumi, a Tayu of the Tsuchiya in the Shinmachi Quarter in Osaka
c. 1796/97 · Non exposée · Art Institute of Chicago
The Front Room of the Naniwaya (Naniwaya misesaki)
c. 1800 · Non exposée · Art Institute of Chicago
Man and Woman in a Landscape
Late Edo period, circa 1803-1804 · Non exposée · Musées d'Art de Harvard