Royaume-Uni, Angleterre · 1924–2005
Eduardo Paolozzi
Little King
1958 · Minneapolis Institute of Art
Week by Week
c. 1944 · Non exposée · Museum of Modern Art
Study for Sculpture
1950 · Non exposée · Museum of Modern Art
Composition
1951 · Non exposée · Museum of Modern Art
Sculpture
1951 · Non exposée · Museum of Modern Art
Jason
1956 · Non exposée · Museum of Modern Art
Inkwells Loco-Motif
1961 · Non exposée · National Gallery of Art
The Offspring of Eos
(c. 1961) · Non exposée · Museum of Modern Art
Plate (folio 21 verso) from Metafisikal Translations
1962 · Non exposée · Museum of Modern Art
In-text plate (folio 9) from Metafisikal Translations
1962 · Non exposée · Museum of Modern Art
Plate (folio 20) from Metafisikal Translations
1962 · Non exposée · Museum of Modern Art
Plate (folio 10) from Metafisikal Translations
1962 · Non exposée · Museum of Modern Art
Plate (folio 4) from Metafisikal Translations
1962 · Non exposée · Museum of Modern Art
Plate (folio 11 verso) from Metafisikal Translations
1962 · Non exposée · Museum of Modern Art
In-text plate (folio 17 verso) from Metafisikal Translations
1962 · Non exposée · Museum of Modern Art
Plate (folio 20 verso) from Metafisikal Translations
1962 · Non exposée · Museum of Modern Art
Plate (folio 14 verso) from Metafisikal Translations
1962 · Non exposée · Museum of Modern Art
In-text plate (folio 23) from Metafisikal Translations
1962 · Non exposée · Museum of Modern Art
In-text plate (folio 17) from Metafisikal Translations
1962 · Non exposée · Museum of Modern Art
Plate (folio 18 verso) from Metafisikal Translations
1962 · Non exposée · Museum of Modern Art
Plate (folio 2 verso) from Metafisikal Translations
1962 · Non exposée · Museum of Modern Art
In-text plate (folio 4 verso) from Metafisikal Translations
1962 · Non exposée · Museum of Modern Art
In-text plate (folio 19 verso) from Metafisikal Translations
1962 · Non exposée · Museum of Modern Art
In-text plate (folio 16 verso) from Metafisikal Translations
1962 · Non exposée · Museum of Modern Art
Title page from Metafisikal Translations
1962 · Non exposée · Museum of Modern Art
Plate (folio 8) from Metafisikal Translations
1962 · Non exposée · Museum of Modern Art
Plate (folio 7 verso) from Metafisikal Translations
1962 · Non exposée · Museum of Modern Art
In-text plate (folio 11) from Metafisikal Translations
1962 · Non exposée · Museum of Modern Art
Plate (folio 6) from Metafisikal Translations
1962 · Non exposée · Museum of Modern Art
In-text plate (folio 10 verso) from Metafisikal Translations
1962 · Non exposée · Museum of Modern Art
In-text plate (folio 5 verso) from Metafisikal Translations
1962 · Non exposée · Museum of Modern Art
In-text plate (folio 23 verso) from Metafisikal Translations
1962 · Non exposée · Museum of Modern Art
Plate (folio 5) from Metafisikal Translations
1962 · Non exposée · Museum of Modern Art
In-text plate (folio 3 verso) from Metafisikal Translations
1962 · Non exposée · Museum of Modern Art
Four Images from Film
1962 · Non exposée · Museum of Modern Art
Plate (folio 14) from Metafisikal Translations
1962 · Non exposée · Museum of Modern Art
In-text plate (folio 8 verso) from Metafisikal Translations
1962 · Non exposée · Museum of Modern Art
Plate (folio 7) from Metafisikal Translations
1962 · Non exposée · Museum of Modern Art
Metafisikal Translations
1962 · Non exposée · Museum of Modern Art
Plate (folio 12) from Metafisikal Translations
1962 · Non exposée · Museum of Modern Art
Conjectures to Identity
1963 · Non exposée · Museum of Modern Art
Wittgenstein as Soldier
1964 · Non exposée · Museum of Modern Art
Futurism at Lenabo
1964 · Non exposée · Museum of Modern Art
Lotus
1964 · Non exposée · Museum of Modern Art
Wittgenstein in N.Y.
1964 · Non exposée · Museum of Modern Art
Tortured Life
1964 · Non exposée · Museum of Modern Art
Transparent Creatures Hunting New Victims from General Dynamic F.U.N.
1965–70, published 1970 · Non exposée · Museum of Modern Art
Wittgenstein at the Cinema Admires Betty Grable (plate, folio 15) from As Is When
1965 · Non exposée · Museum of Modern Art
Poster (plate, folio 3) from As Is When
1965 · Non exposée · Museum of Modern Art
The Impossible Dream . . . It's All the Same from General Dynamic F.U.N.
1965–70, published 1970 · Non exposée · Museum of Modern Art
Part One, Frozen Terror . . . Part Two, Fangs of Death from General Dynamic F.U.N.
1965–70, published 1970 · Non exposée · Museum of Modern Art
Synthetic Sirens in the Pink Light District from General Dynamic F.U.N.
1965–70, published 1970 · Non exposée · Museum of Modern Art
Early Mental Traits of 300 Geniuses from General Dynamic F.U.N.
1965–70, published 1970 · Non exposée · Museum of Modern Art
Almost Any Suburb from General Dynamic F.U.N.
1965–70, published 1970 · Non exposée · Museum of Modern Art
Temporary Variations in Experienced Type from General Dynamic F.U.N.
1965–70, published 1970 · Non exposée · Museum of Modern Art
Sex Crime Wave Rolling High from General Dynamic F.U.N.
1965–70, published 1970 · Non exposée · Museum of Modern Art
Studies in Human Salvage from General Dynamic F.U.N.
1965–70, published 1970 · Non exposée · Museum of Modern Art
Calling Radio Free America from General Dynamic F.U.N.
1965–70, published 1970 · Non exposée · Museum of Modern Art
Collating chart accompanying General Dynamic F.U.N.
1965–70, published 1970 · Non exposée · Museum of Modern Art
Careers Today . . . How Children Fail from General Dynamic F.U.N.
1965–70, published 1970 · Non exposée · Museum of Modern Art
Wittgenstein as Soldier (plate, folio 8) from As Is When
1965 · Non exposée · Museum of Modern Art
Totems and Taboos of the Nine-to-Five Day from General Dynamic F.U.N.
1965–70, published 1970 · Non exposée · Museum of Modern Art
Plate Interpreted as a Whole (Whole Answer) from General Dynamic F.U.N.
1965–70, published 1970 · Non exposée · Museum of Modern Art
Comparative Research in Inexperienced Types from General Dynamic F.U.N.
1965–70, published 1970 · Non exposée · Museum of Modern Art
The Puzzle of Female Pleasure from General Dynamic F.U.N.
1965–70, published 1970 · Non exposée · Museum of Modern Art
Hermaphroditic Children from Transvestite Parents from General Dynamic F.U.N.
1965–70, published 1970 · Non exposée · Museum of Modern Art
The Spirit of the Snake (plate, folio 13) from As Is When
1965 · Non exposée · Museum of Modern Art
Jesus Colour by Numbers from General Dynamic F.U.N.
1965–70, published 1970 · Non exposée · Museum of Modern Art
Risk-Taking as a Function of the Situation from General Dynamic F.U.N.
1965–70, published 1970 · Non exposée · Museum of Modern Art
Ready to Sparkle Fashions from General Dynamic F.U.N.
1965–70, published 1970 · Non exposée · Museum of Modern Art
Smash Hit, Good Loving, Plus Like a Rolling Stone, Slow Down, Etc. from General Dynamic F.U.N.
1965–70, published 1970 · Non exposée · Museum of Modern Art
Reality (plate, folio 7) from As Is When
1965 · Non exposée · Museum of Modern Art
How to Spend Time in Hollywood from General Dynamic F.U.N.
1965–70, published 1970 · Non exposée · Museum of Modern Art
A Single Series, Consisting of Twenty Choices from General Dynamic F.U.N.
1965–70, published 1970 · Non exposée · Museum of Modern Art
Twenty Traumatic Twinges from General Dynamic F.U.N.
1965–70, published 1970 · Non exposée · Museum of Modern Art
Brainiac 5 no puede ganar contra tres maquinas from General Dynamic F.U.N.
1965–70, published 1970 · Non exposée · Museum of Modern Art
New Semester Reward of the Oppressed from General Dynamic F.U.N.
1965–70, published 1970 · Non exposée · Museum of Modern Art
No Heroes Developed from General Dynamic F.U.N.
1965–70, published 1970 · Non exposée · Museum of Modern Art
Wittgenstein in New York (plate, folio 9) from As Is When
1965 · Non exposée · Museum of Modern Art
He Must, So to Speak, Throw Away the Ladder (plate, folio 14) from As Is When
1965 · Non exposée · Museum of Modern Art
An Empire of Silly Statistics . . . A Fake War for Public Relations from General Dynamic F.U.N.
1965–70, published 1970 · Non exposée · Museum of Modern Art
Will Man Desert the Dog for the Dolophin from General Dynamic F.U.N.
1965–70, published 1970 · Non exposée · Museum of Modern Art
Fifty Nine Varieties of Paradise from General Dynamic F.U.N.
1965–70, published 1970 · Non exposée · Museum of Modern Art
Futurism at Lenabo (plate, folio 11) from As Is When
1965 · Non exposée · Museum of Modern Art
Wittgenstein at the Cinema Admires Betty Hutton
1965 · Non exposée · Museum of Modern Art
General Dynamic F.U.N.
1965–70, published 1970 · Non exposée · Museum of Modern Art
Frank Lloyd Wright Says . . . Tough Times from General Dynamic F.U.N.
1965–70, published 1970 · Non exposée · Museum of Modern Art
6 Miles Over Vacation-Land from General Dynamic F.U.N.
1965–70, published 1970 · Non exposée · Museum of Modern Art
Why Children Commit Suicide . . . Read Next Month's Issue from General Dynamic F.U.N.
1965–70, published 1970 · Non exposée · Museum of Modern Art
Parrot (plate, folio 10) from As Is When
1965 · Non exposée · Museum of Modern Art
The ABC of Z from General Dynamic F.U.N.
1965–70, published 1970 · Non exposée · Museum of Modern Art
Cary Grant as a Male War Bride from General Dynamic F.U.N.
1965–70, published 1970 · Non exposée · Museum of Modern Art
Cucumber Night Cream from General Dynamic F.U.N.
1965–70, published 1970 · Non exposée · Museum of Modern Art
Animals as Aliens from General Dynamic F.U.N.
1965–70, published 1970 · Non exposée · Museum of Modern Art
Mumbling and Munching to Muzak from General Dynamic F.U.N.
1965–70, published 1970 · Non exposée · Museum of Modern Art
Becoming Is Meaning Like Nothing Is Going from General Dynamic F.U.N.
1965–70, published 1970 · Non exposée · Museum of Modern Art