États-Unis · 1944–
Allen Ruppersberg
- 95au catalogue
- 0exposées
- 4collections
- 1pays
Al's Grand Hotel
1971 · Non exposée · Museum of Modern Art
Thank You, Mr. Duchamp
1972 · Non exposée · Museum of Modern Art
Here and Now / Seeing and Believing
1972 · Non exposée · Museum of Modern Art
From the South Forty to the Bunkhouse
1972 · Non exposée · Museum of Modern Art
Art & Project Bulletin #67
1973 · Non exposée · Museum of Modern Art
The Picture of Dorian Gray
1974 · Non exposée · Museum of Modern Art
A Private Reading
1978 · Non exposée · Museum of Modern Art
A Novel that Writes Itself: A Proposal to Friends and Supporters from Allen Ruppersberg
1978 · Non exposée · Museum of Modern Art
Drawn from Life
1981 · Non exposée · Museum of Modern Art
Illustration for the Novel that Writes Itself
1983 · Non exposée · Museum of Modern Art
Who's Afraid of the New Now? from Preview
1988 · Non exposée · Museum of Modern Art
What Should I Do? from Preview
1988 · Non exposée · Museum of Modern Art
Are You Crying? from Preview
1988 · Non exposée · Museum of Modern Art
Adults Only from Preview
1988 · Non exposée · Museum of Modern Art
No I've Got Something in My Eye from Preview
1988 · Non exposée · Museum of Modern Art
It's Not Art (That Counts Now) from Preview
1988 · Non exposée · Museum of Modern Art
Nostalgia 24 Hours a Day from Preview
1988 · Non exposée · Museum of Modern Art
Nothing - Nobody from Preview
1988 · Non exposée · Museum of Modern Art
Everything is Over from Preview
1988 · Non exposée · Museum of Modern Art
Good Luck from Preview
1988 · Non exposée · Museum of Modern Art
Poster Object (Progress Not Adventure/Adventure Not Progress)
1988 · Non exposée · Museum of Modern Art
The Gift and the Inheritance (“Shakespeare’s Works”)
1989 · Non exposée · National Gallery of Art
Stop Traveler (Siste Viator)
1993 · Non exposée · Museum of Modern Art
![Honey I rearranged the collection to question the cultural truths reflected in patterns of collection, scholarship and display in the priviledged [sic] space of art. Ha!, Allen Ruppersberg, 2000](https://api.nga.gov/iiif/619c4390-739f-4dc9-9f96-935a403794bc/full/!2400,2400/0/default.jpg)
Honey I rearranged the collection to question the cultural truths reflected in patterns of collection, scholarship and display in the priviledged [sic] space of art. Ha!
2000 · Non exposée · National Gallery of Art
Honey, I rearranged the collection according to two categories: Nice and Not Nice.
2000 · Non exposée · Museum of Modern Art
Honey, I rearranged the collection because sometimes artists bug me. One came to the door today completely unannounced.
2000 · Non exposée · Museum of Modern Art
Honey, I rearranged the collection using only artists with three letters in their last name.
2000 · Non exposée · Museum of Modern Art
Honey, I rearranged the collection because I miss NY, Paris, Rome, Berlin, London, Milan and the Cape.
2000 · Non exposée · Museum of Modern Art
Honey, I rearranged the collection as an excuse to stay away from CHELSEA. It scares me.
2001 · Non exposée · Museum of Modern Art
Honey, I rearranged the collection to see if we got our money's worth.
2001 · Non exposée · Museum of Modern Art
Honey, I rearranged the collection with artists who knew each other, but were different ages; artists who knew each other but worked differently; and artists who were influenced by artists who were soon forgotten.
2001 · Non exposée · Museum of Modern Art
Honey, I rearranged the collection with artists we only say "hello" to.
2001 · Non exposée · Museum of Modern Art
Honey, I rearranged the collection using artists whom we know virtually nothing about.
2001 · Non exposée · Museum of Modern Art
Honey, I rearranged the collection because I think it's fun. Remember the Fun Gallery in the East Village? Fun counts!
2001 · Non exposée · Museum of Modern Art
The Novel That Writes Itself
2014 · Non exposée · Museum of Modern Art
Al's Grand Hotel (Neon Sign)
1971 · Non exposée · Art Institute of Chicago
Al's Grand Hotel brochure
1971 · Non exposée · Art Institute of Chicago
Ultra, from the Lobby in Al's Grand Hotel
1971 · Non exposée · Art Institute of Chicago
Ultra (from the "Ultra Room", Al's Grand Hotel)
1971 · Non exposée · Art Institute of Chicago
Al's Grand Hotel "standee"
1971 · Non exposée · Art Institute of Chicago
Al's Grand Hotel announcement letters
1971 · Non exposée · Art Institute of Chicago
Live at Al's Grand Hotel, May 7th, 1971/2011
1971 · Non exposée · Art Institute of Chicago
Al's Grand Hotel "standee"
1971 · Non exposée · Art Institute of Chicago
Allen Ruppersberg with “standees” and their fabricator
1971 · Non exposée · Art Institute of Chicago
Al's Grand Cafe Figure
1971 · Non exposée · Art Institute of Chicago
Terry Allen, Live at Al's Grand Hotel
1971 · Non exposée · Art Institute of Chicago
Al's Grand Hotel
1971 · Non exposée · Art Institute of Chicago
Al’s Grand Hotel
1971 · Non exposée · Art Institute of Chicago
Al's Grand Hotel catalog
1971 · Non exposée · Art Institute of Chicago
Al's Grand Hotel
1971 · Non exposée · Art Institute of Chicago
Ephemera from Al's Grand Hotel
1971 · Non exposée · Art Institute of Chicago
Greetings from California
1972 · Non exposée · Whitney Museum of American Art
Rona Barrett's Hollywood
1973 · Non exposée · Art Institute of Chicago
Between the Scenes
1973 · Non exposée · Art Institute of Chicago
The Plain Dealer, from Paper Drive (For Claire)
1975 · Non exposée · Art Institute of Chicago
The Spirit of Democracy, from Paper Drive (For Claire)
1975 · Non exposée · Art Institute of Chicago
The Wichita Falls Times, from Paper Drive (For Claire)
1975 · Non exposée · Art Institute of Chicago
The Houma Daily Courier, from Paper Drive (For Claire)
1975 · Non exposée · Art Institute of Chicago
Frederick Daily Leader, from Paper Drive (For Claire)
1975 · Non exposée · Art Institute of Chicago
The Clinton Daily News, from Paper Drive (For Claire)
1975 · Non exposée · Art Institute of Chicago
The Clarion Ledger, from Paper Drive (For Claire)
1975 · Non exposée · Art Institute of Chicago
The Mountain Mail, from Paper Drive (For Claire)
1975 · Non exposée · Art Institute of Chicago
The Austin American Statesman, from Paper Drive (For Claire)
1975 · Non exposée · Art Institute of Chicago
Self-Portrait (as Hurd Hatfield as Dorian Gray)
1984–1991 · Non exposée · Whitney Museum of American Art
Who's Afraid of the New Now?, from Preview Suite
1988 · Non exposée · Art Institute of Chicago
Everything is Over, from Preview Suite
1988 · Non exposée · Art Institute of Chicago
Adults Only Please, from Preview Suite
1988 · Non exposée · Art Institute of Chicago
Good Luck!, from Preview Suite
1988 · Non exposée · Art Institute of Chicago
Nostalgia 24 Hours a Day, from Preview Suite
1988 · Non exposée · Art Institute of Chicago
Are You Crying?, from Preview Suite
1988 · Non exposée · Art Institute of Chicago
No, I've Got Something in my Eye, from Preview Suite
1988 · Non exposée · Art Institute of Chicago
What Should I Do?, from Preview Suite
1988 · Non exposée · Art Institute of Chicago
Nobody Nothing, from Preview Suite
1988 · Non exposée · Art Institute of Chicago
It's Not Art, That Counts Now, from Preview Suite
1988 · Non exposée · Art Institute of Chicago
![The Gift and the Inheritance [The Courage of the Commonplace], Allen Ruppersberg, 1989–1991](https://whitneymedia.org/assets/artwork/37937/P_2010_254_cropped.jpg)
The Gift and the Inheritance [The Courage of the Commonplace]
1989–1991 · Non exposée · Whitney Museum of American Art
![The Gift and the Inheritance [Last Exit to Brooklyn], Allen Ruppersberg, 1989–1991](https://whitneymedia.org/assets/artwork/37936/2024_224_cropped.jpg)
The Gift and the Inheritance [Last Exit to Brooklyn]
1989–1991 · Non exposée · Whitney Museum of American Art
![The Gift and the Inheritance [Strive to Succeed], Allen Ruppersberg, 1989–1991](https://whitneymedia.org/assets/artwork/37938/P_2010_255_cropped.jpg)
The Gift and the Inheritance [Strive to Succeed]
1989–1991 · Non exposée · Whitney Museum of American Art
![The Gift and the Inheritance [The World Within the Word], Allen Ruppersberg, 1989–1991](https://whitneymedia.org/assets/artwork/37939/P_2010_256_cropped.jpg)
The Gift and the Inheritance [The World Within the Word]
1989–1991 · Non exposée · Whitney Museum of American Art
Remainders: Novel, Sculpture, Film
1991 · Non exposée · Art Institute of Chicago
Remainders: Novel, Sculpture, Film
1991 · Non exposée · Whitney Museum of American Art
The Top Ten Historical Similarities (and Differences) Between Prints and Photographs
2012 · Non exposée · Whitney Museum of American Art
Both Require a Close Up View and a Frame, from The Top Ten Historical Similarities (and Differences) Between Prints and Photographs
2012 · Non exposée · Art Institute of Chicago
Both Picture a Beautiful World but One Is a Photograph and the Other Is Not, from The Top Ten Historical Similarities (and Differences) Between Prints and Photographs
2012 · Non exposée · Art Institute of Chicago
Both are Subject to a Magical Process Before You Can See What Just Happened, from The Top Ten Historical Similarities (and Differences) Between Prints and Photographs
2012 · Non exposée · Art Institute of Chicago
Both Record Reality from the Same Distance, from The Top Ten Historical Similarities (and Differences) Between Prints and Photographs
2012 · Non exposée · Art Institute of Chicago
Both Contain and Element of Each Other and Neither can Lie, from The Top Ten Historical Similarities (and Differences) Between Prints and Photographs
2012 · Non exposée · Art Institute of Chicago
Title Page, from The Top Ten Historical Similarities (and Differences) Between Prints and Photographs
2012 · Non exposée · Art Institute of Chicago
I Love Photographs but I Don't Know How to Make a Print, from The Top Ten Historical Similarities (and Differences) Between Prints and Photographs
2012 · Non exposée · Art Institute of Chicago
Portfolio Cover, for The Top Ten Historical Similarities (and Differences) Between Prints and Photographs
2012 · Non exposée · Art Institute of Chicago
Both are Measured in Inches and Reach to Infinity, from The Top Ten Historical Similarities (and Differences) Between Prints and Photographs
2012 · Non exposée · Art Institute of Chicago
Both Produce Suggestive Images and Can Be Considered Art, from The Top Ten Historical Similarities (and Differences) Between Prints and Photographs
2012 · Non exposée · Art Institute of Chicago
Both are 2D, Flat and Printed, from The Top Ten Historical Similarities (and Differences) Between Prints and Photographs
2012 · Non exposée · Art Institute of Chicago
Both are Interpretations Created by Artists and Amateurs Alike, from The Top Ten Historical Similarities (and Differences) Between Prints and Photographs
2012 · Non exposée · Art Institute of Chicago
Colophon, from The Top Ten Historical Similarities (and Differences) Between Prints and Photographs
2012 · Non exposée · Art Institute of Chicago
Great Speckled Bird
2013 · Non exposée · Whitney Museum of American Art