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ART WIKI

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Colecciones: Centro de Arte Británico de Yale, Galería de Arte de la Universidad Yale, Galería Nacional de Arte, Galería Nacional de Dinamarca, Galería Nacional de Retratos, Galería Tretiakov, Harvard Art Museums, Instituto de Arte de Chicago, Instituto de Artes de Mineápolis, MoMA, Museo de Arte de Cleveland, Museo de Victoria y Alberto, Museo del Hermitage, Museo del Louvre, Museo Estatal Ruso, Museo Hirshhorn y Jardín de Esculturas, Museo J. Paul Getty, Museo Metropolitano de Arte, Museo Nacional de Diseño Cooper-Hewitt, Museo Pushkin, Museo Smithsoniano de Arte Americano, Museo Whitney de Arte Estadounidense, National Museum of Asian Art, Rijksmuseum, Villa Getty, Catálogo Estatal del Fondo Museístico de Rusia (274 museos), Europeana (19 museos), Wikidata (44 museos), Paris Musées (12 museos), Joconde, la base de museos del Ministerio de Cultura de Francia (495 museos) y el Catalogo generale dei Beni Culturali del Ministerio de Cultura de Italia (74 museos). Las imágenes pertenecen a sus titulares de derechos.

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Plate 9: Tantalus (Tantalo), from "Los Caprichos", Goya, ca. 1798–99Francisco de GoyaPlate 9: Tantalus (Tantalo), from "Los Caprichos"ca. 1798–99Museo Metropolitano de Arte
Plate 19 from "Los Caprichos": All will fall (Todos Caerán), Goya, 1799Francisco de GoyaPlate 19 from "Los Caprichos": All will fall (Todos Caerán)1799Museo Metropolitano de Arte
Plate 10 from "The Disasters of War" (Los Desastres de la Guerra): 'Nor do these' (Tampoco), Goya, 1810Francisco de GoyaPlate 10 from "The Disasters of War" (Los Desastres de la Guerra): 'Nor do these' (Tampoco)1810Museo Metropolitano de Arte
Plate 70  from "The Disasters of War" (Los Desastres de la Guerra): 'They do not know the way' (No saben el camino), Goya, 1814–15 (published 1863)Francisco de GoyaPlate 70 from "The Disasters of War" (Los Desastres de la Guerra): 'They do not know the way' (No saben el camino)1814–15 (published 1863)Museo Metropolitano de Arte
Title page for "Los Proverbios" (Disparates), Goya, 1864Francisco de GoyaTitle page for "Los Proverbios" (Disparates)1864Museo Metropolitano de Arte
Plate 56 from "Los Caprichos": To rise and to fall (Subir y bajar), Goya, 1799Francisco de GoyaPlate 56 from "Los Caprichos": To rise and to fall (Subir y bajar)1799Museo Metropolitano de Arte
Plate 24 of "La Tauromaquia": The same Ceballos mounted on another bull breaks short spears in the ring at Madrid, Goya, 1816Francisco de GoyaPlate 24 of "La Tauromaquia": The same Ceballos mounted on another bull breaks short spears in the ring at Madrid1816Museo Metropolitano de Arte
Plate 35 from "Los Caprichos": She fleeces him (Le descañona), Goya, 1799Francisco de GoyaPlate 35 from "Los Caprichos": She fleeces him (Le descañona)1799Museo Metropolitano de Arte
Plate 15 from "The Disasters of War" (Los Desastres de la Guerra): 'And there is no help' (Y no hai remedio), Goya, 1810Francisco de GoyaPlate 15 from "The Disasters of War" (Los Desastres de la Guerra): 'And there is no help' (Y no hai remedio)1810Museo Metropolitano de Arte
Plate 66 from "Los Caprichos": There it goes (Allá vá eso), Goya, 1799Francisco de GoyaPlate 66 from "Los Caprichos": There it goes (Allá vá eso)1799Museo Metropolitano de Arte
A False Bacchus Crowning Drunkards, Goya, 1778Francisco de GoyaA False Bacchus Crowning Drunkards1778Museo Metropolitano de Arte
Plate 33 from "Los Caprichos": To the Count Palatine (Al Conde Palatino), Goya, 1799Francisco de GoyaPlate 33 from "Los Caprichos": To the Count Palatine (Al Conde Palatino)1799Museo Metropolitano de Arte
The Andalusian dance (El Vito), Goya, ca. 1824–1825Francisco de GoyaThe Andalusian dance (El Vito)ca. 1824–1825Museo Metropolitano de Arte
Plate 76 from "Los Caprichos": You understand?... well, as I say... eh! Look out! otherwise... (¿Està Umd...pues, Como digo..eh!  Cuidado! si no...), Goya, 1799Francisco de GoyaPlate 76 from "Los Caprichos": You understand?... well, as I say... eh! Look out! otherwise... (¿Està Umd...pues, Como digo..eh! Cuidado! si no...)1799Museo Metropolitano de Arte
Plate 30 from "La Tauromaquia": Pedro Romero killing the halted bull, Goya, 1816Francisco de GoyaPlate 30 from "La Tauromaquia": Pedro Romero killing the halted bull1816Museo Metropolitano de Arte
Plate 28 of "La Tauromaquia": The forceful Rendon stabs a bull with the pique, from which pass he died in the ring at Madrid, Goya, 1816Francisco de GoyaPlate 28 of "La Tauromaquia": The forceful Rendon stabs a bull with the pique, from which pass he died in the ring at Madrid1816Museo Metropolitano de Arte
Plate 47 from "The Disasters of War" (Los Desastres de la Guerra): 'This is how it happened' (Así sucedió), Goya, 1810 (published 1863)Francisco de GoyaPlate 47 from "The Disasters of War" (Los Desastres de la Guerra): 'This is how it happened' (Así sucedió)1810 (published 1863)Museo Metropolitano de Arte
Plate 6 from "The Disasters of War" (Los Desastres de la Guerra): 'It serves you right' (Bien te se está), Goya, 1810 (published 1863)Francisco de GoyaPlate 6 from "The Disasters of War" (Los Desastres de la Guerra): 'It serves you right' (Bien te se está)1810 (published 1863)Museo Metropolitano de Arte
Plate 59 from "Los Caprichos": And still they don't go! (Y aun no se van!), Goya, 1799Francisco de GoyaPlate 59 from "Los Caprichos": And still they don't go! (Y aun no se van!)1799Museo Metropolitano de Arte
Plate 68 from "Los Caprichos": Pretty teacher! (Linda maestra!), Goya, 1799Francisco de GoyaPlate 68 from "Los Caprichos": Pretty teacher! (Linda maestra!)1799Museo Metropolitano de Arte
Plate 1 from "Los Caprichos": Self-portrait, Goya, 1799 (published 1881–86)Francisco de GoyaPlate 1 from "Los Caprichos": Self-portrait1799 (published 1881–86)Museo Metropolitano de Arte
Plate 63 from "Los Caprichos": Look how solemn they are! (Miren que grabes!), Goya, 1799Francisco de GoyaPlate 63 from "Los Caprichos": Look how solemn they are! (Miren que grabes!)1799Museo Metropolitano de Arte
Plate 13: They are Hot (Estan Calientes), from "Los Caprichos", Goya, ca. 1798Francisco de GoyaPlate 13: They are Hot (Estan Calientes), from "Los Caprichos"ca. 1798Museo Metropolitano de Arte
Plate 79 from "Los Caprichos": No one has seen us (Nadie nos ha visto), Goya, 1799Francisco de GoyaPlate 79 from "Los Caprichos": No one has seen us (Nadie nos ha visto)1799Museo Metropolitano de Arte
Plate 23 from "Los Caprichos": These specks of dust (Aquellos polbos), Goya, 1799Francisco de GoyaPlate 23 from "Los Caprichos": These specks of dust (Aquellos polbos)1799Museo Metropolitano de Arte
Plate 62  from "The Disasters of War" (Los Desastres de la Guerra): 'The beds of death' (Las camas de la muerte), Goya, 1811–12 (published 1863)Francisco de GoyaPlate 62 from "The Disasters of War" (Los Desastres de la Guerra): 'The beds of death' (Las camas de la muerte)1811–12 (published 1863)Museo Metropolitano de Arte
Plate 62 from "Los Caprichos": Who would have thought it? (Quien lo creyera!), Goya, 1799Francisco de GoyaPlate 62 from "Los Caprichos": Who would have thought it? (Quien lo creyera!)1799Museo Metropolitano de Arte
Plate 42 from "Los Caprichos": Thou who canst not (Tu que no puedes), Goya, 1799Francisco de GoyaPlate 42 from "Los Caprichos": Thou who canst not (Tu que no puedes)1799Museo Metropolitano de Arte
Plate 22 from "Los Caprichos": Poor little girls! (Pobrecitas!), Goya, 1799Francisco de GoyaPlate 22 from "Los Caprichos": Poor little girls! (Pobrecitas!)1799Museo Metropolitano de Arte
Plate 63 from "The Disasters of War" (Los Desastres de la Guerra): 'Harvest of the dead' (Muertos recogidos), Goya, 1811–12 (published 1863)Francisco de GoyaPlate 63 from "The Disasters of War" (Los Desastres de la Guerra): 'Harvest of the dead' (Muertos recogidos)1811–12 (published 1863)Museo Metropolitano de Arte
Plate 8 from "Los Caprichos": They carried her off! (Que se la llevaron!), Goya, 1799Francisco de GoyaPlate 8 from "Los Caprichos": They carried her off! (Que se la llevaron!)1799Museo Metropolitano de Arte
Plate 36 from "The Disasters of War" (Los Desastres de La Guerra): 'Not [in this case] either' (Tampoco), Goya, 1810 (published 1863)Francisco de GoyaPlate 36 from "The Disasters of War" (Los Desastres de La Guerra): 'Not [in this case] either' (Tampoco)1810 (published 1863)Museo Metropolitano de Arte
Plate 9 from "Los Caprichos": Tantalus (Tantalo), Goya, 1799Francisco de GoyaPlate 9 from "Los Caprichos": Tantalus (Tantalo)1799Museo Metropolitano de Arte
Plate 80 from "The Disasters of War" (Los Desastres de la Guerra): Will she rise again? (Si resucitará?), Goya, 1814–15 (published 1863)Francisco de GoyaPlate 80 from "The Disasters of War" (Los Desastres de la Guerra): Will she rise again? (Si resucitará?)1814–15 (published 1863)Museo Metropolitano de Arte
Portrait of the court dwarf known as el Primo, after Velázquez, Goya, 1778Francisco de GoyaPortrait of the court dwarf known as el Primo, after Velázquez1778Museo Metropolitano de Arte
Dancing Giant, from "The Disparates" (Follies / Irrationalities), Goya, ca. 1815–19 (published 1864)Francisco de GoyaDancing Giant, from "The Disparates" (Follies / Irrationalities)ca. 1815–19 (published 1864)Museo Metropolitano de Arte
Even thus he cannot make her out (Ni asi la distingue), plate 7 from "Los Caprichos", Goya, 1799Francisco de GoyaEven thus he cannot make her out (Ni asi la distingue), plate 7 from "Los Caprichos"1799Museo Metropolitano de Arte
Charles V spearing a bull in the ring at Valladolid, plate 10 from "La Tauromaquia", Goya, 1816Francisco de GoyaCharles V spearing a bull in the ring at Valladolid, plate 10 from "La Tauromaquia"1816Museo Metropolitano de Arte
Plate 45 from "The Disasters of War" (Los Desastres de la Guerra): 'And this too' (Y esto tambien), Goya, 1810 (published 1863)Francisco de GoyaPlate 45 from "The Disasters of War" (Los Desastres de la Guerra): 'And this too' (Y esto tambien)1810 (published 1863)Museo Metropolitano de Arte
Plate 46 from "Los Caprichos": Correction (Correccion), Goya, 1799Francisco de GoyaPlate 46 from "Los Caprichos": Correction (Correccion)1799Museo Metropolitano de Arte
Plate 21 from "Los Caprichos": How they pluck her! (¡Qual la descañonan!), Goya, 1799Francisco de GoyaPlate 21 from "Los Caprichos": How they pluck her! (¡Qual la descañonan!)1799Museo Metropolitano de Arte
Plate 78 from "The Disasters of War" (Los Desastres de la Guerra): 'He defends himself well' (Se defiende bien), Goya, 1814–15 (published 1863)Francisco de GoyaPlate 78 from "The Disasters of War" (Los Desastres de la Guerra): 'He defends himself well' (Se defiende bien)1814–15 (published 1863)Museo Metropolitano de Arte
Plate 45 from "Los Caprichos": There is Plenty to Suck (Mucho hay que chupar), Goya, 1799Francisco de GoyaPlate 45 from "Los Caprichos": There is Plenty to Suck (Mucho hay que chupar)1799Museo Metropolitano de Arte
Plate 71 from "The Disasters of War" (Los Desastres de la Guerra): 'Against the common good' (Contra el bien general), Goya, 1814–15 (published 1863)Francisco de GoyaPlate 71 from "The Disasters of War" (Los Desastres de la Guerra): 'Against the common good' (Contra el bien general)1814–15 (published 1863)Museo Metropolitano de Arte
Plate 78  from "Los Caprichos": Be quick, they are waking up (Despacha, que dispiertan), Goya, 1881–86Francisco de GoyaPlate 78 from "Los Caprichos": Be quick, they are waking up (Despacha, que dispiertan)1881–86Museo Metropolitano de Arte
'If he is guilty, let him die quickly' (Si es delinquente qe. muera presto), Goya, ca. 1815 (published 1859)Francisco de Goya'If he is guilty, let him die quickly' (Si es delinquente qe. muera presto)ca. 1815 (published 1859)Museo Metropolitano de Arte
Plate 49  from "Los Caprichos": Hobgoblins (Duendecitos), Goya, 1799Francisco de GoyaPlate 49 from "Los Caprichos": Hobgoblins (Duendecitos)1799Museo Metropolitano de Arte
The Exhortations, from "The Disparates" (Follies / Irrationalities), Goya, ca. 1815–19 (published 1864)Francisco de GoyaThe Exhortations, from "The Disparates" (Follies / Irrationalities)ca. 1815–19 (published 1864)Museo Metropolitano de Arte
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