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ART WIKI

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Colecciones: Centro de Arte Británico de Yale, Galería de Arte de la Universidad Yale, Galería Nacional de Arte, Galería Nacional de Dinamarca, Galería Nacional de Retratos, Galería Tretiakov, Harvard Art Museums, Instituto de Arte de Chicago, Instituto de Artes de Mineápolis, MoMA, Museo de Arte de Cleveland, Museo de Victoria y Alberto, Museo del Hermitage, Museo del Louvre, Museo Estatal Ruso, Museo Hirshhorn y Jardín de Esculturas, Museo J. Paul Getty, Museo Metropolitano de Arte, Museo Nacional de Diseño Cooper-Hewitt, Museo Pushkin, Museo Smithsoniano de Arte Americano, Museo Whitney de Arte Estadounidense, National Museum of Asian Art, Rijksmuseum, Villa Getty, Catálogo Estatal del Fondo Museístico de Rusia (274 museos), Europeana (19 museos), Wikidata (44 museos), Paris Musées (12 museos), Joconde, la base de museos del Ministerio de Cultura de Francia (495 museos) y el Catalogo generale dei Beni Culturali del Ministerio de Cultura de Italia (25 museos). Las imágenes pertenecen a sus titulares de derechos.

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Plate 37 from "The Disasters of War" (Los Desastres de La Guerra): This is worse (Esto es peor), Goya, 1810 (first published 1863)Francisco de GoyaPlate 37 from "The Disasters of War" (Los Desastres de La Guerra): This is worse (Esto es peor)1810 (first published 1863)Museo Metropolitano de Arte
Plate 36 from "Los Caprichos": A bad night (Mala noche), Goya, 1799Francisco de GoyaPlate 36 from "Los Caprichos": A bad night (Mala noche)1799Museo Metropolitano de Arte
Plate 51 from "The Disasters of War" (Los Desastres de la Guerra): 'Thanks to the millet' (Gracias á la almorta), Goya, 1811–12 (published 1863)Francisco de GoyaPlate 51 from "The Disasters of War" (Los Desastres de la Guerra): 'Thanks to the millet' (Gracias á la almorta)1811–12 (published 1863)Museo Metropolitano de Arte
Portrait of the court dwarf El Primo, after Velázquez, Goya, 1778Francisco de GoyaPortrait of the court dwarf El Primo, after Velázquez1778Museo Metropolitano de Arte
Plate 10 from "La Tauromaquia": Charles V spearing a bull in the ring at Valladolid, Goya, 1816Francisco de GoyaPlate 10 from "La Tauromaquia": Charles V spearing a bull in the ring at Valladolid1816Museo Metropolitano de Arte
Plate 20 from "La Tauromaquia": The agility and audacity of Juanito Apiñani in [the ring] at Madrid, Goya, 1816Francisco de GoyaPlate 20 from "La Tauromaquia": The agility and audacity of Juanito Apiñani in [the ring] at Madrid1816Museo Metropolitano de Arte
Feminine Folly, from "The Disparates" (Follies / Irrationalities), Goya, ca. 1815–19 (published 1864)Francisco de GoyaFeminine Folly, from "The Disparates" (Follies / Irrationalities)ca. 1815–19 (published 1864)Museo Metropolitano de Arte
Plate 71 from "Los Caprichos": When day breaks we will be off (Si amanece; nos Vamos), Goya, 1799Francisco de GoyaPlate 71 from "Los Caprichos": When day breaks we will be off (Si amanece; nos Vamos)1799Museo Metropolitano de Arte
Plate 80 from "The Disasters of War" (Los Desastres de la Guerra): 'Will she rise again?' (Si resucitará?), Goya, 1814–15 (published 1863)Francisco de GoyaPlate 80 from "The Disasters of War" (Los Desastres de la Guerra): 'Will she rise again?' (Si resucitará?)1814–15 (published 1863)Museo Metropolitano de Arte
'Feminine Folly' from the 'Disparates' (Follies / Irrationalities), Goya, ca. 1815–19 (printed ca.1848–54)Francisco de Goya'Feminine Folly' from the 'Disparates' (Follies / Irrationalities)ca. 1815–19 (printed ca.1848–54)Museo Metropolitano de Arte
Merry Folly, from "The Disparates" (Follies / Irrationalities), Goya, ca. 1815–19 (published 1864)Francisco de GoyaMerry Folly, from "The Disparates" (Follies / Irrationalities)ca. 1815–19 (published 1864)Museo Metropolitano de Arte
Plate 25 from "Los Caprichos": If he broke the pot (Si quebró el Cantaro), Goya, 1799Francisco de GoyaPlate 25 from "Los Caprichos": If he broke the pot (Si quebró el Cantaro)1799Museo Metropolitano de Arte
Plate 69  from "The Disasters of War" (Los Desastres de la Guerra): Nothing. The event will tell (Nada. Ello dirá), Goya, 1810–20, published 1863Francisco de GoyaPlate 69 from "The Disasters of War" (Los Desastres de la Guerra): Nothing. The event will tell (Nada. Ello dirá)1810–20, published 1863Museo Metropolitano de Arte
If he is guilty, let him die quickly (Si es deliquente qe, muera presto), Goya, ca. 1815 (printed around 1859)Francisco de GoyaIf he is guilty, let him die quickly (Si es deliquente qe, muera presto)ca. 1815 (printed around 1859)Museo Metropolitano de Arte
'Cruel Folly', from the 'Disparates' (Follies / Irrationalities), Goya, ca. 1815–19 (published 1864)Francisco de Goya'Cruel Folly', from the 'Disparates' (Follies / Irrationalities)ca. 1815–19 (published 1864)Museo Metropolitano de Arte
Plate 58 from 'The Disasters of War' (Los Desastres de la Guerra): 'It's no use crying out.' (No hay que dar voces.), Goya, 1811–12Francisco de GoyaPlate 58 from 'The Disasters of War' (Los Desastres de la Guerra): 'It's no use crying out.' (No hay que dar voces.)1811–12Museo Metropolitano de Arte
Plate 29 from "Los Caprichos": That certainly is being able to read (Esto si que es leer), Goya, 1799Francisco de GoyaPlate 29 from "Los Caprichos": That certainly is being able to read (Esto si que es leer)1799Museo Metropolitano de Arte
Plate 41 from "Los Caprichos": Neither more nor less (Ni mas ni menos), Goya, 1799Francisco de GoyaPlate 41 from "Los Caprichos": Neither more nor less (Ni mas ni menos)1799Museo Metropolitano de Arte
Plate 16 from "The Disasters of War" (Los Desastres de la Guerra): 'They make use of them' (Se aprovechan), Goya, 1810Francisco de GoyaPlate 16 from "The Disasters of War" (Los Desastres de la Guerra): 'They make use of them' (Se aprovechan)1810Museo Metropolitano de Arte
Plate 41 from "The Disasters of War" (Los Desastres de La Guerra): 'They escape through the flames' (Escapan entre las llamas), Goya, 1810 (published 1863)Francisco de GoyaPlate 41 from "The Disasters of War" (Los Desastres de La Guerra): 'They escape through the flames' (Escapan entre las llamas)1810 (published 1863)Museo Metropolitano de Arte
Plate 79 from "The Disasters of War" (Los Desastres de la Guerra): 'Truth has died' (Murió la verdad), Goya, 1814–15 (published 1863)Francisco de GoyaPlate 79 from "The Disasters of War" (Los Desastres de la Guerra): 'Truth has died' (Murió la verdad)1814–15 (published 1863)Museo Metropolitano de Arte
Don Baltasar Carlos on horseback, after Velázquez, Goya, 1778Francisco de GoyaDon Baltasar Carlos on horseback, after Velázquez1778Museo Metropolitano de Arte
Plate 44 from "The Disasters of War" (Los Desastres de la Guerra): 'I saw it' (Yo lo vi), Goya, 1810Francisco de GoyaPlate 44 from "The Disasters of War" (Los Desastres de la Guerra): 'I saw it' (Yo lo vi)1810Museo Metropolitano de Arte
Plate 14 from "The Disasters of War" (Los Desastres de la Guerra): 'It's a hard step!' (Duro es el paso!), Goya, ca. 1810 (published 1863)Francisco de GoyaPlate 14 from "The Disasters of War" (Los Desastres de la Guerra): 'It's a hard step!' (Duro es el paso!)ca. 1810 (published 1863)Museo Metropolitano de Arte
Out hunting for teeth (A caza des dientes), plate 12 from "Los Caprichos", Goya, 1799Francisco de GoyaOut hunting for teeth (A caza des dientes), plate 12 from "Los Caprichos"1799Museo Metropolitano de Arte
Plate 7 from "The Disasters of War" (Los Desastres de la Guerra): 'What courage!' (Que valor!), Goya, 1810 (published 1863)Francisco de GoyaPlate 7 from "The Disasters of War" (Los Desastres de la Guerra): 'What courage!' (Que valor!)1810 (published 1863)Museo Metropolitano de Arte
Plate 64 from "Los Caprichos": Bon Voyage (Buen Viage), Goya, 1799Francisco de GoyaPlate 64 from "Los Caprichos": Bon Voyage (Buen Viage)1799Museo Metropolitano de Arte
Plate 4 from "La Tauromaquia": They play another with the cape in an enclosure, Goya, 1816Francisco de GoyaPlate 4 from "La Tauromaquia": They play another with the cape in an enclosure1816Museo Metropolitano de Arte
Plate 64 from "Los Caprichos": Bon voyage (Buen Viage), Goya, 1799Francisco de GoyaPlate 64 from "Los Caprichos": Bon voyage (Buen Viage)1799Museo Metropolitano de Arte
Plate 73 from "Los Caprichos": It is better to be lazy (Mejor es holgar), Goya, 1799Francisco de GoyaPlate 73 from "Los Caprichos": It is better to be lazy (Mejor es holgar)1799Museo Metropolitano de Arte
Plate 2 from "La Tauromaquia": Another way of hunting on foot, Goya, 1816Francisco de GoyaPlate 2 from "La Tauromaquia": Another way of hunting on foot1816Museo Metropolitano de Arte
Plate 49 from "The Disasters of War" (Los Desastres de la Guerra): 'A woman's charity' (Caridad de una muger), Goya, 1811–12 (published 1863)Francisco de GoyaPlate 49 from "The Disasters of War" (Los Desastres de la Guerra): 'A woman's charity' (Caridad de una muger)1811–12 (published 1863)Museo Metropolitano de Arte
Plate 15: Pretty Advice (Bellos Consejos), from "Los Caprichos", Goya, 1799Francisco de GoyaPlate 15: Pretty Advice (Bellos Consejos), from "Los Caprichos"1799Museo Metropolitano de Arte
Plate 26  from "The Disasters of War" (Los Desastres de la Guerra): 'One can't look' (No se puede mirar), Goya, 1810 (published 1863)Francisco de GoyaPlate 26 from "The Disasters of War" (Los Desastres de la Guerra): 'One can't look' (No se puede mirar)1810 (published 1863)Museo Metropolitano de Arte
Plate 24 from "The Disasters of War" (Los Desastres de la Guerra): 'They can still be of use' (Aun podrán servir), Goya, 1810Francisco de GoyaPlate 24 from "The Disasters of War" (Los Desastres de la Guerra): 'They can still be of use' (Aun podrán servir)1810Museo Metropolitano de Arte
Plate 13 from "The Disasters of War" (Los Desastres de la Guerra): 'Bitter to be Present' (Amarga presencia), Goya, 1810 (published 1863)Francisco de GoyaPlate 13 from "The Disasters of War" (Los Desastres de la Guerra): 'Bitter to be Present' (Amarga presencia)1810 (published 1863)Museo Metropolitano de Arte
'Well-Known Folly' from the 'Disparates' (Follies / Irrationalities, Plate A), Goya, ca. 1815–19 (published before 1877)Francisco de Goya'Well-Known Folly' from the 'Disparates' (Follies / Irrationalities, Plate A)ca. 1815–19 (published before 1877)Museo Metropolitano de Arte
Plate 59  from "The Disasters of War" (Los Desastres de la Guerra): 'What is the use of a cup?' ( De qué sirve una taza?), Goya, 1811–12 (published 1863)Francisco de GoyaPlate 59 from "The Disasters of War" (Los Desastres de la Guerra): 'What is the use of a cup?' ( De qué sirve una taza?)1811–12 (published 1863)Museo Metropolitano de Arte
Plate 73 from "The Disasters of War" (Los Desastres de la Guerra): 'Feline pantomime' (Gatesca pantomima), Goya, 1814–15 (published 1863)Francisco de GoyaPlate 73 from "The Disasters of War" (Los Desastres de la Guerra): 'Feline pantomime' (Gatesca pantomima)1814–15 (published 1863)Museo Metropolitano de Arte
Plate 25 from "La Tauromaquia": They loose dogs on the bull, Goya, 1816Francisco de GoyaPlate 25 from "La Tauromaquia": They loose dogs on the bull1816Museo Metropolitano de Arte
Plate 70: Devout Profession (Devota Profesion), from "Los Caprichos", Goya, 1799Francisco de GoyaPlate 70: Devout Profession (Devota Profesion), from "Los Caprichos"1799Museo Metropolitano de Arte
Plate 52 from "Los Caprichos": What a tailor can do! (Lo que puede un Sastre!), Goya, 1799Francisco de GoyaPlate 52 from "Los Caprichos": What a tailor can do! (Lo que puede un Sastre!)1799Museo Metropolitano de Arte
Plate 2 from "The Disasters of War" (Los Desastres de la Guerra): 'Rightly or wrongly' (Con razon ó sin ella), Goya, 1810 (published 1863)Francisco de GoyaPlate 2 from "The Disasters of War" (Los Desastres de la Guerra): 'Rightly or wrongly' (Con razon ó sin ella)1810 (published 1863)Museo Metropolitano de Arte
Plate 67 from "The Disasters of War" (Los Desastres de la Guerra): 'This is not less so' (Esta no lo es menos), Goya, 1814–15 (published 1863)Francisco de GoyaPlate 67 from "The Disasters of War" (Los Desastres de la Guerra): 'This is not less so' (Esta no lo es menos)1814–15 (published 1863)Museo Metropolitano de Arte
Plate 22 from "The Disasters of War" (Los Desastres de la Guerra): 'Even worse' (Tanto y mas), Goya, 1810Francisco de GoyaPlate 22 from "The Disasters of War" (Los Desastres de la Guerra): 'Even worse' (Tanto y mas)1810Museo Metropolitano de Arte
Plate 27 from "Los Caprichos": Which of them is the more overcome? (Quien mas rendido?), Goya, 1799Francisco de GoyaPlate 27 from "Los Caprichos": Which of them is the more overcome? (Quien mas rendido?)1799Museo Metropolitano de Arte
Plate 13 from "The Disasters of War" (Los Desastres de la Guerra): 'Bitter to be Present' (Amarga presencia), Goya, 1810Francisco de GoyaPlate 13 from "The Disasters of War" (Los Desastres de la Guerra): 'Bitter to be Present' (Amarga presencia)1810Museo Metropolitano de Arte
Plate 9: Tantalus (Tantalo), from "Los Caprichos", Goya, ca. 1798–99Francisco de GoyaPlate 9: Tantalus (Tantalo), from "Los Caprichos"ca. 1798–99Museo Metropolitano de Arte
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