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Colecciones: Centro de Arte Británico de Yale, Galería de Arte de la Universidad Yale, Galería Nacional de Arte, Galería Nacional de Dinamarca, Galería Nacional de Retratos, Galería Tretiakov, Harvard Art Museums, Instituto de Arte de Chicago, Instituto de Artes de Mineápolis, MoMA, Museo de Arte de Cleveland, Museo de Victoria y Alberto, Museo del Hermitage, Museo del Louvre, Museo Estatal Ruso, Museo Hirshhorn y Jardín de Esculturas, Museo J. Paul Getty, Museo Metropolitano de Arte, Museo Nacional de Diseño Cooper-Hewitt, Museo Pushkin, Museo Smithsoniano de Arte Americano, Museo Whitney de Arte Estadounidense, National Museum of Asian Art, Rijksmuseum, Villa Getty, Catálogo Estatal del Fondo Museístico de Rusia (274 museos), Europeana (19 museos), Wikidata (44 museos), Paris Musées (12 museos), Joconde, la base de museos del Ministerio de Cultura de Francia (495 museos) y el Catalogo generale dei Beni Culturali del Ministerio de Cultura de Italia (25 museos). Las imágenes pertenecen a sus titulares de derechos.

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Study for a book of verse(?), Edwin Austin Abbey, n.d.Edwin Austin AbbeyStudy for a book of verse(?)n.d.Galería de Arte de la Universidad Yale
Preliminary study for Love's Labour's Lost, Edwin Austin Abbey, ca. 1891Edwin Austin AbbeyPreliminary study for Love's Labour's Lostca. 1891Galería de Arte de la Universidad Yale
Study for The Quest of the Holy Grail (series of fifteen paintings for the Boston Public Library, completed in 1901), Edwin Austin Abbey, n.d.Edwin Austin AbbeyStudy for The Quest of the Holy Grail (series of fifteen paintings for the Boston Public Library, completed in 1901)n.d.Galería de Arte de la Universidad Yale
Enter Mistress Anne Page with wine - Act I, Scene I, Merry Wives of Windsor, Edwin Austin Abbey, 1889Edwin Austin AbbeyEnter Mistress Anne Page with wine - Act I, Scene I, Merry Wives of Windsor1889Galería de Arte de la Universidad Yale
"I believe they are in actual consultation," illustration for Oliver Goldsmith's She Stoops to Conquer, Edwin Austin Abbey, ca. 1884Edwin Austin Abbey"I believe they are in actual consultation," illustration for Oliver Goldsmith's She Stoops to Conquerca. 1884Galería de Arte de la Universidad Yale
Sheet of sketches of country figures, Edwin Austin Abbey, n.d.Edwin Austin AbbeySheet of sketches of country figuresn.d.Galería de Arte de la Universidad Yale
Angelo and Isabella (study for .1104) - Act II, Scene IV, Measure for Measure, Edwin Austin Abbey, n.d.Edwin Austin AbbeyAngelo and Isabella (study for .1104) - Act II, Scene IV, Measure for Measuren.d.Galería de Arte de la Universidad Yale
People in medieval dress, outside - unidentified illustration, Edwin Austin Abbey, n.d.Edwin Austin AbbeyPeople in medieval dress, outside - unidentified illustrationn.d.Galería de Arte de la Universidad Yale
Oliver: "Wilt thou lay hands on me, villain?", illustration for Act I, Scene i, As You Like It, Edwin Austin Abbey, 1891Edwin Austin AbbeyOliver: "Wilt thou lay hands on me, villain?", illustration for Act I, Scene i, As You Like It1891Galería de Arte de la Universidad Yale
Armado and Moth, from Act III, Scene i, Love's Labour's Lost, Edwin Austin Abbey, 1891Edwin Austin AbbeyArmado and Moth, from Act III, Scene i, Love's Labour's Lost1891Galería de Arte de la Universidad Yale
"Charles, Charles, how has thou deceived me?," illustration for Oliver Goldsmith's She Stoops to Conquer, Edwin Austin Abbey, 1884Edwin Austin Abbey"Charles, Charles, how has thou deceived me?," illustration for Oliver Goldsmith's She Stoops to Conquer1884Galería de Arte de la Universidad Yale
Katherine and Alice - Act III, Scene V, King Henry V, Edwin Austin Abbey, 1908Edwin Austin AbbeyKatherine and Alice - Act III, Scene V, King Henry V1908Galería de Arte de la Universidad Yale
Edgar Armed - Act V, Scene III, King Lear, Edwin Austin Abbey, 1902Edwin Austin AbbeyEdgar Armed - Act V, Scene III, King Lear1902Galería de Arte de la Universidad Yale
Studies of heads, Edwin Austin Abbey, n.d.Edwin Austin AbbeyStudies of headsn.d.Galería de Arte de la Universidad Yale
Lafeu: "Nay, come your ways," from Act II, Scene i, All's Well That Ends Well, Edwin Austin Abbey, 1891Edwin Austin AbbeyLafeu: "Nay, come your ways," from Act II, Scene i, All's Well That Ends Well1891Galería de Arte de la Universidad Yale
"Each Joins the Dance", sketch for "With Jockey to the Fair," from Old Songs, Edwin Austin Abbey, 1887Edwin Austin Abbey"Each Joins the Dance", sketch for "With Jockey to the Fair," from Old Songs1887Galería de Arte de la Universidad Yale
Woman seated, sketch for an unidentified Shakespeare play, Edwin Austin Abbey, n.d.Edwin Austin AbbeyWoman seated, sketch for an unidentified Shakespeare playn.d.Galería de Arte de la Universidad Yale
Illustration inside a factory, Edwin Austin Abbey, n.d.Edwin Austin AbbeyIllustration inside a factoryn.d.Galería de Arte de la Universidad Yale
Illustration for "Love Song," from Old Songs, Edwin Austin Abbey, 1887Edwin Austin AbbeyIllustration for "Love Song," from Old Songs1887Galería de Arte de la Universidad Yale
"Downward they move, a melancholy band Pass from the shore, and darken all the land" - illustration for Oliver Goldsmith's The Deserted Village (London and New York: 1902), p. 99, Edwin Austin Abbey, ca. 1890sEdwin Austin Abbey"Downward they move, a melancholy band Pass from the shore, and darken all the land" - illustration for Oliver Goldsmith's The Deserted Village (London and New York: 1902), p. 99ca. 1890sGalería de Arte de la Universidad Yale
"The sad historian of the pensive plain," illustration for Oliver Goldsmith's The Deserted Village (London and New York: 1902), p. 43, Edwin Austin Abbey, ca. 1890sEdwin Austin Abbey"The sad historian of the pensive plain," illustration for Oliver Goldsmith's The Deserted Village (London and New York: 1902), p. 43ca. 1890sGalería de Arte de la Universidad Yale
Study for a "Matrimonial Speculation", Edwin Austin Abbey, n.d.Edwin Austin AbbeyStudy for a "Matrimonial Speculation"n.d.Galería de Arte de la Universidad Yale
Olivia and Malvolio, illustration for Act III, Scene iv, Twelfth Night, Edwin Austin Abbey, 1891Edwin Austin AbbeyOlivia and Malvolio, illustration for Act III, Scene iv, Twelfth Night1891Galería de Arte de la Universidad Yale
Unidentified illustration- Study of person in prison, Edwin Austin Abbey, n.d.Edwin Austin AbbeyUnidentified illustration- Study of person in prisonn.d.Galería de Arte de la Universidad Yale
Galahad and the Captive Virtues, study for The Quest of the Holy Grail (series of fifteen paintings for the Boston Public Library, completed in 1901), Edwin Austin Abbey, n.d.Edwin Austin AbbeyGalahad and the Captive Virtues, study for The Quest of the Holy Grail (series of fifteen paintings for the Boston Public Library, completed in 1901)n.d.Galería de Arte de la Universidad Yale
Sketch for a greeting card: All Good WIshes for the New Year from M.G. and E.A. Abbey, Edwin Austin Abbey, n.d.Edwin Austin AbbeySketch for a greeting card: All Good WIshes for the New Year from M.G. and E.A. Abbeyn.d.Galería de Arte de la Universidad Yale
Study of Two Figures, from Love's Labour's Lost, Edwin Austin Abbey, n.d.Edwin Austin AbbeyStudy of Two Figures, from Love's Labour's Lostn.d.Galería de Arte de la Universidad Yale
Figure study - two men carrying a stretcher, Edwin Austin Abbey, n.d.Edwin Austin AbbeyFigure study - two men carrying a stretchern.d.Galería de Arte de la Universidad Yale
Studies of bottle and heads, Edwin Austin Abbey, n.d.Edwin Austin AbbeyStudies of bottle and headsn.d.Galería de Arte de la Universidad Yale
Don John: "Only to despite them, I will endeavor anything," illustration for Act II, Scene ii, Much Ado About Nothing, Edwin Austin Abbey, 1890Edwin Austin AbbeyDon John: "Only to despite them, I will endeavor anything," illustration for Act II, Scene ii, Much Ado About Nothing1890Galería de Arte de la Universidad Yale
Sketch for "Sweet Nelly,...My Heart's Delight" from Old Songs, Edwin Austin Abbey, 1889Edwin Austin AbbeySketch for "Sweet Nelly,...My Heart's Delight" from Old Songs1889Galería de Arte de la Universidad Yale
Rosalind in boys clothing, Edwin Austin Abbey, ca. 1890Edwin Austin AbbeyRosalind in boys clothingca. 1890Galería de Arte de la Universidad Yale
Unidentified illustration, Edwin Austin Abbey, 1878Edwin Austin AbbeyUnidentified illustration1878Galería de Arte de la Universidad Yale
Sketch for "The Leather Bottel," from Old Songs, Edwin Austin Abbey, 1887Edwin Austin AbbeySketch for "The Leather Bottel," from Old Songs1887Galería de Arte de la Universidad Yale
Shallow: "The Council shall hear it" - Act I, Scene I, Merry Wives of Windsor, Edwin Austin Abbey, 1889Edwin Austin AbbeyShallow: "The Council shall hear it" - Act I, Scene I, Merry Wives of Windsor1889Galería de Arte de la Universidad Yale
Sheet of studies of cricket players, Edwin Austin Abbey, n.d.Edwin Austin AbbeySheet of studies of cricket playersn.d.Galería de Arte de la Universidad Yale
Iachimo Steals from the Trunk - Act II, Scene II, Cymbeline, Edwin Austin Abbey, 1907–8Edwin Austin AbbeyIachimo Steals from the Trunk - Act II, Scene II, Cymbeline1907–8Galería de Arte de la Universidad Yale
Study for: Exeunt Salarino and Salanio - Act I , Scene I, Merchant of Venice, Edwin Austin Abbey, n.d.Edwin Austin AbbeyStudy for: Exeunt Salarino and Salanio - Act I , Scene I, Merchant of Venicen.d.Galería de Arte de la Universidad Yale
Galahad and the Captive Virtues, study for The Quest of the Holy Grail (series of fifteen paintings for the Boston Public Library, completed in 1901), Edwin Austin Abbey, n.d.Edwin Austin AbbeyGalahad and the Captive Virtues, study for The Quest of the Holy Grail (series of fifteen paintings for the Boston Public Library, completed in 1901)n.d.Galería de Arte de la Universidad Yale
Sketch for "Ode to Solitude," from The Quiet Life, Edwin Austin Abbey, 1887Edwin Austin AbbeySketch for "Ode to Solitude," from The Quiet Life1887Galería de Arte de la Universidad Yale
Sketch for a mural over a door jamb - unidentified, Edwin Austin Abbey, n.d.Edwin Austin AbbeySketch for a mural over a door jamb - unidentifiedn.d.Galería de Arte de la Universidad Yale
Preliminary sketch of Helena and Lafeu for Act IV, Scene III, All's Well That Ends Well, Edwin Austin Abbey, ca. 1892Edwin Austin AbbeyPreliminary sketch of Helena and Lafeu for Act IV, Scene III, All's Well That Ends Wellca. 1892Galería de Arte de la Universidad Yale
"The parlour splendors of that festive place," illustration for Oliver Goldsmith's The Deserted Village (London and New York: 1902), p. 57, Edwin Austin Abbey, ca. 1890sEdwin Austin Abbey"The parlour splendors of that festive place," illustration for Oliver Goldsmith's The Deserted Village (London and New York: 1902), p. 57ca. 1890sGalería de Arte de la Universidad Yale
First Servingman: "What would you have friend, whence are you?" - Act IV, Scene V, Coriolanus, Edwin Austin Abbey, 1909Edwin Austin AbbeyFirst Servingman: "What would you have friend, whence are you?" - Act IV, Scene V, Coriolanus1909Galería de Arte de la Universidad Yale
Dull, Sir Nathaniel, Holofernes, from Act IV, Scene ii, Love's Labour's Lost, Edwin Austin Abbey, 1891Edwin Austin AbbeyDull, Sir Nathaniel, Holofernes, from Act IV, Scene ii, Love's Labour's Lost1891Galería de Arte de la Universidad Yale
Beatrice: "Against my will, I am sent to bid you come in to dinner," illustration for Act II, Scene iii, Much Ado About Nothing, Edwin Austin Abbey, 1891Edwin Austin AbbeyBeatrice: "Against my will, I am sent to bid you come in to dinner," illustration for Act II, Scene iii, Much Ado About Nothing1891Galería de Arte de la Universidad Yale
Prologue: "Of wains that jolt and rumble by," study for illustration to The Quiet Life, 1889, Edwin Austin Abbey, 1889Edwin Austin AbbeyPrologue: "Of wains that jolt and rumble by," study for illustration to The Quiet Life, 18891889Galería de Arte de la Universidad Yale
Galahad Departs, study for The Quest of the Holy Grail (series of fifteen paintings for the Boston Public Library, completed in 1901), Edwin Austin Abbey, n.d.Edwin Austin AbbeyGalahad Departs, study for The Quest of the Holy Grail (series of fifteen paintings for the Boston Public Library, completed in 1901)n.d.Galería de Arte de la Universidad Yale
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