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Colecciones: Centro de Arte Británico de Yale, Galería de Arte de la Universidad Yale, Galería Nacional de Arte, Galería Nacional de Dinamarca, Galería Nacional de Retratos, Galería Tretiakov, Harvard Art Museums, Instituto de Arte de Chicago, Instituto de Artes de Mineápolis, MoMA, Museo de Arte de Cleveland, Museo de Victoria y Alberto, Museo del Hermitage, Museo del Louvre, Museo Estatal Ruso, Museo Hirshhorn y Jardín de Esculturas, Museo J. Paul Getty, Museo Metropolitano de Arte, Museo Nacional de Diseño Cooper-Hewitt, Museo Pushkin, Museo Smithsoniano de Arte Americano, Museo Whitney de Arte Estadounidense, National Museum of Asian Art, Rijksmuseum, Villa Getty, Catálogo Estatal del Fondo Museístico de Rusia (274 museos), Europeana (19 museos), Wikidata (44 museos), Paris Musées (12 museos), Joconde, la base de museos del Ministerio de Cultura de Francia (495 museos) y el Catalogo generale dei Beni Culturali del Ministerio de Cultura de Italia (25 museos). Las imágenes pertenecen a sus titulares de derechos.

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Christie's Auction Room, Pall Mall, Thomas Rowlandson, ca. 1808–10Thomas RowlandsonChristie's Auction Room, Pall Mallca. 1808–10Museo Metropolitano de Arte
Woodland River with a Boat, Agostino Carracci, c. 1590Agostino CarracciWoodland River with a Boatc. 1590Galería Nacional de Arte
Sketch for "Building - Blocks for a Doorway", Vito Acconci, c. 1983/1985Vito AcconciSketch for "Building - Blocks for a Doorway"c. 1983/1985Galería Nacional de Arte
The Squire's Kitchen, Thomas Rowlandson, late 18th–early 19th centuryThomas RowlandsonThe Squire's Kitchenlate 18th–early 19th centuryMuseo Metropolitano de Arte
Sketch for "Building - Blocks for a Doorway" (A), Vito Acconci, c. 1983/1985Vito AcconciSketch for "Building - Blocks for a Doorway" (A)c. 1983/1985Galería Nacional de Arte
Male Head in a Hood, Baron Dominique Vivant Denon, ca. 1794Dominique Vivant DenonMale Head in a Hoodca. 1794Museo Metropolitano de Arte
Wooded hillside with deer, Thomas Rowlandson, 1780–1827Thomas RowlandsonWooded hillside with deer1780–1827Museo Metropolitano de Arte
Sketch for "Building - Blocks for a Doorway" (C), Vito Acconci, c. 1983/1985Vito AcconciSketch for "Building - Blocks for a Doorway" (C)c. 1983/1985Galería Nacional de Arte
Studies and Sketches for Figures: Standing Male Nude in Frontal View, Male Heads, Seated Monkey, and a Long-Beaked Bird (a Stork?) (recto); Figure Studies:  Back View of Standing Male and Female Heads, a Flying Long-Beaked Bird, etc. (verso), Agostino Carracci, 1577–1602Agostino CarracciStudies and Sketches for Figures: Standing Male Nude in Frontal View, Male Heads, Seated Monkey, and a Long-Beaked Bird (a Stork?) (recto); Figure Studies: Back View of Standing Male and Female Heads, a Flying Long-Beaked Bird, etc. (verso)1577–1602Museo Metropolitano de Arte
Seated Nude Male Figure (recto); Ornamental Designs of Foliage, a Grotesque Head, and a Leg (verso), Agostino Carracci, ca. 1590–93Agostino CarracciSeated Nude Male Figure (recto); Ornamental Designs of Foliage, a Grotesque Head, and a Leg (verso)ca. 1590–93Museo Metropolitano de Arte
Figure Studies for Various Female and Male Figures (recto); Threes Amors in the Garden of Venus (verso), Agostino Carracci, 1600–02Agostino CarracciFigure Studies for Various Female and Male Figures (recto); Threes Amors in the Garden of Venus (verso)1600–02Museo Metropolitano de Arte
Studies of Nudes and Human Heads (recto and on the verso), Agostino Carracci, 1557–1602Agostino CarracciStudies of Nudes and Human Heads (recto and on the verso)1557–1602Museo Metropolitano de Arte
Italian Landscape (after Titian), John Evelyn, 1656John EvelynItalian Landscape (after Titian)1656Centro de Arte Británico de Yale
A Blacksmith, Thomas Rowlandson, 18th–19th centuryThomas RowlandsonA Blacksmith18th–19th centuryMuseo Metropolitano de Arte
A Military Review, Thomas Rowlandson, late 18th–early 19th centuryThomas RowlandsonA Military Reviewlate 18th–early 19th centuryMuseo Metropolitano de Arte
Sketch for "Building - Blocks for a Doorway", Vito Acconci, c. 1983/1985Vito AcconciSketch for "Building - Blocks for a Doorway"c. 1983/1985Galería Nacional de Arte
City View with Medieval Gate (perhaps York), Thomas Rowlandson, 1775–1827Thomas RowlandsonCity View with Medieval Gate (perhaps York)1775–1827Museo Metropolitano de Arte
Sketch for "Building - Blocks for a Doorway", Vito Acconci, c. 1983/1985Vito AcconciSketch for "Building - Blocks for a Doorway"c. 1983/1985Galería Nacional de Arte
Head of a soldier in profile, with a sword handle, Baron Dominique Vivant Denon, ca. 1794Dominique Vivant DenonHead of a soldier in profile, with a sword handleca. 1794Museo Metropolitano de Arte
An Irish Howl, Thomas Rowlandson, ca. 1799Thomas RowlandsonAn Irish Howlca. 1799Museo Metropolitano de Arte
Sketch for "Building - Blocks for a Doorway", Vito Acconci, c. 1983/1985Vito AcconciSketch for "Building - Blocks for a Doorway"c. 1983/1985Galería Nacional de Arte
Joe Welch, Ben Shahn, 1954Ben ShahnJoe Welch1954Galería de Arte de la Universidad Yale
Human Skeleton, Posterior View, George Stubbs, 1795 to 1806George StubbsHuman Skeleton, Posterior View1795 to 1806Centro de Arte Británico de Yale
How to Escape Losing, Thomas Rowlandson, ca. 1791Thomas RowlandsonHow to Escape Losingca. 1791Museo Metropolitano de Arte
Seated Male Nude [recto], Agostino Carracci, 1600/1602Agostino CarracciSeated Male Nude [recto]1600/1602Galería Nacional de Arte
Sketch for "Building - Blocks for a Doorway" (D), Vito Acconci, c. 1983/1985Vito AcconciSketch for "Building - Blocks for a Doorway" (D)c. 1983/1985Galería Nacional de Arte
Head of a Faun in a Concave Roundel, Agostino Carracci, probably c. 1595Agostino CarracciHead of a Faun in a Concave Roundelprobably c. 1595Galería Nacional de Arte
Landscape with Two Washerwomen, Agostino Carracci, 1580sAgostino CarracciLandscape with Two Washerwomen1580sGalería Nacional de Arte
Saint Paul Preaching, Attributed to Agostino CarracciAgostino CarracciSaint Paul PreachingGalería Nacional de Arte
A Group of Shepherds, and Other Studies, Agostino Carracci, about 1598–1600Agostino CarracciA Group of Shepherds, and Other Studiesabout 1598–1600Museo J. Paul Getty
Landscape with The Temptation of Christ, Agostino Carracci, 1580sAgostino CarracciLandscape with The Temptation of Christ1580sGalería de Arte de la Universidad Yale
Mascherone, Agostino Carracci, secc. XVI/ XVIIAgostino CarracciMascheronesecc. XVI/ XVIIGalería de la Academia de Venecia
The Q A loaded with the spoils of India and Britain, March 6, 1788, Thomas Rowlandson, ca. 1788Thomas RowlandsonThe Q A loaded with the spoils of India and Britain, March 6, 1788ca. 1788Museo Metropolitano de Arte
Wooded Landscape with Ruins, Thomas Rowlandson, 1780–1827Thomas RowlandsonWooded Landscape with Ruins1780–1827Museo Metropolitano de Arte
A Gaming Table at Devonshire House, Thomas Rowlandson, 1791Thomas RowlandsonA Gaming Table at Devonshire House1791Museo Metropolitano de Arte
Human Skeleton, Anterior View, George Stubbs, 1795 to 1806George StubbsHuman Skeleton, Anterior View1795 to 1806Centro de Arte Británico de Yale
A Young Woman Sewing [recto], Vivant Denon, c. 1790Dominique Vivant DenonA Young Woman Sewing [recto]c. 1790Galería Nacional de Arte
Caricature of Georges-Auguste Couthon (called Aristide, 1756-1794), President of the Convention in 1793, on the way to the guillotine on July 28, 1794 (10 Thermidor, An II), Baron Dominique Vivant Denon, ca. 1794Dominique Vivant DenonCaricature of Georges-Auguste Couthon (called Aristide, 1756-1794), President of the Convention in 1793, on the way to the guillotine on July 28, 1794 (10 Thermidor, An II)ca. 1794Museo Metropolitano de Arte
Replacements in the Parisian Guard Playing Cards in 1795, Baron Dominique Vivant Denon, ca. 1795Dominique Vivant DenonReplacements in the Parisian Guard Playing Cards in 1795ca. 1795Museo Metropolitano de Arte
Self-Portrait as a Young Man, Baron Dominique Vivant Denon, ca. 1780Dominique Vivant DenonSelf-Portrait as a Young Manca. 1780Museo Metropolitano de Arte
Harbor scene, Thomas Rowlandson, 1775–1827Thomas RowlandsonHarbor scene1775–1827Museo Metropolitano de Arte
Sketch for "Building - Blocks for a Doorway", Vito Acconci, c. 1983/1985Vito AcconciSketch for "Building - Blocks for a Doorway"c. 1983/1985Galería Nacional de Arte
The Head of Jean Féraud (1759–1795), a Deputy at the Convention, Carried on a Pike, May 21, 1795, Baron Dominique Vivant Denon, ca. 1795Dominique Vivant DenonThe Head of Jean Féraud (1759–1795), a Deputy at the Convention, Carried on a Pike, May 21, 1795ca. 1795Museo Metropolitano de Arte
Balancing Acrobat, Ben Shahn, 1940s-1960sBen ShahnBalancing Acrobat1940s-1960sGalería Nacional de Arte
Sketch for "Building - Blocks for a Doorway" (E), Vito Acconci, c. 1983/1985Vito AcconciSketch for "Building - Blocks for a Doorway" (E)c. 1983/1985Galería Nacional de Arte
Sketch for "Building - Blocks for a Doorway", Vito Acconci, c. 1983/1985Vito AcconciSketch for "Building - Blocks for a Doorway"c. 1983/1985Galería Nacional de Arte
Sketch for "Building - Blocks for a Doorway" (Doorway), Vito Acconci, c. 1983/1985Vito AcconciSketch for "Building - Blocks for a Doorway" (Doorway)c. 1983/1985Galería Nacional de Arte
Tiger Skeleton, Lateral View, George Stubbs, 1795 to 1806George StubbsTiger Skeleton, Lateral View1795 to 1806Centro de Arte Británico de Yale
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