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Colecciones: Centro de Arte Británico de Yale, Galería de Arte de la Universidad Yale, Galería Nacional de Arte, Galería Nacional de Dinamarca, Galería Nacional de Retratos, Galería Tretiakov, Harvard Art Museums, Instituto de Arte de Chicago, Instituto de Artes de Mineápolis, MoMA, Museo de Arte de Cleveland, Museo de Victoria y Alberto, Museo del Hermitage, Museo del Louvre, Museo Estatal Ruso, Museo Hirshhorn y Jardín de Esculturas, Museo J. Paul Getty, Museo Metropolitano de Arte, Museo Nacional de Diseño Cooper-Hewitt, Museo Pushkin, Museo Smithsoniano de Arte Americano, Museo Whitney de Arte Estadounidense, National Museum of Asian Art, Rijksmuseum, Villa Getty, Catálogo Estatal del Fondo Museístico de Rusia (274 museos), Europeana (19 museos), Wikidata (44 museos), Paris Musées (12 museos), Joconde, la base de museos del Ministerio de Cultura de Francia (495 museos) y el Catalogo generale dei Beni Culturali del Ministerio de Cultura de Italia (25 museos). Las imágenes pertenecen a sus titulares de derechos.

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Oliver: "Wilt thou lay hands on me, villain?", illustration for Act I, Scene i, As You Like It, Edwin Austin Abbey, 1891Edwin Austin AbbeyOliver: "Wilt thou lay hands on me, villain?", illustration for Act I, Scene i, As You Like It1891Galería de Arte de la Universidad Yale
Prologue: "Of wains that jolt and rumble by," study for illustration to The Quiet Life, 1889, Edwin Austin Abbey, 1889Edwin Austin AbbeyPrologue: "Of wains that jolt and rumble by," study for illustration to The Quiet Life, 18891889Galería de Arte de la Universidad Yale
Armado and Moth, from Act III, Scene i, Love's Labour's Lost, Edwin Austin Abbey, 1891Edwin Austin AbbeyArmado and Moth, from Act III, Scene i, Love's Labour's Lost1891Galería de Arte de la Universidad Yale
Galahad Departs, study for The Quest of the Holy Grail (series of fifteen paintings for the Boston Public Library, completed in 1901), Edwin Austin Abbey, n.d.Edwin Austin AbbeyGalahad Departs, study for The Quest of the Holy Grail (series of fifteen paintings for the Boston Public Library, completed in 1901)n.d.Galería de Arte de la Universidad Yale
Saint John the Baptist Baptizing the Multitude, Pellegrino Tibaldi, 1554–56Pellegrino TibaldiSaint John the Baptist Baptizing the Multitude1554–56Museo Metropolitano de Arte
Six Studies of Animal Heads and of a Cartouche, Pellegrino Tibaldi, 1527–96Pellegrino TibaldiSix Studies of Animal Heads and of a Cartouche1527–96Museo Metropolitano de Arte
Studies of the Rocky Shore, Milton Avery, c. 1943Milton AveryStudies of the Rocky Shorec. 1943Galería Nacional de Arte
View from the Rocks, Milton Avery, c. 1943Milton AveryView from the Rocksc. 1943Galería Nacional de Arte
Two Figures in a Landscape, Milton Avery, 1943Milton AveryTwo Figures in a Landscape1943Galería Nacional de Arte
Seated Woman Holding a Shield: A Happy New Year to you from M. G. and E. A. Abbey, Edwin Austin Abbey, 1890–1911Edwin Austin AbbeySeated Woman Holding a Shield: A Happy New Year to you from M. G. and E. A. Abbey1890–1911Museo Metropolitano de Arte
March Seated in a Landscape, Milton Avery, 1943Milton AveryMarch Seated in a Landscape1943Galería Nacional de Arte
Bather on a Bank of Rocks, Milton Avery, 1943Milton AveryBather on a Bank of Rocks1943Galería Nacional de Arte
A Hunting Party, Jan van der Straet, called Stradanus, ca. 1555–65StradanusA Hunting Partyca. 1555–65Museo Metropolitano de Arte
Allegory of America, Jan van der Straet, called Stradanus, ca. 1587–89StradanusAllegory of Americaca. 1587–89Museo Metropolitano de Arte
Two Seated Women, Pellegrino TibaldiPellegrino TibaldiTwo Seated WomenGalería Nacional de Arte
The Incredulity of Thomas (recto); Study for the Figure of Thomas (verso), Pellegrino Tibaldi, about 1565–1585Pellegrino TibaldiThe Incredulity of Thomas (recto); Study for the Figure of Thomas (verso)about 1565–1585Museo J. Paul Getty
"Charles, Charles, how has thou deceived me?," illustration for Oliver Goldsmith's She Stoops to Conquer, Edwin Austin Abbey, 1884Edwin Austin Abbey"Charles, Charles, how has thou deceived me?," illustration for Oliver Goldsmith's She Stoops to Conquer1884Galería de Arte de la Universidad Yale
View of a Town, Milton Avery, 1943Milton AveryView of a Town1943Galería Nacional de Arte
Trees Near a Fence, Milton Avery, 1943Milton AveryTrees Near a Fence1943Galería Nacional de Arte
"Will had her to the wine," illustration to "Phillada Flouts Me", Edwin Austin Abbey, 1886Edwin Austin Abbey"Will had her to the wine," illustration to "Phillada Flouts Me"1886Museo Metropolitano de Arte
The Sunday Walk, illustration to "Sally in Our Alley", Edwin Austin Abbey, ca. 1886Edwin Austin AbbeyThe Sunday Walk, illustration to "Sally in Our Alley"ca. 1886Museo Metropolitano de Arte
The Harvesters, illustration to "The Leather Bottèl", Edwin Austin Abbey, 1887Edwin Austin AbbeyThe Harvesters, illustration to "The Leather Bottèl"1887Museo Metropolitano de Arte
And none knew why he fed them both with his own hands, illustration to "Quince", Edwin Austin Abbey, 1888Edwin Austin AbbeyAnd none knew why he fed them both with his own hands, illustration to "Quince"1888Museo Metropolitano de Arte
Figure in a Landscape, Milton Avery, 1943Milton AveryFigure in a Landscape1943Galería Nacional de Arte
Two Studies of Rocky Shoreline, Milton Avery, c. 1943Milton AveryTwo Studies of Rocky Shorelinec. 1943Galería Nacional de Arte
The Holy Family with the Infant John the Baptist, Pellegrino Tibaldi, c. 1546Pellegrino TibaldiThe Holy Family with the Infant John the Baptistc. 1546Galería Nacional de Arte
Sally Sketching on the Rocks, Milton Avery, c. 1943Milton AverySally Sketching on the Rocksc. 1943Galería Nacional de Arte
Rocky Shore, Milton Avery, c. 1943Milton AveryRocky Shorec. 1943Galería Nacional de Arte
Shallow: "The Council shall hear it" - Act I, Scene I, Merry Wives of Windsor, Edwin Austin Abbey, 1889Edwin Austin AbbeyShallow: "The Council shall hear it" - Act I, Scene I, Merry Wives of Windsor1889Galería de Arte de la Universidad Yale
The jovial monarch caught Mrs. Russell's hand in his, and proceeded to dance, illustration to "A Castle in Spain: A Novel", Edwin Austin Abbey, 1880–83Edwin Austin AbbeyThe jovial monarch caught Mrs. Russell's hand in his, and proceeded to dance, illustration to "A Castle in Spain: A Novel"1880–83Museo Metropolitano de Arte
Seated satyr, with enlarged head of same (recto); Head of a woman (verso), Pellegrino Tibaldi, 1527–96Pellegrino TibaldiSeated satyr, with enlarged head of same (recto); Head of a woman (verso)1527–96Museo Metropolitano de Arte
He went to Tonson, illustration to "The Noble Patron", Edwin Austin Abbey, 1888Edwin Austin AbbeyHe went to Tonson, illustration to "The Noble Patron"1888Museo Metropolitano de Arte
Man Walking in the Snow Carrying a Covered Basket, Accompanied by a Small Terrier, Edwin Austin Abbey, 1890–1911Edwin Austin AbbeyMan Walking in the Snow Carrying a Covered Basket, Accompanied by a Small Terrier1890–1911Museo Metropolitano de Arte
Vermont Landscape, Milton Avery, 1943Milton AveryVermont Landscape1943Galería Nacional de Arte
Why then begin..., illustration to "A Bucolick or Discourse of Neatherds", Edwin Austin Abbey, ca. 1880Edwin Austin AbbeyWhy then begin..., illustration to "A Bucolick or Discourse of Neatherds"ca. 1880Museo Metropolitano de Arte
Interior, Milton Avery, c. 1943Milton AveryInteriorc. 1943Galería Nacional de Arte
The Descent of Christ to Limbo (recto); Coats of Arms of Florentine and Sienese Families (verso), Domenico Beccafumi, ca. 1536Domenico BeccafumiThe Descent of Christ to Limbo (recto); Coats of Arms of Florentine and Sienese Families (verso)ca. 1536Museo Metropolitano de Arte
Tritons and Nymphs, Attributed to Pellegrino TibaldiPellegrino TibaldiTritons and NymphsGalería Nacional de Arte
"The sad historian of the pensive plain," illustration for Oliver Goldsmith's The Deserted Village (London and New York: 1902), p. 43, Edwin Austin Abbey, ca. 1890sEdwin Austin Abbey"The sad historian of the pensive plain," illustration for Oliver Goldsmith's The Deserted Village (London and New York: 1902), p. 43ca. 1890sGalería de Arte de la Universidad Yale
Sketch for "The Leather Bottel," from Old Songs, Edwin Austin Abbey, 1887Edwin Austin AbbeySketch for "The Leather Bottel," from Old Songs1887Galería de Arte de la Universidad Yale
Shoreline, Milton Avery, c. 1943Milton AveryShorelinec. 1943Galería Nacional de Arte
Young Girl Carrying a Basket, Edwin Austin Abbey, 1908Edwin Austin AbbeyYoung Girl Carrying a Basket1908Museo Metropolitano de Arte
The bird to others flew, illustration to "A Love Song", Edwin Austin Abbey, 1887Edwin Austin AbbeyThe bird to others flew, illustration to "A Love Song"1887Museo Metropolitano de Arte
Costumed Actor, Edwin Austin Abbey, 1890Edwin Austin AbbeyCostumed Actor1890Museo Metropolitano de Arte
Man Delivering a Holiday Box, Edwin Austin Abbey, 1906Edwin Austin AbbeyMan Delivering a Holiday Box1906Museo Metropolitano de Arte
Man in seventeenth-century dress holding a scroll: With every Good Wish from M. G. and E. A. Abbey for 1911, Edwin Austin Abbey, 1911Edwin Austin AbbeyMan in seventeenth-century dress holding a scroll: With every Good Wish from M. G. and E. A. Abbey for 19111911Museo Metropolitano de Arte
Woman in a Grecian Gown Playing a Lyre, Edwin Austin Abbey, 1890–1911Edwin Austin AbbeyWoman in a Grecian Gown Playing a Lyre1890–1911Museo Metropolitano de Arte
Vermont Landscape, Milton Avery, 1943Milton AveryVermont Landscape1943Galería Nacional de Arte
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