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Colecciones: Centro de Arte Británico de Yale, Galería de Arte de la Universidad Yale, Galería Nacional de Arte, Galería Nacional de Dinamarca, Galería Nacional de Retratos, Galería Tretiakov, Harvard Art Museums, Instituto de Arte de Chicago, Instituto de Artes de Mineápolis, MoMA, Museo de Arte de Cleveland, Museo de Victoria y Alberto, Museo del Hermitage, Museo del Louvre, Museo Estatal Ruso, Museo Hirshhorn y Jardín de Esculturas, Museo J. Paul Getty, Museo Metropolitano de Arte, Museo Nacional de Diseño Cooper-Hewitt, Museo Pushkin, Museo Smithsoniano de Arte Americano, Museo Whitney de Arte Estadounidense, National Museum of Asian Art, Rijksmuseum, Villa Getty, Catálogo Estatal del Fondo Museístico de Rusia (274 museos), Europeana (19 museos), Wikidata (44 museos), Paris Musées (12 museos), Joconde, la base de museos del Ministerio de Cultura de Francia (495 museos) y el Catalogo generale dei Beni Culturali del Ministerio de Cultura de Italia (74 museos). Las imágenes pertenecen a sus titulares de derechos.

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Studies of bottle and heads, Edwin Austin Abbey, n.d.Edwin Austin AbbeyStudies of bottle and headsn.d.Galería de Arte de la Universidad Yale
"I believe they are in actual consultation," illustration for Oliver Goldsmith's She Stoops to Conquer, Edwin Austin Abbey, ca. 1884Edwin Austin Abbey"I believe they are in actual consultation," illustration for Oliver Goldsmith's She Stoops to Conquerca. 1884Galería de Arte de la Universidad Yale
Woman seated, sketch for an unidentified Shakespeare play, Edwin Austin Abbey, n.d.Edwin Austin AbbeyWoman seated, sketch for an unidentified Shakespeare playn.d.Galería de Arte de la Universidad Yale
"The parlour splendors of that festive place," illustration for Oliver Goldsmith's The Deserted Village (London and New York: 1902), p. 57, Edwin Austin Abbey, ca. 1890sEdwin Austin Abbey"The parlour splendors of that festive place," illustration for Oliver Goldsmith's The Deserted Village (London and New York: 1902), p. 57ca. 1890sGalería de Arte de la Universidad Yale
Study for the Figure of Abraham, Domenico Beccafumi, 1547Domenico BeccafumiStudy for the Figure of Abraham1547Museo J. Paul Getty
Sheet of sketches of country figures, Edwin Austin Abbey, n.d.Edwin Austin AbbeySheet of sketches of country figuresn.d.Galería de Arte de la Universidad Yale
First Servingman: "What would you have friend, whence are you?" - Act IV, Scene V, Coriolanus, Edwin Austin Abbey, 1909Edwin Austin AbbeyFirst Servingman: "What would you have friend, whence are you?" - Act IV, Scene V, Coriolanus1909Galería de Arte de la Universidad Yale
Sketch for "Sweet Nelly,...My Heart's Delight" from Old Songs, Edwin Austin Abbey, 1889Edwin Austin AbbeySketch for "Sweet Nelly,...My Heart's Delight" from Old Songs1889Galería de Arte de la Universidad Yale
Allegory of the Course of Human Life (Choosing Virtue), Jan van der Straet, called Stradanus, 1570 or beforeStradanusAllegory of the Course of Human Life (Choosing Virtue)1570 or beforeMuseo Metropolitano de Arte
Vanitas, Jan van der Straet, called Stradanus, mid-16th–early 17th centuryStradanusVanitasmid-16th–early 17th centuryMuseo Metropolitano de Arte
Lazarus, Jan van der Straet, called Stradanus, before 1605StradanusLazarusbefore 1605Museo Metropolitano de Arte
Design for a Frontispiece with the Medici Arms, Jan van der Straet, called Stradanus, 16th centuryStradanusDesign for a Frontispiece with the Medici Arms16th centuryMuseo Metropolitano de Arte
Standing Virgin Holding the Christ Child, Gaudenzio Ferrari, 1475–1546Gaudenzio FerrariStanding Virgin Holding the Christ Child1475–1546Museo Metropolitano de Arte
Madonna and Child with Saints Martin and Maurice (?), Gaudenzio Ferrari, ca. 1530Gaudenzio FerrariMadonna and Child with Saints Martin and Maurice (?)ca. 1530Museo Metropolitano de Arte
K+L+32+H+4. Mon père et moi (My Father and I), Charles Hossein Zenderoudi, 1962Charles Hossein ZenderoudiK+L+32+H+4. Mon père et moi (My Father and I)1962MoMA
Three Goddesses: Minerva, Juno and Venus, Jan van der Straet, c. 1587StradanusThree Goddesses: Minerva, Juno and Venusc. 1587Galería Nacional de Arte
The Arno with Fishermen, Stradanus, between 1580 and 1596StradanusThe Arno with Fishermenbetween 1580 and 1596Museo J. Paul Getty
San Silvestro battezza l'imperatore Costantino, Giovanni Stradano, fine sec. XVIStradanusSan Silvestro battezza l'imperatore Costantinofine sec. XVIGalería de la Academia de Venecia
Cosimo I Medici studia la presa di Siena, Giovanni Stradano, secc. XVI/ XVIIStradanusCosimo I Medici studia la presa di Sienasecc. XVI/ XVIIGalería de la Academia de Venecia
The Six Prophets of the Coming of Christ, Jan van der Straet, called Stradanus, mid-16th–early 17th centuryStradanusThe Six Prophets of the Coming of Christmid-16th–early 17th centuryMuseo Metropolitano de Arte
Illustration inside a factory, Edwin Austin Abbey, n.d.Edwin Austin AbbeyIllustration inside a factoryn.d.Galería de Arte de la Universidad Yale
Procession (left-hand portion of border below Sacrifice of Isaac, inlaid-marble pavement, Siena Cathedral), Domenico Beccafumi, 1520–50Domenico BeccafumiProcession (left-hand portion of border below Sacrifice of Isaac, inlaid-marble pavement, Siena Cathedral)1520–50Museo Metropolitano de Arte
Landscape with Catacombs, Domenico Beccafumi, 1530–40Domenico BeccafumiLandscape with Catacombs1530–40Museo Metropolitano de Arte
Hercules, Standing with a Club, Domenico Beccafumi, 1530–40Domenico BeccafumiHercules, Standing with a Club1530–40Museo Metropolitano de Arte
A Basket of Fruit, Jan van Huysum, n.d.Jan van HuysumA Basket of Fruitn.d.Museo Metropolitano de Arte
Arcadian Landscape with Figures Making Music, Jan van Huysum, early 18th centuryJan van HuysumArcadian Landscape with Figures Making Musicearly 18th centuryMuseo Metropolitano de Arte
Jeune homme drapé, debout, de profil vers la droite, Rosselli, CosimoCosimo RosselliJeune homme drapé, debout, de profil vers la droiteMuseo del Louvre
Studies for Lithographs, Allen Jones, (1966)Allen JonesStudies for Lithographs(1966)MoMA
Standing Female Nude, Max Weber, 1912Max WeberStanding Female Nude1912Galería Nacional de Arte
Two Figures, Max Weber, 1943Max WeberTwo Figures1943Galería Nacional de Arte
Copy in Reverse Design Orientation: Based on the Group of Reclining Figures at Left in Domenico Beccafumi's Scene of Moses Striking the Rock in the Pavement of Siena Cathedral, Domenico Beccafumi, October 15, 1596Domenico BeccafumiCopy in Reverse Design Orientation: Based on the Group of Reclining Figures at Left in Domenico Beccafumi's Scene of Moses Striking the Rock in the Pavement of Siena Cathedral1596Museo Metropolitano de Arte
Procession (left-hand portion of border below Sacrifice of Isaac, inlaid-marble pavement, Siena Cathedral), Domenico Beccafumi, 1520–50Domenico BeccafumiProcession (left-hand portion of border below Sacrifice of Isaac, inlaid-marble pavement, Siena Cathedral)1520–50Museo Metropolitano de Arte
Illustration for "Love Song," from Old Songs, Edwin Austin Abbey, 1887Edwin Austin AbbeyIllustration for "Love Song," from Old Songs1887Galería de Arte de la Universidad Yale
Dull, Sir Nathaniel, Holofernes, from Act IV, Scene ii, Love's Labour's Lost, Edwin Austin Abbey, 1891Edwin Austin AbbeyDull, Sir Nathaniel, Holofernes, from Act IV, Scene ii, Love's Labour's Lost1891Galería de Arte de la Universidad Yale
Angelo and Isabella (study for .1104) - Act II, Scene IV, Measure for Measure, Edwin Austin Abbey, n.d.Edwin Austin AbbeyAngelo and Isabella (study for .1104) - Act II, Scene IV, Measure for Measuren.d.Galería de Arte de la Universidad Yale
The Death of General Warren, George Caleb BinghamGeorge Caleb BinghamThe Death of General WarrenGalería Nacional de Arte
Study for "The Four Doctors of the Church", Domenico BeccafumiDomenico BeccafumiStudy for "The Four Doctors of the Church"Galería Nacional de Arte
Anatomical Studies, Domenico BeccafumiDomenico BeccafumiAnatomical StudiesGalería Nacional de Arte
A Standing Saint, Domenico BeccafumiDomenico BeccafumiA Standing SaintGalería Nacional de Arte
Don John: "Only to despite them, I will endeavor anything," illustration for Act II, Scene ii, Much Ado About Nothing, Edwin Austin Abbey, 1890Edwin Austin AbbeyDon John: "Only to despite them, I will endeavor anything," illustration for Act II, Scene ii, Much Ado About Nothing1890Galería de Arte de la Universidad Yale
Page from a Sketchbook Depicting a City under Siege and a Scene of Homage(?) (recto); standing figures and a horseman; male and female figures; a battle scene (verso), Domenico Beccafumi, 1520sDomenico BeccafumiPage from a Sketchbook Depicting a City under Siege and a Scene of Homage(?) (recto); standing figures and a horseman; male and female figures; a battle scene (verso)1520sMuseo Metropolitano de Arte
Procession (left-hand portion of border below Sacrifice of Isaac, inlaid-marble pavement, Siena Cathedral), Domenico Beccafumi, 1520–50Domenico BeccafumiProcession (left-hand portion of border below Sacrifice of Isaac, inlaid-marble pavement, Siena Cathedral)1520–50Museo Metropolitano de Arte
Sheet of Caricatures, Max Weber, 1908Max WeberSheet of Caricatures1908Galería de Arte de la Universidad Yale
Unfinished Design for a Choir Book: Initial with Scene of Christ Entering the Temple., Lorenzo Monaco, 1408–11Lorenzo MonacoUnfinished Design for a Choir Book: Initial with Scene of Christ Entering the Temple.1408–11Museo Metropolitano de Arte
The Hunts of Maximilian: The Stag Hunt (August), Bernard van Orley, 1528/1530Bernard van OrleyThe Hunts of Maximilian: The Stag Hunt (August)1528/1530Galería Nacional de Arte
The Adoration of the Magi, Bernard van Orley, early 16th–mid 16th centuryBernard van OrleyThe Adoration of the Magiearly 16th–mid 16th centuryMuseo Metropolitano de Arte
The Resurrection, Bernard van Orley, early 16th centuryBernard van OrleyThe Resurrectionearly 16th centuryMuseo Metropolitano de Arte
Procession (left-hand portion of border below Sacrifice of Isaac, inlaid-marble pavement, Siena Cathedral), Domenico Beccafumi, 1520–50Domenico BeccafumiProcession (left-hand portion of border below Sacrifice of Isaac, inlaid-marble pavement, Siena Cathedral)1520–50Museo Metropolitano de Arte
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