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Colecciones: Centro de Arte Británico de Yale, Galería de Arte de la Universidad Yale, Galería Nacional de Arte, Galería Nacional de Dinamarca, Galería Nacional de Retratos, Galería Tretiakov, Harvard Art Museums, Instituto de Arte de Chicago, Instituto de Artes de Mineápolis, MoMA, Museo de Arte de Cleveland, Museo de Victoria y Alberto, Museo del Hermitage, Museo del Louvre, Museo Estatal Ruso, Museo Hirshhorn y Jardín de Esculturas, Museo J. Paul Getty, Museo Metropolitano de Arte, Museo Nacional de Diseño Cooper-Hewitt, Museo Pushkin, Museo Smithsoniano de Arte Americano, Museo Whitney de Arte Estadounidense, National Museum of Asian Art, Rijksmuseum, Villa Getty, Catálogo Estatal del Fondo Museístico de Rusia (274 museos), Europeana (19 museos), Wikidata (44 museos), Paris Musées (12 museos), Joconde, la base de museos del Ministerio de Cultura de Francia (495 museos) y el Catalogo generale dei Beni Culturali del Ministerio de Cultura de Italia (25 museos). Las imágenes pertenecen a sus titulares de derechos.

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An unwelcome visitor, Edwin Austin Abbey, n.d.Edwin Austin AbbeyAn unwelcome visitorn.d.Galería de Arte de la Universidad Yale
Cartoon of a young girl, Edwin Austin Abbey, n.d.Edwin Austin AbbeyCartoon of a young girln.d.Galería de Arte de la Universidad Yale
Study for "Vigil" in The Quest of the Holy Grail mural series at Boston Public Library, Edwin Austin Abbey, n.d.Edwin Austin AbbeyStudy for "Vigil" in The Quest of the Holy Grail mural series at Boston Public Libraryn.d.Galería de Arte de la Universidad Yale
Hermione entreats Polixenes - Act I, Scene II, The Winter's Tale, Edwin Austin Abbey, 1892Edwin Austin AbbeyHermione entreats Polixenes - Act I, Scene II, The Winter's Tale1892Galería de Arte de la Universidad Yale
Cartoon of a man in pantaloons, Edwin Austin Abbey, n.d.Edwin Austin AbbeyCartoon of a man in pantaloonsn.d.Galería de Arte de la Universidad Yale
Study for King Henry IV (Part I), Edwin Austin Abbey, n.d.Edwin Austin AbbeyStudy for King Henry IV (Part I)n.d.Galería de Arte de la Universidad Yale
Preliminary sketch for Act II, Scene I, All's Well That Ends Well, Edwin Austin Abbey, ca. 1891Edwin Austin AbbeyPreliminary sketch for Act II, Scene I, All's Well That Ends Wellca. 1891Galería de Arte de la Universidad Yale
"Thou foundest me..." - illustration for Oliver Goldsmith's The Deserted Village (London and New York: 1902), p. 113, Edwin Austin Abbey, 1893Edwin Austin Abbey"Thou foundest me..." - illustration for Oliver Goldsmith's The Deserted Village (London and New York: 1902), p. 1131893Galería de Arte de la Universidad Yale
Study for Priest and the Great Lady (watercolor), Edwin Austin Abbey, n.d.Edwin Austin AbbeyStudy for Priest and the Great Lady (watercolor)n.d.Galería de Arte de la Universidad Yale
Parolles: "France is a dog-hole," from Act II, Scene iii, All's Well That Ends Well, Edwin Austin Abbey, 1891Edwin Austin AbbeyParolles: "France is a dog-hole," from Act II, Scene iii, All's Well That Ends Well1891Galería de Arte de la Universidad Yale
Ford: "Hang her, witch" - Act IV, Scene II, Merry Wives of Windsor, Edwin Austin Abbey, ca. 1888/9Edwin Austin AbbeyFord: "Hang her, witch" - Act IV, Scene II, Merry Wives of Windsorca. 1888/9Galería de Arte de la Universidad Yale
Charmian: "your crown's awry! I'll mend it and then play!" - Act V, Scene II, Anthony and Cleopatra, Edwin Austin Abbey, 1909Edwin Austin AbbeyCharmian: "your crown's awry! I'll mend it and then play!" - Act V, Scene II, Anthony and Cleopatra1909Galería de Arte de la Universidad Yale
"And every pang that folly pays to pride," sketch for Oliver Goldsmith's "The Deserted Village", Edwin Austin Abbey, 1891Edwin Austin Abbey"And every pang that folly pays to pride," sketch for Oliver Goldsmith's "The Deserted Village"1891Galería de Arte de la Universidad Yale
Three women at a well - unidentified illustration, Edwin Austin Abbey, n.d.Edwin Austin AbbeyThree women at a well - unidentified illustrationn.d.Galería de Arte de la Universidad Yale
Sketch for "Sally in our Alley," from Old Songs, Edwin Austin Abbey, 1885Edwin Austin AbbeySketch for "Sally in our Alley," from Old Songs1885Galería de Arte de la Universidad Yale
Title page to The Comedies by William Shakespeare, Edwin Austin Abbey, n.d.Edwin Austin AbbeyTitle page to The Comedies by William Shakespearen.d.Galería de Arte de la Universidad Yale
"To Master Anthony Stafford", illustration for The Quiet Life, Edwin Austin Abbey, ca. 1889Edwin Austin Abbey"To Master Anthony Stafford", illustration for The Quiet Lifeca. 1889Galería de Arte de la Universidad Yale
Dromio of Ephesus: "Methinks you are my glass, and not my brother," illustration for Act V, Scene i, Comedy of Errors, Edwin Austin Abbey, 1882Edwin Austin AbbeyDromio of Ephesus: "Methinks you are my glass, and not my brother," illustration for Act V, Scene i, Comedy of Errors1882Galería de Arte de la Universidad Yale
Studies of seated figures. Landscape on reverse., Edwin Austin Abbey, n.d.Edwin Austin AbbeyStudies of seated figures. Landscape on reverse.n.d.Galería de Arte de la Universidad Yale
Lorenzo and Jessica: "The moon shines bright. In such a night as this" - Act V, Scene I, The Merchant of Venice, Edwin Austin Abbey, 1888Edwin Austin AbbeyLorenzo and Jessica: "The moon shines bright. In such a night as this" - Act V, Scene I, The Merchant of Venice1888Galería de Arte de la Universidad Yale
Caliban, Stephano and Trinculo (Ariel invisible), illustration for Act II, Scene ii, The Tempest, Edwin Austin Abbey, 1891Edwin Austin AbbeyCaliban, Stephano and Trinculo (Ariel invisible), illustration for Act II, Scene ii, The Tempest1891Galería de Arte de la Universidad Yale
An Unwelcome Visitor - "The reluctant host left the apartment for a second or two, and presently returned followed by the farmer's wife," illustration to Part 8, chapter 24, of William Black's Judith Shakespeare, Edwin Austin Abbey, 1884Edwin Austin AbbeyAn Unwelcome Visitor - "The reluctant host left the apartment for a second or two, and presently returned followed by the farmer's wife," illustration to Part 8, chapter 24, of William Black's Judith Shakespeare1884Galería de Arte de la Universidad Yale
Proteus Meets Sylvia, from Act II, Scene iv, Two Gentlemen of Verona, Edwin Austin Abbey, 1891Edwin Austin AbbeyProteus Meets Sylvia, from Act II, Scene iv, Two Gentlemen of Verona1891Galería de Arte de la Universidad Yale
Study for Trial of Queen Katherine. Coat of arms on back., Edwin Austin Abbey, n.d.Edwin Austin AbbeyStudy for Trial of Queen Katherine. Coat of arms on back.n.d.Galería de Arte de la Universidad Yale
Preliminary sketch for Act II, Scene I, All's Well That Ends Well, Edwin Austin Abbey, ca. 1891Edwin Austin AbbeyPreliminary sketch for Act II, Scene I, All's Well That Ends Wellca. 1891Galería de Arte de la Universidad Yale
Portia: "It droppeth, as the gentle rain from heaven," from Act IV, Scene I, Merchant of Venice, Edwin Austin Abbey, 1888Edwin Austin AbbeyPortia: "It droppeth, as the gentle rain from heaven," from Act IV, Scene I, Merchant of Venice1888Galería de Arte de la Universidad Yale
"There the pale artist..." - illustration for Oliver Goldsmith's The Deserted Village (London and New York: 1902), p. 95, Edwin Austin Abbey, 1891Edwin Austin Abbey"There the pale artist..." - illustration for Oliver Goldsmith's The Deserted Village (London and New York: 1902), p. 951891Galería de Arte de la Universidad Yale
Father-in-law has been calling me whelp..., illustration for Oliver Goldsmith's She Stoops to Conquer, Edwin Austin Abbey, 1884Edwin Austin AbbeyFather-in-law has been calling me whelp..., illustration for Oliver Goldsmith's She Stoops to Conquer1884Galería de Arte de la Universidad Yale
Sylvia and Valentine, from Act II, Scene i, Two Gentlemen of Verona, Edwin Austin Abbey, 1891Edwin Austin AbbeySylvia and Valentine, from Act II, Scene i, Two Gentlemen of Verona1891Galería de Arte de la Universidad Yale
"It gives me wonder great as my content to see you here before me, O my soul's joy!," from Othello, Edwin Austin Abbey, 1903Edwin Austin Abbey"It gives me wonder great as my content to see you here before me, O my soul's joy!," from Othello1903Galería de Arte de la Universidad Yale
Malvolio finds the letter, illustration for Act II, Scene v, Twelfth Night, Edwin Austin Abbey, 1891Edwin Austin AbbeyMalvolio finds the letter, illustration for Act II, Scene v, Twelfth Night1891Galería de Arte de la Universidad Yale
Study for unidentified Shakespeare play, Edwin Austin Abbey, n.d.Edwin Austin AbbeyStudy for unidentified Shakespeare playn.d.Galería de Arte de la Universidad Yale
Walking man in cloak, sketch for an unidentified Shakespeare play, Edwin Austin Abbey, n.d.Edwin Austin AbbeyWalking man in cloak, sketch for an unidentified Shakespeare playn.d.Galería de Arte de la Universidad Yale
Study of girl in nineteenth century costume standing at door, Edwin Austin Abbey, n.d.Edwin Austin AbbeyStudy of girl in nineteenth century costume standing at doorn.d.Galería de Arte de la Universidad Yale
Man on park bench - unidentified illustration, Edwin Austin Abbey, n.d.Edwin Austin AbbeyMan on park bench - unidentified illustrationn.d.Galería de Arte de la Universidad Yale
Bianca and Lucentio, from Act III, Scene i, Taming of the Shrew, Edwin Austin Abbey, 1892Edwin Austin AbbeyBianca and Lucentio, from Act III, Scene i, Taming of the Shrew1892Galería de Arte de la Universidad Yale
Study for King Henry IV (Part II), "Come hither, gracious sovreign, view this body." (Act II, Sc. 2), Edwin Austin Abbey, n.d.Edwin Austin AbbeyStudy for King Henry IV (Part II), "Come hither, gracious sovreign, view this body." (Act II, Sc. 2)n.d.Galería de Arte de la Universidad Yale
Sheet of figure studies, Edwin Austin Abbey, possibly 1891Edwin Austin AbbeySheet of figure studiespossibly 1891Galería de Arte de la Universidad Yale
Drapery study, Edwin Austin Abbey, n.d.Edwin Austin AbbeyDrapery studyn.d.Galería de Arte de la Universidad Yale
"In the due reverence of a sacred vow I here engage my word" - Act III, Scene III, Othello, Edwin Austin Abbey, 1902Edwin Austin Abbey"In the due reverence of a sacred vow I here engage my word" - Act III, Scene III, Othello1902Galería de Arte de la Universidad Yale
Windemere from Millerground Hill (?) - [landscape], Edwin Austin Abbey, n.d.Edwin Austin AbbeyWindemere from Millerground Hill (?) - [landscape]n.d.Galería de Arte de la Universidad Yale
Enter two citizens. Cor: 'So, here comes a brace, you know the cause Sirs, of my standing here.' Act II, Scene iii, Coriolanus, Edwin Austin Abbey, ca. 1909Edwin Austin AbbeyEnter two citizens. Cor: 'So, here comes a brace, you know the cause Sirs, of my standing here.' Act II, Scene iii, Coriolanusca. 1909Galería de Arte de la Universidad Yale
Juliet in hall, from Romeo and Juliet, Edwin Austin Abbey, n.d.Edwin Austin AbbeyJuliet in hall, from Romeo and Julietn.d.Galería de Arte de la Universidad Yale
Study of an angel (for stained glass? for a ceiling?), Edwin Austin Abbey, n.d.Edwin Austin AbbeyStudy of an angel (for stained glass? for a ceiling?)n.d.Galería de Arte de la Universidad Yale
Wordsworth walks in woods: The English Lakes and Men Series, from Harper's Monthly Magazine, Edwin Austin Abbey, ca. 1879Edwin Austin AbbeyWordsworth walks in woods: The English Lakes and Men Series, from Harper's Monthly Magazineca. 1879Galería de Arte de la Universidad Yale
Third fellow: "What though I am obliged to dance a bear." (I), illustration for Oliver Goldsmith's She Stoops to Conquer, Edwin Austin Abbey, ca. 1884Edwin Austin AbbeyThird fellow: "What though I am obliged to dance a bear." (I), illustration for Oliver Goldsmith's She Stoops to Conquerca. 1884Galería de Arte de la Universidad Yale
Portia: "By my troth, Nerissa, my little body is aweary of this great world," from Act I, Scene ii, Merchant of Venice, Edwin Austin Abbey, 1888Edwin Austin AbbeyPortia: "By my troth, Nerissa, my little body is aweary of this great world," from Act I, Scene ii, Merchant of Venice1888Galería de Arte de la Universidad Yale
Study of man in XV century costume, possibly a caricature of the period of "The Taming of the Shrew", Edwin Austin Abbey, n.d.Edwin Austin AbbeyStudy of man in XV century costume, possibly a caricature of the period of "The Taming of the Shrew"n.d.Galería de Arte de la Universidad Yale
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