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Colecciones: Centro de Arte Británico de Yale, Galería de Arte de la Universidad Yale, Galería Nacional de Arte, Galería Nacional de Dinamarca, Galería Nacional de Retratos, Galería Tretiakov, Harvard Art Museums, Instituto de Arte de Chicago, Instituto de Artes de Mineápolis, MoMA, Museo de Arte de Cleveland, Museo de Victoria y Alberto, Museo del Hermitage, Museo del Louvre, Museo Estatal Ruso, Museo Hirshhorn y Jardín de Esculturas, Museo J. Paul Getty, Museo Metropolitano de Arte, Museo Nacional de Diseño Cooper-Hewitt, Museo Pushkin, Museo Smithsoniano de Arte Americano, Museo Whitney de Arte Estadounidense, National Museum of Asian Art, Rijksmuseum, Villa Getty, Catálogo Estatal del Fondo Museístico de Rusia (274 museos), Europeana (19 museos), Wikidata (44 museos), Paris Musées (12 museos), Joconde, la base de museos del Ministerio de Cultura de Francia (495 museos) y el Catalogo generale dei Beni Culturali del Ministerio de Cultura de Italia (74 museos). Las imágenes pertenecen a sus titulares de derechos.

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Valentine rescues Sylvia, from Act V, Scene iv, Two Gentlemen of Verona, Edwin Austin Abbey, 1892Edwin Austin AbbeyValentine rescues Sylvia, from Act V, Scene iv, Two Gentlemen of Verona1892Galería de Arte de la Universidad Yale
Don Pedro: "Will you have me, lady?", illustration for Act II, Scene i, Much Ado About Nothing, Edwin Austin Abbey, 1890Edwin Austin AbbeyDon Pedro: "Will you have me, lady?", illustration for Act II, Scene i, Much Ado About Nothing1890Galería de Arte de la Universidad Yale
Bottom: "Why do they run away?", illustration for Act III, Scene i, A Midsummer Night's Dream, Edwin Austin Abbey, 1893Edwin Austin AbbeyBottom: "Why do they run away?", illustration for Act III, Scene i, A Midsummer Night's Dream1893Galería de Arte de la Universidad Yale
Men in rowboat fleeing Indians on shore - unidentified illustration (Columbus discovering New World?) - explorers landing in the New World, Edwin Austin Abbey, n.d.Edwin Austin AbbeyMen in rowboat fleeing Indians on shore - unidentified illustration (Columbus discovering New World?) - explorers landing in the New Worldn.d.Galería de Arte de la Universidad Yale
Sketch for "The Reconciliation of the Merhcant Taylors' with the Skinners' Company, in the time of Richard the Third" one of a series of paintings executed for the Royal Exchange, London, 1896, Edwin Austin Abbey, 1896Edwin Austin AbbeySketch for "The Reconciliation of the Merhcant Taylors' with the Skinners' Company, in the time of Richard the Third" one of a series of paintings executed for the Royal Exchange, London, 18961896Galería de Arte de la Universidad Yale
Studies of an artist, sketching, Edwin Austin Abbey, n.d.Edwin Austin AbbeyStudies of an artist, sketchingn.d.Galería de Arte de la Universidad Yale
Two figures in a churchyard, Edwin Austin Abbey, 1880Edwin Austin AbbeyTwo figures in a churchyard1880Galería de Arte de la Universidad Yale
Sketch for "Sally in our Alley," from Old Songs, Edwin Austin Abbey, 1885Edwin Austin AbbeySketch for "Sally in our Alley," from Old Songs1885Galería de Arte de la Universidad Yale
Anthony (preliminary drawing for .3138) - Julius Caesar, Edwin Austin Abbey, ca. 1906Edwin Austin AbbeyAnthony (preliminary drawing for .3138) - Julius Caesarca. 1906Galería de Arte de la Universidad Yale
Launcelot: "Turn up your right hand, at the next turning," from Act II, Scene ii, Merchant of Venice, Edwin Austin Abbey, 1888Edwin Austin AbbeyLauncelot: "Turn up your right hand, at the next turning," from Act II, Scene ii, Merchant of Venice1888Galería de Arte de la Universidad Yale
Sheet of studies: heads and musicians, Edwin Austin Abbey, n.d.Edwin Austin AbbeySheet of studies: heads and musiciansn.d.Galería de Arte de la Universidad Yale
Sketch of a woman - unidentified illustration, Edwin Austin Abbey, n.d.Edwin Austin AbbeySketch of a woman - unidentified illustrationn.d.Galería de Arte de la Universidad Yale
Leonine: "I am sworn, and will dispatch" - Act IV, Scene I, Pericles, Edwin Austin Abbey, 1908Edwin Austin AbbeyLeonine: "I am sworn, and will dispatch" - Act IV, Scene I, Pericles1908Galería de Arte de la Universidad Yale
John Alden, Edwin Austin Abbey, n.d.Edwin Austin AbbeyJohn Aldenn.d.Galería de Arte de la Universidad Yale
Study of Lady Anne, for Richard III, Edwin Austin Abbey, n.d.Edwin Austin AbbeyStudy of Lady Anne, for Richard IIIn.d.Galería de Arte de la Universidad Yale
Prince of Morocco: "Mislike me not for my complexion," from Act II, Scene i, Merchant of Venice, Edwin Austin Abbey, 1888Edwin Austin AbbeyPrince of Morocco: "Mislike me not for my complexion," from Act II, Scene i, Merchant of Venice1888Galería de Arte de la Universidad Yale
Figures under an arbor - (unidentified illustration), Edwin Austin Abbey, n.d.Edwin Austin AbbeyFigures under an arbor - (unidentified illustration)n.d.Galería de Arte de la Universidad Yale
Study of a seated woman, Edwin Austin Abbey, n.d.Edwin Austin AbbeyStudy of a seated womann.d.Galería de Arte de la Universidad Yale
The Landlord and Tony Lumpkin (I), illustration for Oliver Goldsmith's She Stoops to Conquer, Edwin Austin Abbey, 1884Edwin Austin AbbeyThe Landlord and Tony Lumpkin (I), illustration for Oliver Goldsmith's She Stoops to Conquer1884Galería de Arte de la Universidad Yale
Marriage Morning of Theseus and Hippolyta (study for .1036) - Enter Theseus, from A Midsummer Night's Dream, Edwin Austin Abbey, ca. 1893Edwin Austin AbbeyMarriage Morning of Theseus and Hippolyta (study for .1036) - Enter Theseus, from A Midsummer Night's Dreamca. 1893Galería de Arte de la Universidad Yale
Study for The Quest of the Holy Grail (series of fifteen paintings for the Boston Public Library, completed in 1901), Edwin Austin Abbey, n.d.Edwin Austin AbbeyStudy for The Quest of the Holy Grail (series of fifteen paintings for the Boston Public Library, completed in 1901)n.d.Galería de Arte de la Universidad Yale
Galahad at Castle, study for The Quest of the Holy Grail (series of fifteen paintings for the Boston Public Library, completed in 1901), Edwin Austin Abbey, n.d.Edwin Austin AbbeyGalahad at Castle, study for The Quest of the Holy Grail (series of fifteen paintings for the Boston Public Library, completed in 1901)n.d.Galería de Arte de la Universidad Yale
Polixenes and Perdita - Act IV, Scene III, The Winter's Tale, Edwin Austin Abbey, 1891Edwin Austin AbbeyPolixenes and Perdita - Act IV, Scene III, The Winter's Tale1891Galería de Arte de la Universidad Yale
Man Walking with Two Boys, Edwin Austin Abbey, n.d.Edwin Austin AbbeyMan Walking with Two Boysn.d.Galería de Arte de la Universidad Yale
Two studies for a woman with tennis racket - (unidentified illustration), Edwin Austin Abbey, n.d.Edwin Austin AbbeyTwo studies for a woman with tennis racket - (unidentified illustration)n.d.Galería de Arte de la Universidad Yale
Tomb Scene - Romeo finds Juliet, from Romeo and Juliet, Edwin Austin Abbey, ca. 1902Edwin Austin AbbeyTomb Scene - Romeo finds Juliet, from Romeo and Julietca. 1902Galería de Arte de la Universidad Yale
Rebecca and Rowena, illustration for Ivanhoe, Edwin Austin Abbey, 1896Edwin Austin AbbeyRebecca and Rowena, illustration for Ivanhoe1896Galería de Arte de la Universidad Yale
Study for Louis Comfort Tiffany's center window for "Children's Window", St. Peter's Church, Morristown, NJ, Edwin Austin Abbey, n.d.Edwin Austin AbbeyStudy for Louis Comfort Tiffany's center window for "Children's Window", St. Peter's Church, Morristown, NJn.d.Galería de Arte de la Universidad Yale
Sketch of a knight in armor, Edwin Austin Abbey, n.d.Edwin Austin AbbeySketch of a knight in armorn.d.Galería de Arte de la Universidad Yale
The torn letter, from Act I, Scene ii, Two Gentlemen of Verona, Edwin Austin Abbey, ca. 1891Edwin Austin AbbeyThe torn letter, from Act I, Scene ii, Two Gentlemen of Veronaca. 1891Galería de Arte de la Universidad Yale
To Meddowes, Edwin Austin Abbey, n.d.Edwin Austin AbbeyTo Meddowesn.d.Galería de Arte de la Universidad Yale
Sketch for King John, from King John, Edwin Austin Abbey, 1902Edwin Austin AbbeySketch for King John, from King John1902Galería de Arte de la Universidad Yale
Study of an unidentified young woman, Edwin Austin Abbey, n.d.Edwin Austin AbbeyStudy of an unidentified young womann.d.Galería de Arte de la Universidad Yale
Early study for Herrick's "A. Bucolick, or Discourse of Neatherds.", Edwin Austin Abbey, n.d.Edwin Austin AbbeyEarly study for Herrick's "A. Bucolick, or Discourse of Neatherds."n.d.Galería de Arte de la Universidad Yale
Fenton: "And tells me, 'tis a thing impossible I should love thee, but as a property" - Act III, Scene IV, Merry Wives of Windsor, Edwin Austin Abbey, 1889Edwin Austin AbbeyFenton: "And tells me, 'tis a thing impossible I should love thee, but as a property" - Act III, Scene IV, Merry Wives of Windsor1889Galería de Arte de la Universidad Yale
Study for An Old Song (watercolor), Edwin Austin Abbey, n.d.Edwin Austin AbbeyStudy for An Old Song (watercolor)n.d.Galería de Arte de la Universidad Yale
Study of a woman (recto); Study of a crouching man (verso), Edwin Austin Abbey, mid-19th to early 20th centuryEdwin Austin AbbeyStudy of a woman (recto); Study of a crouching man (verso)mid-19th to early 20th centuryGalería de Arte de la Universidad Yale
Enter Mrs. Hardcastle & Maid, study for Oliver Goldsmith's She Stoops to Conquer, Edwin Austin Abbey, ca. 1886Edwin Austin AbbeyEnter Mrs. Hardcastle & Maid, study for Oliver Goldsmith's She Stoops to Conquerca. 1886Galería de Arte de la Universidad Yale
Sketch for "Ode to Solitude," from The Quiet Life, Edwin Austin Abbey, 1883Edwin Austin AbbeySketch for "Ode to Solitude," from The Quiet Life1883Galería de Arte de la Universidad Yale
Dogberry: "Dost thou not suspect my place? Dost thou not suspect my years? -O that he were here to write me down an ass!", illustration for Act IV, Scene ii, Much Ado About Nothing, Edwin Austin Abbey, 1890Edwin Austin AbbeyDogberry: "Dost thou not suspect my place? Dost thou not suspect my years? -O that he were here to write me down an ass!", illustration for Act IV, Scene ii, Much Ado About Nothing1890Galería de Arte de la Universidad Yale
Enter servant with candles, showing in Marlowe and Hastings, illustration for Oliver Goldsmith's She Stoops to Conquer, Edwin Austin Abbey, 1884Edwin Austin AbbeyEnter servant with candles, showing in Marlowe and Hastings, illustration for Oliver Goldsmith's She Stoops to Conquer1884Galería de Arte de la Universidad Yale
Illustration for "Sally in our Alley," from Old Songs, Edwin Austin Abbey, 1886Edwin Austin AbbeyIllustration for "Sally in our Alley," from Old Songs1886Galería de Arte de la Universidad Yale
Study for Crusaders Sighting Jerusalem (oil painting), Edwin Austin Abbey, n.d.Edwin Austin AbbeyStudy for Crusaders Sighting Jerusalem (oil painting)n.d.Galería de Arte de la Universidad Yale
Two sketches of a bust, Edwin Austin Abbey, n.d.Edwin Austin AbbeyTwo sketches of a bustn.d.Galería de Arte de la Universidad Yale
An Ale House Room - "Tony sings the Three Pigeons," illustration for Oliver Goldsmith's She Stoops to Conquer, Edwin Austin Abbey, 1884Edwin Austin AbbeyAn Ale House Room - "Tony sings the Three Pigeons," illustration for Oliver Goldsmith's She Stoops to Conquer1884Galería de Arte de la Universidad Yale
Sketch for an invitation to an exhibition of illustrations by Alfred Parsons and Edwin A. Abbey at Earlhard and Co., 226 Fifth Avenue, Edwin Austin Abbey, ca. 1890–1891Edwin Austin AbbeySketch for an invitation to an exhibition of illustrations by Alfred Parsons and Edwin A. Abbey at Earlhard and Co., 226 Fifth Avenueca. 1890–1891Galería de Arte de la Universidad Yale
Study for Columbus in the New World (oil painting), Edwin Austin Abbey, ca. 1906Edwin Austin AbbeyStudy for Columbus in the New World (oil painting)ca. 1906Galería de Arte de la Universidad Yale
Sketches of hands holding wine glasses, Edwin Austin Abbey, n.d.Edwin Austin AbbeySketches of hands holding wine glassesn.d.Galería de Arte de la Universidad Yale
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