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Dónde cuelga la obra maestra y cuándo le dejan pasar.

Colecciones: Galería Nacional de Arte, Galería Nacional de Dinamarca, Galería Nacional de Retratos, Galería Tretiakov, Harvard Art Museums, Instituto de Arte de Chicago, Instituto de Artes de Mineápolis, MoMA, Museo de Arte de Cleveland, Museo de Victoria y Alberto, Museo del Hermitage, Museo del Louvre, Museo Estatal Ruso, Museo Hirshhorn y Jardín de Esculturas, Museo J. Paul Getty, Museo Metropolitano de Arte, Museo Pushkin, Museo Smithsoniano de Arte Americano, Museo Whitney de Arte Estadounidense, National Museum of Asian Art, Rijksmuseum, Villa Getty, Catálogo Estatal del Fondo Museístico de Rusia (274 museos), Europeana (19 museos), Wikidata (6 museos), Paris Musées (12 museos) y Joconde, la base de museos del Ministerio de Cultura de Francia (495 museos). Las imágenes pertenecen a sus titulares de derechos.

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  1. Colección/
  2. Museo de Arte de Cleveland/
  3. Winter Trees Reflected in a Pond
Winter Trees Reflected in a Pond, William Henry Fox Talbot, 1841–42
William Henry Fox Talbot, retratoWilliam Henry Fox TalbotInglaterra, 1800–1877

Winter Trees Reflected in a Pond

1841–42 · Photograph

¿Se puede contemplar?

Por ahora no recibe

Museo de Arte de Cleveland

Cleveland, Estados Unidos

Pertenece a la colección, pero ahora mismo no está expuesta.

Comprobado
hace 3 días
En este estado desde
19 ago 2026
Fuente
El museo
En el mapaPágina del museo

Sobre la obra

Talbot captured tree branches flawlessly mirrored on the glassy surface of the pond at his family seat, the 13th-century Lacock Abbey in Wiltshire. A longer exposure, or a lusher season, would have risked a blurred image. The result was a radically abstract composition for its time—a starkly beautiful landscape, as expressive and personal as any painting.

Museo de Arte de Cleveland

Ficha

1841–42 · a los 41 años
18001877
Número de inventario
2006.4

En el catálogo

FotografíaPapel a la salRomanticismoRealismoSiglo XIXEngland, 19th century

Fuentes

  • Museo de Arte de Cleveland
  • Imagen: Museo de Arte de Cleveland — Museum open access

Mientras tanto, en la vida de William Henry Fox Talbot

La vida entera
  1. 1839

    Daughter born: Matilda Caroline Talbot

  2. 25 January 1839

    First showing of photographs at the Royal Institution

    Shortly after Louis Daguerre’s daguerreotype was announced in early January, Talbot asserted his priority and, at a Friday Evening Discourse at the Royal Institution, exhibited several paper photographs he had made in 1835. Within a fortnight he described the nature of his process to the Royal Society, while Daguerre revealed no useful details of his own until mid-August.

  3. 1840

    Invents the calotype

    Talbot found a way to print any number of positives on salted paper from a paper negative; new chemicals cut the exposure to a minute in bright sunlight. He called the method the “calotype” (from kalos, beautiful), informally the “talbotype”: unlike the daguerreotype with its single positive, it effectively created modern photography.

  4. 1840–1841

    Post: High Sheriff of Wiltshire

  5. 1840s

    Photomechanics: the road to photogravure

    In the 1840s Talbot turned to the photomechanical reproduction of pictures; this work led to photoglyphic engraving, the precursor of photogravure. Rendering a photograph in printer’s ink made editions cheaper and avoided the fading of early silver prints.

  6. February 1841

    Patents the calotype

    Talbot obtained an English patent for the calotype process and sold licences at £20 each, later lowering the fee for amateurs to £4 while professionals paid up to £300 a year; scientists saw it as a hindrance to scientific freedom. He justified his rigour by the roughly £5,000 he had spent on photography; for science the method was free, and Talbot himself published the first known photomicrograph of a mineral crystal.

Más obras de William Henry Fox Talbot

Todas las obras
Oak Tree, William Henry Fox Talbot, mid-1840s

Oak Tree

mid-1840s · No expuesta · Galería Nacional de Arte

Lace, William Henry Fox Talbot, 1840s

Lace

1840s · No expuesta · MoMA

Leaf Study, William Henry Fox Talbot, 1839/1840

Leaf Study

1839/1840 · No expuesta · Galería Nacional de Arte

Lace, William Henry Fox Talbot, 1839-1844

Lace

1839-1844 · No expuesta · Galería Nacional de Arte

Porseleinen beeld naar Giambologna, voorstellende de Sabijnse maagdenroof, William Henry Fox Talbot, in or after 1839-04 - in or before 1840-04

Porseleinen beeld naar Giambologna, voorstellende de Sabijnse maagdenroof

in or after 1839-04 - in or before 1840-04 · Rijksmuseum

Entrée van de Magdalen College Chapel in Oxford, William Henry Fox Talbot, c. 1840 - c. 1850

Entrée van de Magdalen College Chapel in Oxford

c. 1840 - c. 1850 · Rijksmuseum

[Group of Trees from the American Walnut], William Henry Fox Talbot, June 1, 1840

[Group of Trees from the American Walnut]

June 1, 1840 · No expuesta · Museo J. Paul Getty

Winter Trees, Reflected in a Pond, William Henry Fox Talbot, 1841-1842

Winter Trees, Reflected in a Pond

1841-1842 · No expuesta · Galería Nacional de Arte

Bajo el mismo techo: Museo de Arte de Cleveland

Página del museo
The Red Kerchief, Claude Monet, c. 1868–73

Claude Monet

The Red Kerchief, c. 1868–73

Melencolia I, Albrecht Dürer, 1514

Albrecht Dürer

Melancolía I, 1514

The Virgin and Child with the Pear, Albrecht Dürer, 1511

Albrecht Dürer

The Virgin and Child with the Pear, 1511

The Nativity, Albrecht Dürer, probably c. 1509/1510

Albrecht Dürer

The Nativity, probably c. 1509/1510

The Virgin and Child on a Crescent with a Starry Crown, Albrecht Dürer, 1508

Albrecht Dürer

The Virgin and Child on a Crescent with a Starry Crown, 1508

The Lamentation, Albrecht Dürer, 1507

Albrecht Dürer

The Lamentation, 1507

Large Horse, Albrecht Dürer, 1505

Albrecht Dürer

Large Horse, 1505

Nemesis (The Great Fortune), Albrecht Dürer, c. 1501/1502

Albrecht Dürer

Nemesis (The Great Fortune), c. 1501/1502