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  1. Colección/
  2. Museo de Victoria y Alberto/
  3. Watercolour
Watercolour, Beatrix Potter, 1882

Watercolour

1882 · Watercolour · 25.3 × 19.4 cm

Ficha

1882 · a los 16 años
18661943
Número de inventario
LC 10/A/5

Mientras tanto, en la vida de Beatrix Potter

La vida entera
  1. childhood

    A schoolroom turned menagerie

    The schoolroom of Beatrix and Bertram housed mice, rabbits, a hedgehog, bats, frogs and a newt named Isaac Newton, alongside collections of butterflies and other insects; the animals even went on long holidays, and the children watched them closely and drew them endlessly. Among the favourites were two rabbits — one of them, Peter, Beatrix walked on a lead, took with her on trains and dressed in a blue jacket, and later wrote her first tale about him.

  2. 1866–1881

    Summers at Dalguise

    For most of the first fifteen summers of her life Beatrix stayed at Dalguise, an estate on the River Tay in Perthshire, Scotland, where she and her brother enjoyed great freedom to sketch and explore. Her first sketchbook from those holidays, kept at the age of eight and dated 1875, is held by the Victoria & Albert Museum.

  3. in youth

    The Royal Academy and John Everett Millais

    In her teens Beatrix was a regular visitor to London’s art galleries, especially enjoying the Royal Academy’s summer and winter exhibitions; her journal shows the growth of her taste and critical eye. She was also influenced by her father’s friend, the painter Sir John Everett Millais, who recognised her gift of observation.

  4. 1881–1897

    A journal in a cipher of her own

    From 1881 Beatrix kept a journal in a simple substitution cipher of her own devising — in tiny handwriting, serving as both sketchbook and literary experiment, in which she described society, her impressions of art and the life around her. The entries stop in 1897, when her energies were absorbed in scientific study and in efforts to publish her drawings.

Más obras de Beatrix Potter

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Bajo el mismo techo: Museo de Victoria y Alberto

Página del museo

Sobre el mismo tema · Ivy

Todas las obras sobre el tema
  • 1882

    The Lake District and Hardwicke Rawnsley

    When Dalguise was no longer available, the Potters spent their first summer in the Lake District in 1882, at Wray Castle near Lake Windermere; sixteen-year-old Beatrix fell in love with its beauty and resolved to live there one day. There she met Hardwicke Rawnsley, the vicar of Wray and later founding secretary of the National Trust, whose views on the countryside left a lasting mark on her.

  • Beatrix Potter, retratoBeatrix Potter1866–1943

    ¿Se puede contemplar?

    Por ahora no recibe

    Museo de Victoria y Alberto

    Londres, Reino Unido

    Pertenece a la colección, pero ahora mismo no está expuesta.

    Comprobado
    hace 12 días
    En este estado desde
    25 sept 2026
    Fuente
    El museo
    En el mapaPágina del museo

    Lo que muestra

    IvyBotanical illustrationNatural historyFlowersCrocus

    En el catálogo

    Dibujos y acuarelasAcuarelaImpresionismoSiglo XIX

    Fuentes

    • Museo de Victoria y Alberto
    • Imagen: Museo de Victoria y Alberto — © Victoria and Albert Museum, London
    Drawing, Beatrix Potter, late 19th century

    Drawing

    late 19th century · No expuesta · Museo de Victoria y Alberto

    Cinderella's coach drawn by three pairs of rabbits, Beatrix Potter, ca. 1890s

    Cinderella's coach drawn by three pairs of rabbits

    ca. 1890s · No expuesta · Museo de Victoria y Alberto

    Pumpkin carriage drawn by three pairs of rabbits, Beatrix Potter, ca.1890s

    Pumpkin carriage drawn by three pairs of rabbits

    ca.1890s · No expuesta · Museo de Victoria y Alberto

    Cinderella's coach drawn by three pairs of rabbits, Beatrix Potter, ca.1890s

    Cinderella's coach drawn by three pairs of rabbits

    ca.1890s · No expuesta · Museo de Victoria y Alberto

    Cecily Parsley’s Nursery Rhymes, Beatrix Potter, early 20th century

    Cecily Parsley’s Nursery Rhymes

    early 20th century · No expuesta · Museo de Victoria y Alberto

    Drawing, Beatrix Potter, late 19th century

    Drawing

    late 19th century · No expuesta · Museo de Victoria y Alberto

    drawing, Beatrix Potter, late 19th century - early 20th century

    drawing

    late 19th century - early 20th century · No expuesta · Museo de Victoria y Alberto

    Pink and white tulips, Beatrix Potter, late 19th century-early 20th century

    Pink and white tulips

    late 19th century-early 20th century · No expuesta · Museo de Victoria y Alberto

    Bird of Paradise, Hashimoto Chitaka, 2026

    Hashimoto Chitaka

    Bird of Paradise, 2026

    Torsion 2, Taruma Shoko, 2025

    Taruma Shoko

    Torsion 2, 2025

    Fu, Someya Satoshi, 2025

    Someya Satoshi

    Fu, 2025

    Bow Before the Curtain Falls, 2024

    Bow Before the Curtain Falls, 2024

    Summer, 2024

    Summer, 2024

    Red Flow, Ishizuka Genta, 2024

    Ishizuka Genta

    Red Flow, 2024

    3D replica of Michelangelo's Prisoner (4117-1854), Factum Arte, 2024

    Factum Arte

    3D replica of Michelangelo's Prisoner (4117-1854), 2024

    Sculpture, ‘Co-Existence – the Man and the Monkey’, Zhao Lin, 2024

    Zhao Lin

    Sculpture, ‘Co-Existence – the Man and the Monkey’, 2024

    Hand Bell with Armorial Shields and Griffins, Italian 16th Century, first half 16th century

    Italian 16th Century

    Hand Bell with Armorial Shields and Griffins, first half 16th century

    No expuesta · Galería Nacional de Arte

    The Triumph of Bacchus, or the Drunkards, José Robles Martinez, 2nd half 19th century

    José Robles Martinez

    The Triumph of Bacchus, or the Drunkards, 2nd half 19th century

    No expuesta · Museo de Victoria y Alberto

    Untitled (Ivy), Mary Vaux Walcott, 1874

    Mary Vaux Walcott

    Untitled (Ivy), 1874

    Museo Smithsoniano de Arte Americano

    Ivy, C. Atkins, 1869

    C. Atkins

    Ivy, 1869

    No expuesta · Museo de Victoria y Alberto

    Children playing, representing jealousy, friendship and love, Tournai porcelain factory, ca. 1760-ca. 1765

    Tournai porcelain factory

    Children playing, representing jealousy, friendship and love, ca. 1760-ca. 1765

    Museo de Victoria y Alberto

    Untitled (Botanical Study), George Elbert Burr, 1889

    George Elbert Burr

    Untitled (Botanical Study), 1889

    Museo Smithsoniano de Arte Americano

    Untitled (Lilies and Ground-Ivy) (Glecoma Hederacea), George Elbert Burr, 1889

    George Elbert Burr

    Untitled (Lilies and Ground-Ivy) (Glecoma Hederacea), 1889

    Museo Smithsoniano de Arte Americano

    Branches, Solon H. Borglum, 1919

    Solon H. Borglum

    Branches, 1919

    Museo Smithsoniano de Arte Americano