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Colecciones: Galería Nacional de Arte, Galería Nacional de Dinamarca, Galería Nacional de Retratos, Galería Tretiakov, Harvard Art Museums, Instituto de Arte de Chicago, Instituto de Artes de Mineápolis, MoMA, Museo de Arte de Cleveland, Museo de Victoria y Alberto, Museo del Hermitage, Museo del Louvre, Museo Estatal Ruso, Museo Hirshhorn y Jardín de Esculturas, Museo J. Paul Getty, Museo Metropolitano de Arte, Museo Pushkin, Museo Smithsoniano de Arte Americano, Museo Whitney de Arte Estadounidense, National Museum of Asian Art, Rijksmuseum, Villa Getty, Catálogo Estatal del Fondo Museístico de Rusia (274 museos), Europeana (19 museos), Wikidata (6 museos), Paris Musées (12 museos) y Joconde, la base de museos del Ministerio de Cultura de Francia (495 museos). Las imágenes pertenecen a sus titulares de derechos.

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  1. Colección/
  2. Museo de Victoria y Alberto/
  3. Watercolour
Watercolour, Beatrix Potter, August 1927
Beatrix Potter, retratoBeatrix Potter1866–1943

Watercolour

August 1927 · Watercolour · 15 × 12 cm

¿Se puede contemplar?

Por ahora no recibe

Museo de Victoria y Alberto

Londres, Reino Unido

Pertenece a la colección, pero ahora mismo no está expuesta.

Comprobado
hace 12 días
En este estado desde
25 sept 2026
Fuente
El museo
En el mapaPágina del museo

Ficha

August 1927 · a los 61 años
18661943
Número de inventario
BP.547

Lo que muestra

RabbitsPeter Rabbit

En el catálogo

Dibujos y acuarelasAcuarelaModernismoSiglo XXNear Sawrey

Fuentes

  • Museo de Victoria y Alberto
  • Imagen: Museo de Victoria y Alberto — © Victoria and Albert Museum, London

Mientras tanto, en la vida de Beatrix Potter

La vida entera
  1. 1913–1943

    Thirty years of marriage: nieces and Girl Guides

    Beatrix and William Heelis enjoyed a happy marriage of thirty years and carried on their farming and preservation work through the hard days of the Second World War. They had no children, but Beatrix played an important part in William’s large family, helping to educate several nieces, comforting and aiding his brothers and sisters, and letting Girl Guide troops camp on her land in the summer.

  2. late 1920s

    Prize-winning Herdwicks: Potter as a show judge

    By the late 1920s Beatrix and her Hill Top farm manager Tom Storey had made a name for their prize-winning Herdwick flock, which took many prizes at local agricultural shows, where Potter herself was often asked to judge.

  3. 1929–1932

    Late books: “The Fairy Caravan” and “Sister Anne”

    In 1929 came the semi-autobiographical “The Fairy Caravan”, a tale set in her beloved Troutbeck fells, published only in the US in her lifetime (in Britain not until 1952). “The Tale of Little Pig Robinson”, written much earlier, was published in 1930, and in 1932 “Sister Anne”, her version of the Bluebeard story for American readers, illustrated by Katharine Sturges.

Más obras de Beatrix Potter

Todas las obras
Drawing, Beatrix Potter, late 19th century

Drawing

late 19th century · No expuesta · Museo de Victoria y Alberto

Cinderella's coach drawn by three pairs of rabbits, Beatrix Potter, ca. 1890s

Cinderella's coach drawn by three pairs of rabbits

ca. 1890s · No expuesta · Museo de Victoria y Alberto

Pumpkin carriage drawn by three pairs of rabbits, Beatrix Potter, ca.1890s

Pumpkin carriage drawn by three pairs of rabbits

ca.1890s · No expuesta · Museo de Victoria y Alberto

Cinderella's coach drawn by three pairs of rabbits, Beatrix Potter, ca.1890s

Cinderella's coach drawn by three pairs of rabbits

ca.1890s · No expuesta · Museo de Victoria y Alberto

Cecily Parsley’s Nursery Rhymes, Beatrix Potter, early 20th century

Cecily Parsley’s Nursery Rhymes

early 20th century · No expuesta · Museo de Victoria y Alberto

Drawing, Beatrix Potter, late 19th century

Drawing

late 19th century · No expuesta · Museo de Victoria y Alberto

drawing, Beatrix Potter, late 19th century - early 20th century

drawing

late 19th century - early 20th century · No expuesta · Museo de Victoria y Alberto

Pink and white tulips, Beatrix Potter, late 19th century-early 20th century

Pink and white tulips

late 19th century-early 20th century · No expuesta · Museo de Victoria y Alberto

Bajo el mismo techo: Museo de Victoria y Alberto

Página del museo
Bird of Paradise, Hashimoto Chitaka, 2026

Hashimoto Chitaka

Bird of Paradise, 2026

Torsion 2, Taruma Shoko, 2025

Taruma Shoko

Torsion 2, 2025

Fu, Someya Satoshi, 2025

Someya Satoshi

Fu, 2025

Bow Before the Curtain Falls, 2024

Bow Before the Curtain Falls, 2024

Summer, 2024

Summer, 2024

Red Flow, Ishizuka Genta, 2024

Ishizuka Genta

Red Flow, 2024

3D replica of Michelangelo's Prisoner (4117-1854), Factum Arte, 2024

Factum Arte

3D replica of Michelangelo's Prisoner (4117-1854), 2024

Sculpture, ‘Co-Existence – the Man and the Monkey’, Zhao Lin, 2024

Zhao Lin

Sculpture, ‘Co-Existence – the Man and the Monkey’, 2024

Sobre el mismo tema · Rabbits

Todas las obras sobre el tema
After the Hunt, Gustave Courbet, ca. 1859

Gustave Courbet

After the Hunt, ca. 1859

Museo Metropolitano de Arte

The Silver Tureen, Jean Siméon Chardin, ca. 1728–30

Jean-Baptiste-Siméon Chardin

The Silver Tureen, ca. 1728–30

Museo Metropolitano de Arte

Paradise, Giovanni di Paolo, 1445

Giovanni di Paolo

Paradise, 1445

Museo Metropolitano de Arte

Summer (one of a set of four), Edme Bouchardon, probably mid-18th century

Edme Bouchardon

Summer (one of a set of four), probably mid-18th century

Museo Metropolitano de Arte

The Leap of the Rabbit, Amadeo de Souza Cardoso, 1911

Amadeo de Souza Cardoso

The Leap of the Rabbit, 1911

Instituto de Arte de Chicago

Tomb of Ermengol VII, Count of Urgell, ca. 1300–1350

Tomb of Ermengol VII, Count of Urgell, ca. 1300–1350

Museo Metropolitano de Arte

Cabinet frontal with panels from two Embriachi caskets, Baldassare degli Embriachi, ca. 1400–1409

Baldassare degli Embriachi

Cabinet frontal with panels from two Embriachi caskets, ca. 1400–1409

Museo Metropolitano de Arte

Rabbit Warren at Pontoise, Snow, Camille Pissarro, 1879

Camille Jacob Pissarro

Rabbit Warren at Pontoise, Snow, 1879

No expuesta · Instituto de Arte de Chicago