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  1. Colección/
  2. Museo de Victoria y Alberto/
  3. Watercolour
Watercolour, Beatrix Potter, ca.1890
Beatrix Potter, retratoBeatrix Potter1866–1943

Watercolour

ca.1890 · Watercolour · 30.3 × 21.6 cm

¿Se puede contemplar?

Por ahora no recibe

Museo de Victoria y Alberto

Londres, Reino Unido

Pertenece a la colección, pero ahora mismo no está expuesta.

Comprobado
hace 13 días
En este estado desde
25 sept 2026
Fuente
El museo
En el mapaPágina del museo

Ficha

ca.1890
18661943
Número de inventario
LC 15/B/4

Lo que muestra

CotoneasterBerriesBotanical illustrationNatural history

En el catálogo

Dibujos y acuarelasAcuarelaImpresionismoSiglo XIXGran Bretaña

Fuentes

  • Museo de Victoria y Alberto
  • Imagen: Museo de Victoria y Alberto — © Victoria and Albert Museum, London

Mientras tanto, en la vida de Beatrix Potter

La vida entera
  1. 1881–1897

    A journal in a cipher of her own

    From 1881 Beatrix kept a journal in a simple substitution cipher of her own devising — in tiny handwriting, serving as both sketchbook and literary experiment, in which she described society, her impressions of art and the life around her. The entries stop in 1897, when her energies were absorbed in scientific study and in efforts to publish her drawings.

  2. 1890–1894

    First commissions: cards, rabbits and frogs

    In the 1890s Beatrix printed Christmas and other greeting cards of her own design — her first commercially successful works. In 1890 the firm of Hildesheimer and Faulkner bought several drawings of her rabbit Benjamin Bunny to illustrate Frederic Weatherly’s verses “A Happy Pair”, in 1893 several more for “Our Dear Relations”, and in 1894 the publisher Ernest Nister took a series of frog illustrations and verses for the annual “Changing Pictures”.

  3. summer 1892

    Charles McIntosh and the fungi

    In the summer of 1892, at Dunkeld in Perthshire, Beatrix met Charles McIntosh, a revered naturalist and amateur mycologist: he helped make her illustrations more accurate, taught her taxonomy and supplied her with live specimens to paint in winter. By the 1890s her scientific interests had centred on mycology; she was first drawn to fungi by their colours and their evanescence.

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drawing, Beatrix Potter, late 19th century - early 20th century

drawing

late 19th century - early 20th century · No expuesta · Museo de Victoria y Alberto

Pink and white tulips, Beatrix Potter, late 19th century-early 20th century

Pink and white tulips

late 19th century-early 20th century · No expuesta · Museo de Victoria y Alberto

Watercolour, Beatrix Potter, late 19th century - early 20th century

Watercolour

late 19th century - early 20th century · No expuesta · Museo de Victoria y Alberto

Watercolour, Beatrix Potter, late 19th century - early 20th century

Watercolour

late 19th century - early 20th century · No expuesta · Museo de Victoria y Alberto

Watercolour, Beatrix Potter, late 19th century - early 20th century

Watercolour

late 19th century - early 20th century · No expuesta · Museo de Victoria y Alberto

Watercolour, Beatrix Potter, late 19th century - early 20th century

Watercolour

late 19th century - early 20th century · No expuesta · Museo de Victoria y Alberto

Watercolour, Beatrix Potter, late 19th century - early 20th century

Watercolour

late 19th century - early 20th century · No expuesta · Museo de Victoria y Alberto

Watercolour, Beatrix Potter, late 19th century - early 20th century

Watercolour

late 19th century - early 20th century · No expuesta · Museo de Victoria y Alberto

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