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Colecciones: Galería Nacional de Arte, Galería Nacional de Dinamarca, Galería Nacional de Retratos, Galería Tretiakov, Harvard Art Museums, Instituto de Arte de Chicago, Instituto de Artes de Mineápolis, MoMA, Museo de Arte de Cleveland, Museo de Victoria y Alberto, Museo del Hermitage, Museo del Louvre, Museo Estatal Ruso, Museo Hirshhorn y Jardín de Esculturas, Museo J. Paul Getty, Museo Metropolitano de Arte, Museo Pushkin, Museo Smithsoniano de Arte Americano, Museo Whitney de Arte Estadounidense, National Museum of Asian Art, Rijksmuseum, Villa Getty, Catálogo Estatal del Fondo Museístico de Rusia (274 museos), Europeana (19 museos), Wikidata (6 museos), Paris Musées (12 museos) y Joconde, la base de museos del Ministerio de Cultura de Francia (495 museos). Las imágenes pertenecen a sus titulares de derechos.

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  1. Colección/
  2. Museo de Victoria y Alberto/
  3. Virgin and Child
Virgin and Child, Donatello, 1400-1450
Donatello, retratoDonatelloItalia, 1386–1466

Virgin and Child

1400-1450 · Relief · 52.1 × 47.3 cm

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Museo de Victoria y Alberto

Londres, Reino Unido

Pertenece a la colección, pero ahora mismo no está expuesta.

Comprobado
hace 13 días
En este estado desde
25 sept 2026
Fuente
El museo
En el mapaPágina del museo

Sobre la escultura

This relief represents the Virgin and Child, and is made after Dontatello in ca. 1400-1450, in Italy.

The relief is an enlarged copy of the so-called Madonna of the Clouds of Donatello in the Boston Museum of Fine Arts (H. 33.5 cm; W. 33.2 cm). The scheme differs from that of Donatello's original in that it is slightly extended at the top and sides, and slightly reduced at the base.

Museo de Victoria y Alberto

Ficha

1400-1450
13861466
Número de inventario
A.36-1953

Lo que muestra

AngelVirgin and Child

En el catálogo

EsculturaMármolRenacimientoSiglo XVFlorencia

Fuentes

  • Museo de Victoria y Alberto
  • Imagen: Museo de Victoria y Alberto — © Victoria and Albert Museum, London

Mientras tanto, en la vida de Donatello

La vida entera
  1. c. 1400

    Friendship with Brunelleschi in Pistoia

    In Pistoia the thirteen- or fourteen-year-old Donatello helped Filippo Brunelleschi with the silver figures of the altar of Saint James. From then on the two masters remained friends for life.

  2. 1402–1404

    A trip to Rome to study antiquity

    From 1402 to 1404 Donatello and Brunelleschi visited Rome to study the “antiques”; according to Vasari they dug on the Roman Forum and were almost killed after being taken for treasure hunters. Donatello drew fragments of ancient statues.

  3. 1404–1407

    Apprentice and assistant in Ghiberti's workshop

    In 1404–1407 Donatello is recorded as an apprentice, and for the last few months as a salaried assistant, in Lorenzo Ghiberti's studio, apparently working on the bronze doors of the Florence Baptistery.

  4. 1423

    “The Feast of Herod” and the start of his work in bronze

    By 1423 Ghiberti had not even started work on the reliefs for the Siena Baptistery font, and one of them, “The Feast of Herod”, was given to Donatello instead. That year marks the start of his documented work in bronze: he also received commissions for “Saint Louis of Toulouse” and a reliquary bust of Saint Rossore.

  5. c. 1425

    Partnership with Michelozzo

    Around 1425 Donatello entered into a formal partnership with Michelozzo, an architect and sculptor about ten years younger: Donatello had too much work and was poor at organising a workshop, at which Michelozzo excelled, while Michelozzo wanted to extract himself from an arrangement with Ghiberti. Both had very good relations with the Medici.

  6. 1443

    Called to Padua: the Gattamelata monument

    In 1443 the heirs of the condottiere Erasmo da Narni, known as Gattamelata, who had died that year, called Donatello to Padua. He spent about ten years there, with a studio near the Santo and several assistants.

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Ia Orana Maria (Hail Mary), Paul Gauguin, 1891

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