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Colecciones: Galería Nacional de Arte, Galería Nacional de Dinamarca, Galería Nacional de Retratos, Galería Tretiakov, Harvard Art Museums, Instituto de Arte de Chicago, Instituto de Artes de Mineápolis, MoMA, Museo de Arte de Cleveland, Museo de Victoria y Alberto, Museo del Hermitage, Museo del Louvre, Museo Estatal Ruso, Museo Hirshhorn y Jardín de Esculturas, Museo J. Paul Getty, Museo Metropolitano de Arte, Museo Pushkin, Museo Smithsoniano de Arte Americano, Museo Whitney de Arte Estadounidense, National Museum of Asian Art, Rijksmuseum, Villa Getty, Catálogo Estatal del Fondo Museístico de Rusia (274 museos), Europeana (19 museos), Wikidata (6 museos), Paris Musées (12 museos) y Joconde, la base de museos del Ministerio de Cultura de Francia (495 museos). Las imágenes pertenecen a sus titulares de derechos.

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Galería Nacional de Arte
Title from caption on object: “Friendship”

Title from caption on object: “Friendship”, Horst Faas, March 31, 1967

Horst Faas, retrato

Horst FaasAlemania, 1933–2012

Title from caption on object: “Friendship”

March 31, 1967 · Photograph

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Galería Nacional de Arte

Washington D. C., Estados Unidos

Pertenece a la colección, pero ahora mismo no está expuesta.

Comprobado: hace 3 días
En este estado desde: 19 ago 2026
Fuente: El museo

En el mapa Página del museo

Ficha

March 31, 1967 · a los 34 años

19332012

Número de inventario: 2018.177.575

Lo que muestra

Muerte War Soldiers Combat Varón Historia Vietnam Press

En el catálogo

Fotografía Gelatina de plata Arte de posguerra Siglo XX German

Fuentes

Galería Nacional de Arte
Imagen: Galería Nacional de Arte — © the artist or rights holder

Más obras de Horst Faas

Todas las obras

Title from caption on object: “Body of a Child...”, Horst Faas, March 19, 1964

Title from caption on object: “Body of a Child...”

March 19, 1964 · No expuesta · Galería Nacional de Arte

Along the Open Road to the DMZ: a military convoy heads along Route One toward the demilitarized zone in South Vietnam from Hue. Route One, the main south-north line of communication between Saigon and the DMZ, is open and passable. During the day, traffic is considered secure between Phan Rang and the DMZ. The only area where Viet Cong roadblocks must be expected is about 60-90 miles northeast of Saigon, Horst Faas, December 1969

Along the Open Road to the DMZ: a military convoy heads along Route One toward the demilitarized zone in South Vietnam from Hue. Route One, the main south-north line of communication between Saigon and the DMZ, is open and passable. During the day, traffic is considered secure between Phan Rang and the DMZ. The only area where Viet Cong roadblocks must be expected is about 60-90 miles northeast of Saigon

December 1969 · No expuesta · Instituto de Arte de Chicago

"Aftermath of Vietcong Massacre", Horst Faas, December 12, 1969

"Aftermath of Vietcong Massacre"

December 12, 1969 · No expuesta · MoMA

Meo Hamlet: view of typical Meo Hamlet, at Ban Xon, 65 miles North of Vientiane in Laos. The Hamlet is located on a hilltop in the Central Laotian mountain and its inhabitants have fled further South every year. All able-bodied men and women carry weapons, provided by the Americans. They are prepared to defend against local enemy, but would abandon the village in event of massive attack. A trench surrounds the village which has a communal bunker in the center, Horst Faas, March 2, 1971

Meo Hamlet: view of typical Meo Hamlet, at Ban Xon, 65 miles North of Vientiane in Laos. The Hamlet is located on a hilltop in the Central Laotian mountain and its inhabitants have fled further South every year. All able-bodied men and women carry weapons, provided by the Americans. They are prepared to defend against local enemy, but would abandon the village in event of massive attack. A trench surrounds the village which has a communal bunker in the center

March 2, 1971 · No expuesta · Instituto de Arte de Chicago

Country of Contrasts: this square in Teheran, with tree-lined boulevards and highrise buildings exemplifies modern Iran. Although two-thirds of Iran is still rural, a rapid modernization has been taking place over the past two decades, Horst Faas, September 28, 1971

Country of Contrasts: this square in Teheran, with tree-lined boulevards and highrise buildings exemplifies modern Iran. Although two-thirds of Iran is still rural, a rapid modernization has been taking place over the past two decades

September 28, 1971 · No expuesta · Instituto de Arte de Chicago

Title from caption on object: “The Shipbreakers”, Horst Faas, 1972

Title from caption on object: “The Shipbreakers”

1972 · No expuesta · Galería Nacional de Arte

Resort Town: unusual forms are prefab bungalows, part of a resort community built by Israel at a beach near Sharm el Sheik, Horst Faas, December 30, 1973

Resort Town: unusual forms are prefab bungalows, part of a resort community built by Israel at a beach near Sharm el Sheik

December 30, 1973 · No expuesta · Instituto de Arte de Chicago

Title from caption on object: “New and Old Heavyweight Champion Muhammad Ali...”, Horst Faas, October 30, 1974

Title from caption on object: “New and Old Heavyweight Champion Muhammad Ali...”

October 30, 1974 · No expuesta · Galería Nacional de Arte

Bajo el mismo techo: Galería Nacional de Arte

Página del museo

Ginevra de' Benci [obverse], Leonardo da Vinci, c. 1474/1478

Leonardo da Vinci

Retrato de Ginebra de Benci, c. 1474/1478

Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], Leonardo da Vinci, c. 1474/1478

Leonardo da Vinci

Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], c. 1474/1478

Green Wheat Fields, Auvers, Vincent van Gogh, 1890

Vincent van Gogh

Green Wheat Fields, Auvers, 1890

Girl in White, Vincent van Gogh, 1890

Vincent van Gogh

Chica en blanco, 1890

Roses, Vincent van Gogh, 1890

Vincent van Gogh

Roses, 1890

Self-Portrait, Vincent van Gogh, 1889

Vincent van Gogh

Self-Portrait, 1889

Farmhouse in Provence, Vincent van Gogh, 1888

Vincent van Gogh

Granja en Provenza, 1888

La Mousmé, Vincent van Gogh, 1888

Vincent van Gogh

La Mousmé, 1888

Sobre el mismo tema · Muerte

Todas las obras sobre el tema

Salomé, Pablo Picasso, 1905, published 1913

Pablo Picasso

Salomé, 1905, published 1913

No expuesta · Galería Nacional de Arte

Dying Horse (Cheval mourant), Pablo Picasso, 1931

Pablo Picasso

Dying Horse (Cheval mourant), 1931

No expuesta · Galería Nacional de Arte

The Death of Harlequin, Pablo Picasso, 1905/1906

Pablo Picasso

The Death of Harlequin, 1905/1906

No expuesta · Galería Nacional de Arte

Dream and Lie of Franco, Pablo Picasso, 1937

Pablo Picasso

Dream and Lie of Franco, 1937

No expuesta · Galería Nacional de Arte

Dog, Andy Warhol, n.d.

Andy Warhol

Dog, n.d.

No expuesta · Galería Nacional de Arte

Dog, Andy Warhol, n.d.

Andy Warhol

Dog, n.d.

No expuesta · Galería Nacional de Arte

Massacre of the Innocents (With the Fir Tree), Marcantonio Raimondi, c. 1511–12

Raphael

Massacre of the Innocents (With the Fir Tree), c. 1511–12

No expuesta · Museo de Arte de Cleveland

David Slaying Goliath, Ugo da Carpi after Raphael, c. 1520

Raphael

David Slaying Goliath, c. 1520

No expuesta · Galería Nacional de Arte